Poems in the context of Character (arts)


Poems in the context of Character (arts)

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⭐ Core Definition: Poems

Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet. Poets use a variety of techniques called poetic devices, such as assonance, alliteration, consonance, euphony and cacophony, onomatopoeia, rhythm (via metre), rhyme schemes (patterns in the type and placement of a phoneme group) and sound symbolism, to produce musical or other artistic effects. They also frequently organize these devices into poetic structures, which may be strict or loose, conventional or invented by the poet. Poetic structures vary dramatically by language and cultural convention, but they often rely on rhythmic metre: patterns of syllable stress or syllable (or mora) weight. They may also use repeating patterns of phonemes, phoneme groups, tones, words, or entire phrases. Poetic structures may even be semantic (e.g. the volta required in a Petrachan sonnet).

Most written poems are formatted in verse: a series or stack of lines on a page, which follow the poetic structure. For this reason, verse has also become a synonym (a metonym) for poetry. Some poetry types are unique to particular cultures and genres and respond to characteristics of the language in which the poet writes. Readers accustomed to identifying poetry with Dante, Goethe, Mickiewicz, or Rumi may think of it as written in lines based on rhyme and regular meter. There are, however, traditions, such as Biblical poetry and alliterative verse, that use other means to create rhythm and euphony. Other traditions, such as Somali poetry, rely on complex systems of alliteration and metre independent of writing and have been described as structurally comparable to ancient Greek and medieval European oral verse. Much modern poetry reflects a critique of poetic tradition, testing the principle of euphony itself or altogether forgoing rhyme or set rhythm. In first-person poems, the lyrics are spoken by an "I", a character who may be termed the speaker, distinct from the poet (the author). Thus if, for example, a poem asserts, "I killed my enemy in Reno", it is the speaker, not the poet, who is the killer (unless this "confession" is a form of metaphor which needs to be considered in closer context – via close reading).

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Poems in the context of Ode

An ode (from Ancient Greek: ᾠδή, romanizedōidḗ) is a type of lyric poetry, with its origins in Ancient Greece. Odes are elaborately structured poems praising or glorifying an event or individual, describing nature intellectually as well as emotionally. A classic ode is structured in three major parts: the strophe, the antistrophe, and the epode. Different forms such as the homostrophic ode and the irregular ode also enter.

Greek odes were originally poetic pieces performed with musical accompaniment. As time passed on, they gradually became known as personal lyrical compositions whether sung (with or without musical instruments) or merely recited (always with accompaniment). The primary instruments used were the aulos and the lyre (the latter was the most revered instrument to the ancient Greeks).

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Poems in the context of Point of view (literature)

Narration is the use of a written or spoken commentary to convey a story to an audience. Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the plot: the series of events. Narration is a required element of all written stories (novels, short stories, poems, memoirs, etc.), presenting the story in its entirety. It is optional in most other storytelling formats, such as films, plays, television shows and video games, in which the story can be conveyed through other means, like dialogue between characters or visual action.

The narrative mode, which is sometimes also used as synonym for narrative technique, encompasses the set of choices through which the creator of the story develops their narrator and narration:

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Poems in the context of Information

Information is an abstract concept that refers to something which has the power to inform. At the most fundamental level, it pertains to the interpretation (perhaps formally) of that which may be sensed, or their abstractions. Any natural process that is not completely random and any observable pattern in any medium can be said to convey some amount of information. Whereas digital signals and other data use discrete signs to convey information, other phenomena and artifacts such as analogue signals, poems, pictures, music or other sounds, and currents convey information in a more continuous form. Information is not knowledge itself, but the meaning that may be derived from a representation through interpretation.

The concept of information is relevant or connected to various concepts, including constraint, communication, control, data, form, education, knowledge, meaning, understanding, mental stimuli, pattern, perception, proposition, representation, and entropy.

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Poems in the context of Songs of Dzitbalche

The [Book of the] Songs of Dzitbalché (Spanish: [El libro de] los cantares de Dzitbalché), originally titled The Book of the Dances of the Ancients, is a Mayan book containing poetry. It is the source of almost all the ancient Mayan lyric poems that have survived, and is closely connected to the Books of Chilam Balam which are sacred books of the colonial Yucatec Maya. The sole surviving copy of the Songs of Dzitbalché was written in alphabetic Mayan in the 18th century.

The author of the book identifies himself as Ah Bam, an elder of the town of Dzitbalché. He appears to say that the book was originally written in 1440. Manuscripts of this era were often copies of copies of copies, meaning scholars have to locate internal evidence for clues to the original date of composition. Many of the poems appear to be much older than the manuscript itself, and contain ancient ceremonial and ritual material. Other poems are songs of love, philosophy, and spirituality. Many of them appear to have had a musical accompaniment.

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Poems in the context of Gitanjali

Gitanjali (Bengali: গীতাঞ্জলি, lit.''Song offering'') is a collection of poems by the Bengali poet Rabindranath Tagore. Tagore received the Nobel Prize for Literature in 1913, for its English translation, Song Offerings, making him the first non-European and the first Asian and the only Indian to receive this honour.

It is part of the UNESCO Collection of Representative Works. Its central theme is devotion, and its motto is "I am here to sing thee songs" (No. XV).

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