Garbage Pail Kids in the context of Alliteration


Garbage Pail Kids in the context of Alliteration

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⭐ Core Definition: Garbage Pail Kids

Garbage Pail Kids is a series of sticker trading cards produced by the Topps Company, originally released in 1985 and designed to parody the Cabbage Patch Kids dolls, which were popular at the time.

Each sticker card features a Garbage Pail Kid character having some comical abnormality or deformity, or suffering a terrible fate or death. The characters have humorous names involving word play (Adam Bomb) or alliteration (Blasted Billy). Two versions of each card were produced, with variations featuring the same artwork but a different character name, differentiated by an "a" or "b" letter following the card number. The sticker fronts are die-cut so that just the character with its nameplate and the GPK logo can be peeled from the backing. Many of the card backs feature puzzle pieces that form giant murals, while other flip-side subjects vary greatly among the various series, from humorous licenses and awards to comic strips and, in more recent releases, humorous Facebook profiles.

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Garbage Pail Kids in the context of Art Spiegelman

Itzhak Avraham ben Zeev Spiegelman (/ˈspɡəlmən/ SPEE-gəl-mən; born February 15, 1948), professionally known as Art Spiegelman, is an American cartoonist, editor, and comics advocate best known for his graphic novel Maus. His work as co-editor on the comics magazines Arcade and Raw has been influential, and from 1992 he spent a decade as contributing artist for The New Yorker. He is married to designer and editor Françoise Mouly and is the father of writer Nadja Spiegelman. In September 2022, the National Book Foundation announced that he would receive the Medal for Distinguished Contribution to American Letters.

Spiegelman began his career with Topps (a bubblegum and trading card company) in the mid-1960s, which was his main financial support for two decades; there he co-created parodic series such as Wacky Packages in the 1960s and Garbage Pail Kids in the 1980s. He gained prominence in the underground comix scene in the 1970s with short, experimental, and often autobiographical work. A selection of these strips appeared in the collection Breakdowns in 1977, after which Spiegelman turned focus to the book-length Maus, about his relationship with his father, a Holocaust survivor. The postmodern book depicts Germans as cats, Jews as mice, ethnic Poles as pigs, and citizens of the United States as dogs. It took 13 years to create until its completion in 1991. In 1992 it won a special Pulitzer Prize and has gained a reputation as a pivotal work.

View the full Wikipedia page for Art Spiegelman
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