Poet in the context of Poems

Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet. Poets use a variety of techniques called poetic devices, such as assonance, alliteration, consonance, euphony and cacophony, onomatopoeia, rhythm (via metre), rhyme schemes (patterns in the type and placement of a phoneme group) and sound symbolism, to produce musical or other artistic effects. They also frequently organize these devices into poetic structures, which may be strict or loose, conventional or invented by the poet. Poetic structures vary dramatically by language and cultural convention, but they often rely on rhythmic metre: patterns of syllable stress or syllable (or mora) weight. They may also use repeating patterns of phonemes, phoneme groups, tones, words, or entire phrases. Poetic structures may even be semantic (e.g. the volta required in a Petrachan sonnet).

Most written poems are formatted in verse: a series or stack of lines on a page, which follow the poetic structure. For this reason, verse has also become a synonym (a metonym) for poetry. Some poetry types are unique to particular cultures and genres and respond to characteristics of the language in which the poet writes. Readers accustomed to identifying poetry with Dante, Goethe, Mickiewicz, or Rumi may think of it as written in lines based on rhyme and regular meter. There are, however, traditions, such as Biblical poetry and alliterative verse, that use other means to create rhythm and euphony. Other traditions, such as Somali poetry, rely on complex systems of alliteration and metre independent of writing and have been described as structurally comparable to ancient Greek and medieval European oral verse. Much modern poetry reflects a critique of poetic tradition, testing the principle of euphony itself or altogether forgoing rhyme or set rhythm. In first-person poems, the lyrics are spoken by an "I", a character who may be termed the speaker, distinct from the poet (the author). Thus if, for example, a poem asserts, "I killed my enemy in Reno", it is the speaker, not the poet, who is the killer (unless this "confession" is a form of metaphor which needs to be considered in closer context – via close reading).

Eratosthenes of Cyrene (/ɛrəˈtɒsθəniːz/; Ancient Greek: Ἐρατοσθένης [eratostʰénɛːs]; c. 276 BC – c. 195/194 BC) was an Ancient Greek philosopher, polymath and scholar. He was known as a mathematician, geographer, poet, astronomer, and music theorist. Eratosthenes became the chief librarian at the Library of Alexandria. His work was the precursor to the modern discipline of geography, and he introduced some of its terminology, coining the terms geography and geographer.

He is best remembered as the first known person to calculate the Earth's circumference. He was also the first to calculate Earth's axial tilt, which similarly proved to have remarkable accuracy. He created the first global projection of the world incorporating parallels and meridians based on the available geographic knowledge of his era. Eratosthenes was the founder of scientific chronology; he used Egyptian and Persian records to estimate the dates of the main events of the Trojan War, dating the sack of Troy to 1184 BC. In number theory, he introduced the sieve of Eratosthenes, an efficient method of identifying prime numbers and composite numbers.

Johann Christoph Friedrich von Schiller (German: [ˈjoːhan ˈkʁɪstɔf ˈfʁiːdʁɪç fɔn ˈʃɪlɐ], short: [ˈfʁiːdʁɪç ˈʃɪlɐ] ; 10 November 1759 – 9 May 1805) was a German playwright, poet, philosopher and historian. Schiller is considered to be one of Germany's most important classical playwrights.

He was born in Marbach to a devoutly Protestant family. Initially intended for the priesthood, in 1773 he entered a military academy in Stuttgart and ended up studying medicine. His first play, The Robbers, was written at this time and proved very successful. After a brief stint as a regimental doctor, he left Stuttgart and eventually wound up in Weimar. In 1789, he became professor of History and Philosophy at Jena, where he wrote historical works.

Johan August Strindberg (/ˈstrɪn(d)bɜːrɡ/; Swedish: [ˈǒːɡɵst ˈstrɪ̂nːdbærj] ; 22 January 1849 – 14 May 1912) was a Swedish playwright, novelist, poet, essayist, and painter. A prolific writer who often drew directly on his personal experience, Strindberg wrote more than 60 plays and more than 30 works of fiction, autobiography, history, cultural analysis, and politics during his career, which spanned four decades. A bold experimenter and iconoclast throughout his life, he explored a wide range of dramatic methods and purposes, from naturalistic tragedy, monodrama, and historical plays to his anticipations of expressionist and surrealist dramatic techniques. From his earliest work, Strindberg developed innovative forms of dramatic action, language, and visual composition. He is considered the "father" of modern Swedish literature and his The Red Room (1879) has frequently been described as the first modern Swedish novel. In Sweden, Strindberg is known as an essayist, painter, poet, and especially novelist and playwright, but in other countries he is known mostly as a playwright.

The Royal Theatre rejected his first major play, Master Olof, in 1872; it was not until 1881, when he was thirty-two, that its première at the New Theatre gave him his theatrical breakthrough. In his plays The Father (1887), Miss Julie (1888), and Creditors (1889), he created naturalistic dramas that – building on the established accomplishments of Henrik Ibsen's prose problem plays while rejecting their use of the structure of the well-made play – responded to the call-to-arms of Émile Zola's manifesto "Naturalism in the Theatre" (1881) and the example set by André Antoine's newly established Théâtre Libre (opened 1887). In Miss Julie, characterisation replaces plot as the predominant dramatic element (in contrast to melodrama and the well-made play) and the determining role of heredity and the environment on the "vacillating, disintegrated" characters is emphasized. Strindberg modeled his short-lived Scandinavian Experimental Theatre (1889) in Copenhagen on Antoine's theatre and he explored the theory of Naturalism in his essays "On Psychic Murder" (1887), "On Modern Drama and the Modern Theatre" (1889), and a preface to Miss Julie, the last of which is probably the best-known statement of the principles of the theatrical movement.

Edgar Allan Poe (né Edgar Poe; January 19, 1809 – October 7, 1849) was an American writer, poet, editor, and literary critic who is best known for his poetry and short stories, particularly his tales involving mystery and the macabre. He is widely regarded as one of the central figures of Romanticism and Gothic fiction in the United States and of early American literature. Poe was one of the country's first successful practitioners of the short story, and is generally considered to be the inventor of the detective fiction genre. In addition, he is credited with contributing significantly to the emergence of science fiction. He is the first well-known American writer to earn a living exclusively through writing, which resulted in a financially difficult life and career.

Poe was born in Boston. He was the second child of actors David and Elizabeth "Eliza" Poe. His father abandoned the family in 1810, and when Eliza died the following year, Poe was taken in by John and Frances Allan of Richmond, Virginia. They never formally adopted him, but he lived with them well into young adulthood. Poe attended the University of Virginia but left after only a year due to a lack of money. He frequently quarreled with John Allan over the funds needed to continue his education as well as his gambling debts. In 1827, having enlisted in the United States Army under the assumed name of Edgar A. Perry, he published his first collection, Tamerlane and Other Poems, which was credited only to "a Bostonian". Poe and Allan reached a temporary rapprochement after the death of Allan's wife, Frances, in 1829. However, Poe later failed as an officer cadet at West Point, declared his intention to become a writer, primarily of poems, and parted ways with Allan.

Charles Lutwidge Dodgson (27 January 1832 – 14 January 1898), better known by his pen name Lewis Carroll, was an English author, poet, mathematician, photographer and reluctant Anglican deacon. His most notable works are Alice's Adventures in Wonderland (1865) and its sequel Through the Looking-Glass (1871), some of the most important examples of Victorian literature. He was noted for his facility with word play, logic, and fantasy. His poems Jabberwocky (1871) and The Hunting of the Snark (1876) are classified in the genre of literary nonsense. Some of Alice's nonsensical wonderland logic reflects his published work on mathematical logic.

Carroll came from a family of high-church Anglicans, and pursued his clerical training at Christ Church, Oxford, where he lived for most of his life as a scholar, teacher and (necessarily for his academic fellowship at the time) Anglican deacon. Alice Liddell – a daughter of Henry Liddell, the Dean of Christ Church – is widely identified as the original inspiration for Alice in Wonderland, though Carroll always denied this.

Albius Tibullus (c. 55 BC – c. 19 BC) was a Latin poet and writer of elegies. His first and second books of poetry are extant; many other texts attributed to him are of questionable origins.

Little is known about the life of Tibullus. There are only a few references to him by later writers and a short Life of doubtful authority. Neither his praenomen nor his birthplace is known, and his gentile name has been questioned. His status was probably that of a Roman eques (so the Life affirms), and he had inherited a considerable estate. Like Virgil and Propertius, he seems to have lost most of it in 41 BC in the confiscations of Mark Antony and Octavian.

Henry David Thoreau (born David Henry Thoreau; July 12, 1817 – May 6, 1862) was an American naturalist, essayist, poet, and philosopher. A leading transcendentalist, he is best known for his book Walden, a reflection upon simple living in natural surroundings, and his essay "Civil Disobedience" (originally published as "Resistance to Civil Government"), an argument in favor of citizen disobedience against an unjust state.

Thoreau's books, articles, essays, journals, and poetry amount to more than 20 volumes. Among his lasting contributions are his writings on natural history and philosophy, in which he anticipated the methods and findings of ecology and environmental history, two sources of modern-day environmentalism. His literary style interweaves close observation of nature, personal experience, pointed rhetoric, symbolic meanings, and historical lore, while displaying a poetic sensibility, philosophical austerity, and attention to practical detail. He was also deeply interested in the idea of survival in the face of hostile elements, historical change, and natural decay; at the same time he advocated abandoning waste and illusion in order to discover life's true essential needs.

Xenophanes of Colophon (/zəˈnɒfəniːz/ zə-NOF-ə-neez; Ancient Greek: Ξενοφάνης ὁ Κολοφώνιος [ksenopʰánɛːs ho kolopʰɔ̌ːnios]; c. 570 – c. 478 BC) was a Greek philosopher, theologian, poet, and critic of Homer. He was born in Ionia and travelled throughout the Greek-speaking world in early classical antiquity.

As a poet, Xenophanes was known for his critical style, writing poems that are considered among the first satires. He composed elegiac couplets that criticised his society's traditional values of wealth, excesses, and athletic victories. He criticised Homer and the other poets in his works for representing the gods as foolish or morally weak. His poems have not survived intact; only fragments of some of his work survive in quotations by later philosophers and literary critics.

Abhijnanashakuntalam (Devanagari: अभिज्ञानशाकुन्तलम्, IAST: Abhijñānaśākuntalam), also known as Shakuntala, The Recognition of Shakuntala, The Sign of Shakuntala, and many other variants, is a Sanskrit play by the ancient Indian poet Kālidāsa, dramatizing the story of Śakuntalā told in the epic Mahābhārata and regarded as the best of Kālidāsa's works. Its exact date is uncertain, but Kālidāsa is often placed in the 4th century CE.

Ramon Llull TOSF (/lʌl/; Catalan: [rəˈmoɲ ˈʎuʎ]; c. 1232 – 1316), sometimes anglicized as Raymond Lully, was a Mallorcan Catholic philosopher, theologian, poet, missionary, apologist and former knight. He invented a philosophical system known as the Art, conceived as a type of universal logic to prove the truth of Christian doctrine to interlocutors of all faiths and nationalities. The Art consists of a set of general principles and combinatorial operations. It is illustrated with diagrams.

A prolific writer, he is also known for his literary works written in Catalan, which he composed to make his Art accessible to a wider audience. In addition to Catalan and Latin, he also probably wrote in Arabic (although no texts in Arabic survive). His books were translated into Occitan, French, and Castilian during his lifetime.

Thomas Stearns Eliot OM (26 September 1888 – 4 January 1965) was a poet, essayist and playwright. He was a leading figure in English-language Modernist poetry where he reinvigorated the art through his use of language, writing style, and verse structure. He is also noted for his critical essays, which often re-evaluated long-held cultural beliefs.

Born in St. Louis, Missouri, United States, to a prominent Boston Brahmin family, he moved to England in 1914 at the age of 25 and went on to settle, work, and marry there. He became a British subject in 1927 at the age of 39 and renounced his American citizenship.

The Anxiety of Influence: A Theory of Poetry is a 1973 book by Harold Bloom on the anxiety of influence in writing poetry. It was the first in a series of books that advanced a new "revisionary" or antithetical approach to literary criticism. Bloom's central thesis is that poets are hindered in their creative process by the ambiguous relationship they necessarily maintain with precursor poets. While admitting the influence of extraliterary experience on every poet, he argues that "the poet in a poet" is inspired to write by reading another poet's poetry and will tend to produce work that is in danger of being derivative of existing poetry, and, therefore, weak. Because poets historically emphasize an original poetic vision in order to guarantee their survival into posterity, the influence of precursor poets inspires a sense of anxiety in living poets. Thus Bloom attempts to work out the process by which the small minority of 'strong' poets manage to create original work in spite of the pressure of influence. Such an agon (a vain attempt by a writer to resolve the conflict between his ideas and those of a much more influential predecessor), Bloom argues, depends on six revisionary ratios, which reflect Freudian and quasi-Freudian defense mechanisms, as well as the tropes of classical rhetoric.

Before writing this book, Bloom spent a decade studying the Romantic poets of the early nineteenth century. This is reflected in the emphasis given to those poets and their struggle with the influence of John Milton, Robert Burns, and Edmund Spenser. Other poets analyzed range from Lucretius and Dante to Walt Whitman, Wallace Stevens, and John Ashbery. In The Anxiety of Influence and other early books, Bloom claimed that influence was particularly important for post-enlightenment poets. Conversely, he suggested that influence might have been less of a problem for such poets as Shakespeare and Ben Jonson. Bloom later changed his mind, and the most recent editions of The Anxiety of Influence include a preface claiming that Shakespeare was troubled early in his career by the influence of Christopher Marlowe. The book itself is divided into six major categories, called "six revisionary ratios" by Bloom. They are clinamen, tessera, kenosis, daemonization, askesis, and apophrades.

A playwright or dramatist is a person who writes plays, which are a form of drama that primarily consists of dialogue between characters and is intended for theatrical performance rather than justreading. Ben Jonson coined the term playwright and is the first person in English literature to refer to playwrights as separate from poets.

The earliest playwrights in Western literature with surviving works are the Ancient Greeks. William Shakespeare is amongst the most famous playwrights in literature, both in England and across the world.

Lucius Annaeus Seneca the Elder (/ˈsɛnɪkə/ SEN-ik-ə; c. 54 BC – c. AD 39), also known as Seneca the Rhetorician, was a Roman writer, born of a wealthy equestrian family of Corduba, Hispania. He wrote a collection of reminiscences about the Roman schools of rhetoric, six books of which are extant in a more or less complete state and five others in epitome only. His principal work, a history of Roman affairs from the beginning of the Civil Wars until the last years of his life, is almost entirely lost to posterity. Seneca lived through the reigns of three significant emperors; Augustus (ruled 27 BC – 14 AD), Tiberius (ruled 14–37 AD) and Caligula (ruled 37–41 AD). He was the father of Lucius Junius Gallio Annaeanus, best known as a Proconsul of Achaia; his second son was the dramatist and Stoic philosopher Seneca the Younger (Lucius), who was tutor of Nero, and his third son, Marcus Annaeus Mela, became the father of the poet Lucan.

A national poet or national bard is a poet held by tradition and popular acclaim to represent the identity, beliefs and principles of a particular national culture. The national poet as culture hero is a long-standing symbol, to be distinguished from successive holders of a bureaucratically-appointed poet-laureate office. The idea and honoring of national poets emerged primarily during Romanticism, as a figure that helped consolidation of the nation states, as it provided validation of their ethno-linguistic groups.

Most national poets are historic figures, though a few contemporary writers working in relatively new or revived national literatures are also considered "national poets". Though not formally elected, national poets play a role in shaping a country's understanding of itself. Some nations may have more than one national poet; the idea of a single one is always a simplification. It has been argued that a national poet "must write poetry that closely identifies with the nation's cause – or is thought to do so", with an additional assumption being that "a national poet must write in a national language".