Alliteration in the context of Poems

Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet. Poets use a variety of techniques called poetic devices, such as assonance, alliteration, consonance, euphony and cacophony, onomatopoeia, rhythm (via metre), rhyme schemes (patterns in the type and placement of a phoneme group) and sound symbolism, to produce musical or other artistic effects. They also frequently organize these devices into poetic structures, which may be strict or loose, conventional or invented by the poet. Poetic structures vary dramatically by language and cultural convention, but they often rely on rhythmic metre: patterns of syllable stress or syllable (or mora) weight. They may also use repeating patterns of phonemes, phoneme groups, tones, words, or entire phrases. Poetic structures may even be semantic (e.g. the volta required in a Petrachan sonnet).

Most written poems are formatted in verse: a series or stack of lines on a page, which follow the poetic structure. For this reason, verse has also become a synonym (a metonym) for poetry. Some poetry types are unique to particular cultures and genres and respond to characteristics of the language in which the poet writes. Readers accustomed to identifying poetry with Dante, Goethe, Mickiewicz, or Rumi may think of it as written in lines based on rhyme and regular meter. There are, however, traditions, such as Biblical poetry and alliterative verse, that use other means to create rhythm and euphony. Other traditions, such as Somali poetry, rely on complex systems of alliteration and metre independent of writing and have been described as structurally comparable to ancient Greek and medieval European oral verse. Much modern poetry reflects a critique of poetic tradition, testing the principle of euphony itself or altogether forgoing rhyme or set rhythm. In first-person poems, the lyrics are spoken by an "I", a character who may be termed the speaker, distinct from the poet (the author). Thus if, for example, a poem asserts, "I killed my enemy in Reno", it is the speaker, not the poet, who is the killer (unless this "confession" is a form of metaphor which needs to be considered in closer context – via close reading).

Consonance is a form of rhyme involving the repetition of identical or similar consonants in neighboring words whose vowel sounds are different (e.g., coming home, hot foot). Consonance may be regarded as the counterpart to the vowel-sound repetition known as assonance.

Alliteration is a special case of consonance where the repeated consonant sound is at the stressed syllable, as in "few flocked to the fight" or "around the rugged rock the ragged rascal ran". Alliteration is usually distinguished from other types of consonance in poetic analysis and has different uses and effects; it is effective for increasing the emphasis of a passage or its memorability and as such is often used in slogans.

In prosody, alliterative verse is a form of verse that uses alliteration as the principal device to indicate the underlying metrical structure, as opposed to other devices such as rhyme. The most commonly studied traditions of alliterative verse are those found in the oldest literature of the Germanic languages, where scholars use the term 'alliterative poetry' rather broadly to indicate a tradition which not only shares alliteration as its primary ornament but also certain metrical characteristics. The Old English epic Beowulf, as well as most other Old English poetry, the Old High German Muspilli, the Old Saxon Heliand, the Old Norse Poetic Edda, and many Middle English poems such as Piers Plowman, Sir Gawain and the Green Knight, Layamon's Brut and the Alliterative Morte Arthur all use alliterative verse.

While alliteration is common in many poetic traditions, it is 'relatively infrequent' as a structured characteristic of poetic form. However, structural alliteration appears in a variety of poetic traditions, including Old Irish, Welsh, Somali and Mongol poetry. The extensive use of alliteration in the so-called Kalevala meter, or runic song, of the Finnic languages provides a close comparison, and may derive directly from Germanic-language alliterative verse.

In rhetoric, a scheme is a type of figure of speech that relies on the structure of the sentence, unlike the trope, which plays with the meanings of words.

A single phrase may involve both a trope and a scheme, e.g., may use both alliteration and allegory.

"Peter Piper" is an English-language nursery rhyme and well-known alliteration tongue-twister. It has a Roud Folk Song Index number of 19745.

William Langland (/ˈlæŋlənd/; Latin: Willielmus de Langland; c. 1330 – c. 1386) is the presumed author of a work of Middle English alliterative verse generally known as Piers Plowman, an allegory with a complex variety of religious themes. The poem translated the language and concepts of the cloister into symbols and images that could be understood by a layman.

Cleanness (Middle English: Clannesse) is a Middle English alliterative poem written in the late 14th century. Its unknown author, designated the Pearl Poet or Gawain Poet, also appears, on the basis of dialect and stylistic evidence, to be the author of Sir Gawain and the Green Knight, Pearl, and Patience, and may have also composed St. Erkenwald.

The poem is found solely in the Pearl manuscript, Cotton Nero A x. That manuscript also contains Pearl, Patience, and Sir Gawain and the Green Knight. None of the poems has a title or divisions of chapters, but the breaks are marked by large initial letters of blue, and there are twelve illustrations (or illuminations) contained within the manuscript, depicting scenes from the four poems. Each of these poems is entirely unique to this one manuscript. Cleanness (which is an editorial title) is also known by the editorial title Purity.

Patience (Middle English: Pacience) is a Middle English alliterative poem written in the late 14th century. Its unknown author, designated the "Pearl Poet" or "Gawain Poet", also appears, on the basis of dialect and stylistic evidence, to be the author of Sir Gawain and the Green Knight, Pearl, and Cleanness (all ca. 1360–1395) and may have composed St. Erkenwald. This is thought to be true because the techniques and vocabulary of regional dialect of the unknown author is that of Northwest Midlands, located between Shropshire and Lancashire.

The manuscript, Cotton Nero A.x is in the British Library. The first complete publication of Patience was in Early English Alliterative Poems in the West Midland Dialect of the fourteenth century, printed by the Early English Text Society in 1864.Of Patience, considered the slightest of the four poems, its only manifest source is the Vulgate Bible. It also resembles Latin poems by Tertullian and Bishop Marbod. There are certain mannerisms found in Patience that Pearl does not have. For instance, both homilies clearly follow the same pattern: 1. statement of theme, 2. announcement of the text from the New Testament, 3. discussion of another passage from the New Testament in elucidation of that text, 4. and elaborate paraphrase of exemplum or exempla, from the Old Testament.

Calvin Cordozar Broadus Jr. (/ˈbroʊdɪs/ BROH-dis; born October 20, 1971), known professionally as Snoop Dogg (previously Snoop Doggy Dogg), is an American rapper, singer, record producer, and actor. Rooted in West Coast hip-hop, he is widely regarded as one of the greatest and most influential rappers of all time. Known for his signature drawled lyrics—which often use melodic rhyming, repetition, word play, laconic phrases, syncopation and alliteration—his music often addresses the lifestyle and culture of the West Coast and social issues such as gun violence andstability for the youth. His initial fame dates back to 1992 following his guest appearance on Dr. Dre's debut solo single, "Deep Cover", and later on Dre's debut album, The Chronic, that same year, including "Nuthin' but a 'G' Thang". Snoop Dogg has since sold over 23 million albums in the United States, and 35 million albums worldwide. His accolades include an American Music Award, a Primetime Emmy Award, two Sports Emmy Awards, and seventeen Grammy Award nominations.

Produced entirely by Dr. Dre, Snoop Dogg's debut studio album, Doggystyle (1993) was released by Death Row Records and debuted atop the Billboard 200. Selling 806,000 copies in its first week, the album received quadruple platinum certification by the Recording Industry Association of America (RIAA) the following year and spawned the Billboard Hot 100-top ten singles "What's My Name?" and "Gin and Juice". He was the lead performer on Death Row's soundtrack album for the 1994 short film Murder Was the Case, wherein Snoop Dogg made his acting debut. He has since appeared in other films and popular media. His second album, Tha Doggfather (1996), also debuted atop the Billboard 200 and received double platinum certification.

An alphabet book is a type of children's book giving basic instruction in an alphabet. Intended for young children, alphabet books commonly use pictures, simple language and alliteration to aid language learning. Alphabet books are published in several languages, and some distinguish the capitals and lower case letters in a given alphabet.

Some alphabet books are intended for older audiences, using the simplicity of the genre as a device to convey humor or other concepts.

Judith is a homily written by abbot Ælfric of Eynsham around the year 1000. It is extant in two manuscripts, a fairly complete version being found in Corpus Christi College Cambridge MS 303, and fragments in British Library MS Cotton Otho B.x, which came from the Cotton Library.

The homily is written in Old English alliterative prose. It is 452 verses long. The story paraphrases the Biblical original closely. Ælfric ends the homily with a detailed exegetical interpretation of the story, which he addresses to nuns.

"The Triumph of Time" is a poem by Algernon Charles Swinburne, published in Poems and Ballads in 1866. It is in adapted ottava rima and is full of elaborate use of literary devices, particularly alliteration. The theme, which purports to be autobiographical, is that of rejected love. The speaker deplores the ruin of his life, and in tones at times reminiscent of Hamlet, craves oblivion, for which the sea serves as a constant metaphor.

Anemic Cinema or Anémic Cinéma is a 1926 Dada/surrealist French experimental film by Marcel Duchamp (credited to his alter ego, Rrose Sélavy), made in collaboration with Man Ray and Marc Allégret.

The seven-minute film is composed of alternating static camera shots of spinning animated drawings disks — which Duchamp called Rotoreliefs — inscribed with puns and alliterations in French. The text, which spirals in a counterclockwise motion, suggests erotic scenarios and the words, if read aloud, produce repetitive patterns of sounds that lead to scatological or obscene associations in reference to pulsating human sexual activity. To make Anémic Cinéma, Duchamp filmed painted designs he made on flat cardboard circles while they spun on a phonograph turntable. When spinning, the flat disks appeared three-dimensional.

Catchiness is how easy it is for a song, tune, or phrase to be recalled. It is often taken into account when writing songs, catchphrases, advertising slogans, jingles etc. Alternatively, it can be defined as how difficult it is for one to forget it. Songs that embody high levels of remembrance or catchiness are referred to as "catchy songs" or "earworms". While it is hard to scientifically explain what makes a song catchy, there are many documented techniques that recur throughout catchy music, such as repetition, hooks and alliteration. Selling Sounds: The Commercial Revolution in American Music says that "although there was no definition for what made a song catchy, all the songwriting guides agreed that simplicity and familiarity were vital".

The physical symptoms of listening to a catchy song include "running [it] over in our heads or tapping a foot". According to Todd Tremlin, catchy music "spread[s] because [it] resonates similarly from one mind to the next".