Pianist in the context of "Part (music)"

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⭐ Core Definition: Pianist

A pianist (US: /pˈænɪst/ pee-AN-ist, also /ˈpənɪst/ PEE-ə-nist) is a musician who plays the piano. A pianist's repertoire may include music from a diverse variety of styles, such as traditional classical music, jazz, blues, and popular music, including rock and roll. Most pianists can, to an extent, easily play other keyboard instruments such as the synthesizer, harpsichord, celesta, and the organ.

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👉 Pianist in the context of Part (music)

A part in music refers to a component of a musical composition. Because there are multiple ways to separate these components, there are several contradictory senses in which the word "part" is used:

  • any individual melody (or voice), whether vocal or instrumental, that can be abstracted as continuous and independent from other notes being performed simultaneously in polyphony. Within the music played by a single pianist, one can often identify outer parts (the top and bottom parts) or an inner part (those in between). On the other hand, within a choir, "outer parts" and "inner parts" would refer to music performed by different singers. (See § Polyphony and part-writing)
  • the musical instructions for any individual instrument or voice (often given as a handwritten, printed, or digitized document) of sheet music (as opposed to the full score which shows all parts of the ensemble in the same document). A musician's part usually does not contain instructions for the other players in the ensemble, only instructions for that individual.
  • the music played by any group of musicians who all perform together for a given piece; in a symphony orchestra, a dozen or more cello players may all play "the same part" even if they each have their own physical copy of the music. This part may be in unison or may be harmonized, and may even sometimes contain counter-melodies within it. A percussion part may sometimes only contain rhythm. This sense of "part" does not require a written copy of the music; a bass player in a rock band "plays the bass part" even if there is no written version of the song.
  • a section in the large-scale form of a piece. (See § Musical form)
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Pianist in the context of Silent film

A silent film is a film without synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of inter-title cards.

The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era, which existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in larger cities, an orchestra—would play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema prior to the invention of synchronized sound, but it also applies to such sound-era films as City Lights, Modern Times and Silent Movie which are accompanied by a music-only soundtrack in place of dialogue.

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Pianist in the context of Piano

A piano is a keyboard instrument that produces sound when its keys are depressed, activating an action mechanism where hammers strike strings. Modern pianos have a row of 88 black and white keys, tuned to a chromatic scale in equal temperament. A musician who specializes in piano is called a pianist.

There are two main types of piano: the grand piano and the upright piano. The grand piano offers better sound and more precise key control, making it the preferred choice when space and budget allow. The grand piano is also considered a necessity in venues hosting skilled pianists. The upright piano is more commonly used because of its smaller size and lower cost.

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Pianist in the context of Philip Glass

Philip Glass (born January 31, 1937) is an American composer and pianist. He is widely regarded as one of the most influential composers of the late 20th century. Glass's work has been associated with minimalism, being built up from repetitive phrases and shifting layers. He described himself as a composer of "music with repetitive structures", which he has helped to evolve stylistically.

Glass founded the Philip Glass Ensemble in 1968. He has written 15 operas, numerous chamber operas and musical theatre works, 14 symphonies, 12 concertos, nine string quartets, various other chamber music pieces, and many film scores. He has received nominations for four Grammy Awards, including two for Best Contemporary Classical Composition for Satyagraha (1987) and String Quartet No. 2 (1988). He has received three Academy Award for Best Original Score nominations for Martin Scorsese's Kundun (1997), Stephen Daldry's The Hours (2002), and Richard Eyre's Notes on a Scandal (2006). He also composed the scores for Mishima: A Life in Four Chapters (1985), Hamburger Hill (1987), The Thin Blue Line (1988), Candyman (1992), The Truman Show (1998), and The Illusionist (2006).

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Pianist in the context of Motion capture

Motion capture (sometimes referred as mocap or mo-cap, for short) is the process of recording high-resolution movement of objects or people into a computer system. It is used in military, entertainment, sports, medical applications, and for validation of computer vision and robots.

In films, television shows and video games, motion capture refers to recording actions of human actors and using that information to animate digital character models in 2D or 3D computer animation. When it includes face and fingers or captures subtle expressions, it is often referred to as performance capture. In many fields, motion capture is sometimes called motion tracking, but in filmmaking and games, motion tracking usually refers more to match moving.

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Pianist in the context of Henry Cowell

Henry Dixon Cowell (/ˈkəl/; March 11, 1897 – December 10, 1965) was an American composer, writer, pianist, publisher, teacher and the husband of Sidney Robertson Cowell. Earning a reputation as an extremely controversial performer and eccentric composer, Cowell became a leading figure of American avant-garde music for the first half of the 20th century — his writings and music serving as a great influence to similar artists at the time, including Lou Harrison, George Antheil, and John Cage, among others. He is considered one of America's most important and influential composers.

Cowell was mostly self-taught and developed a unique musical language, often blending folk melodies, dissonant counterpoint, unconventional orchestration, and themes of Irish paganism. He was an early proponent and innovator of many modernist compositional techniques and sensibilities, many for the piano, including the string piano, prepared piano, tone clusters, and graphic notation. The Tides of Manaunaun, originally a theatrical prelude, is the best-known and most widely-performed of Cowell's tone cluster pieces for piano.

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Pianist in the context of Edvard Grieg

Edvard Hagerup Grieg (/ɡrɡ/ GREEG, Norwegian: [ˈɛdvaʁd ˈhɑ̀ːɡəʁʉp ˈɡʁɪgː]; 15 June 1843 – 4 September 1907) was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use of Norwegian folk music in his own compositions brought the music of Norway to fame, as well as helping to develop a national identity, much as Jean Sibelius did in Finland and Bedřich Smetana in Bohemia.

Grieg is the most celebrated person from the city of Bergen, with numerous statues that depict his image and many cultural entities named after him: the city's largest concert building (Grieg Hall), its most advanced music school (Grieg Academy) and its professional choir (Edvard Grieg Kor). The Edvard Grieg Museum at Grieg's former home, Troldhaugen, is dedicated to his legacy.

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Pianist in the context of Vasily Lobanov

Vasily Pavlovich Lobanov (Васи́лий Па́влович Лоба́нов, born 2 January 1947) is a Russian composer and pianist. He has been a Duo-Partner of Sviatoslav Richter.

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