Onomatopoeia in the context of "Poetry"

Comics are a medium used to express ideas with images, often combined with text or other visual information. It typically takes the form of a sequence of panels of images. Textual devices such as speech balloons, captions, and onomatopoeia can indicate dialogue, narration, sound effects, or other information. There is no consensus among theorists and historians on a definition of comics; some emphasize the combination of images and text, some sequentiality or other image relations, and others historical aspects such as mass reproduction or the use of recurring characters. Cartooning and other forms of illustration are the most common means of image-making in comics. Photo comics are a form that uses photographic images. Common forms include comic strips, editorial and gag cartoons, and comic books. Since the late 20th century, bound volumes such as graphic novels and comic albums have become increasingly common, along with webcomics.

The history of comics has followed different paths in different cultures. Scholars have posited a pre-history as far back as the Lascaux cave paintings. By the mid-20th century, comics flourished, particularly in the United States, western Europe (especially France and Belgium), and Japan. The history of European comics is often traced to Rodolphe Töpffer's cartoon strips of the 1830s, while Wilhelm Busch and his Max and Moritz also had a global impact from 1865 on, and became popular following the success in the 1930s of strips and books such as The Adventures of Tintin. American comics emerged as a mass medium in the early 20th century with the advent of newspaper comic strips; magazine-style comic books followed in the 1930s, and the superhero genre became prominent after Superman appeared in 1938. Histories of Japanese comics (manga) propose origins as early as the 12th century. Japanese comics are generally held separate from the evolution of Euro-American comics, and Western comic art probably originated in 17th-century Italy. Modern Japanese comic strips emerged in the early 20th century, and the output of comic magazines and books rapidly expanded in the post-World War II era (1945–) with the popularity of cartoonists such as Osamu Tezuka. Comics has had a lowbrow reputation for much of its history, but towards the end of the 20th century, it began to find greater acceptance with the public and academics.

The modern Japanese writing system uses a combination of logographic kanji, which are adopted Chinese characters, and syllabic kana. Kana itself consists of a pair of syllabaries: hiragana, used primarily for native or naturalized Japanese words and grammatical elements; and katakana, used primarily for foreign words and names, loanwords, onomatopoeia, scientific names, and sometimes for emphasis. Almost all written Japanese sentences contain a mixture of kanji and kana. Because of this mixture of scripts, in addition to a large inventory of kanji characters, the Japanese writing system is considered to be one of the most complicated currently in use.

Several thousand kanji characters are in regular use, which mostly originate from traditional Chinese characters. Others made in Japan are referred to as "Japanese kanji" (和製漢字, wasei kanji), also known as "[our] country's kanji" (国字, kokuji). Each character has an intrinsic meaning (or range of meanings), and most have more than one pronunciation, the choice of which depends on context. Japanese primary and secondary school students are required to learn 2,136 jōyō kanji as of 2010. The total number of kanji is well over 50,000, though this includes tens of thousands of characters only present in historical writings and never used in modern Japanese.

In logic, a reference is a relationship between objects in which one object designates, or acts as a means by which to connect to or link to, another object. The first object in this relation is said to refer to the second object. It is called a name for the second object. The next object, the one to which the first object refers, is called the referent of the first object. A name is usually a phrase or expression, or some other symbolic representation. Its referent may be anything – a material object, a person, an event, an activity, or an abstract concept.

References can take on many forms, including: a thought, a sensory perception that is audible (onomatopoeia), visual (text), olfactory, or tactile, emotional state, relationship with other, spacetime coordinates, symbolic or alpha-numeric, a physical object, or an energy projection. In some cases, methods are used that intentionally hide the reference from some observers, as in cryptography.

A beep is a short, single tone, typically high-pitched, generally made by a computer or other machine. The term has its origin in onomatopoeia. The word "beep-beep" is recorded for the noise of a car horn in 1929, and the modern usage of "beep" for a high-pitched tone is attributed to Arthur C. Clarke in 1951.

Œ (minuscule: œ), in English known as ethel or œthel (also spelt ēðel or odal), is a Latin alphabet grapheme, a ligature of o and e. In medieval and early modern Latin, it was used in borrowings from Greek that originally contained the diphthong οι, and in a few non-Greek words. These usages continue in English and French. In French, the words that were borrowed from Latin and contained the Latin diphthong written as œ now generally have é or è; but œ is still used in some non-learned French words, representing open-mid front rounded vowels, such as œil ("eye") and sœur ("sister").

It is used in the modern orthography for Old West Norse and is used in the International Phonetic Alphabet to represent the open-mid front rounded vowel. In English runology, œ ɶ is used to transliterate the rune othala ᛟ (Old English: ēðel, "estate, ancestral home"), of which English derives its name.