Candyman (1992 film) in the context of "Philip Glass"

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⭐ Core Definition: Candyman (1992 film)

Candyman is a 1992 American gothic supernatural horror film written and directed by Bernard Rose and starring Virginia Madsen, Tony Todd, Xander Berkeley, Kasi Lemmons, and Vanessa E. Williams. Based on Clive Barker's short story "The Forbidden", the film follows a Chicago graduate student completing a thesis on urban legends and folklore, which leads her to the legend of the "Candyman", the hook-handed ghost of an African-American artist and son of a slave who was murdered in the late 19th century for his relationship with the daughter of a wealthy white man, who now appears whenever his name is chanted 5 times in front of the mirror.

The film came to fruition after a chance meeting between Rose and Barker who later completed his own film adaptation of Nightbreed (1990). Rose expressed interest in Barker's story "The Forbidden", and Barker agreed to license the rights. Where Barker's story revolved around the themes of the British class system in contemporary Liverpool, Rose chose to refit the story to Cabrini-Green's public housing development in Chicago and instead focus on the themes of race and social class in the inner-city United States.

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👉 Candyman (1992 film) in the context of Philip Glass

Philip Glass (born January 31, 1937) is an American composer and pianist. He is widely regarded as one of the most influential composers of the late 20th century. Glass's work has been associated with minimalism, being built up from repetitive phrases and shifting layers. He described himself as a composer of "music with repetitive structures", which he has helped to evolve stylistically.

Glass founded the Philip Glass Ensemble in 1968. He has written 15 operas, numerous chamber operas and musical theatre works, 14 symphonies, 12 concertos, nine string quartets, various other chamber music pieces, and many film scores. He has received nominations for four Grammy Awards, including two for Best Contemporary Classical Composition for Satyagraha (1987) and String Quartet No. 2 (1988). He has received three Academy Award for Best Original Score nominations for Martin Scorsese's Kundun (1997), Stephen Daldry's The Hours (2002), and Richard Eyre's Notes on a Scandal (2006). He also composed the scores for Mishima: A Life in Four Chapters (1985), Hamburger Hill (1987), The Thin Blue Line (1988), Candyman (1992), The Truman Show (1998), and The Illusionist (2006).

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Candyman (1992 film) in the context of Slasher film

A slasher film is a subgenre of horror films involving a killer or a group of killers stalking and murdering a group of people, often by use of bladed or sharp tools. Although the term "slasher" may occasionally be used informally as a generic term for any horror film involving murder, film analysts cite an established set of characteristics which set slasher films apart from other horror subgenres, such as monster movies, splatter films, supernatural and psychological horror films.

Critics cite psychological horror films such as Peeping Tom (1960) and Psycho (1960) and the Italian giallo films as early influences. The genre hit its peak between 1978 and 1984 in an era referred to as the "Golden Age" of slasher films. Notable slasher films include Black Christmas (1974), The Texas Chain Saw Massacre (1974), Halloween (1978), Friday the 13th (1980), My Bloody Valentine (1981), Sleepaway Camp (1983), A Nightmare on Elm Street (1984), Child's Play (1988), Candyman (1992), Scream (1996), I Know What You Did Last Summer (1997), Urban Legend (1998) and Terrifier (2016). Many slasher films released decades ago continue to attract cult followings. The slasher canon can be divided into three eras: the classical (1974–1993), the self-referential (1994–2000) and the neoslasher cycle (2000–2013).

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