Virginia Madsen in the context of "Candyman (1992 film)"

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đŸ‘‰ Virginia Madsen in the context of Candyman (1992 film)

Candyman is a 1992 American gothic supernatural horror film written and directed by Bernard Rose and starring Virginia Madsen, Tony Todd, Xander Berkeley, Kasi Lemmons, and Vanessa E. Williams. Based on Clive Barker's short story "The Forbidden", the film follows a Chicago graduate student completing a thesis on urban legends and folklore, which leads her to the legend of the "Candyman", the hook-handed ghost of an African-American artist and son of a slave who was murdered in the late 19th century for his relationship with the daughter of a wealthy white man, who now appears whenever his name is chanted 5 times in front of the mirror.

The film came to fruition after a chance meeting between Rose and Barker who later completed his own film adaptation of Nightbreed (1990). Rose expressed interest in Barker's story "The Forbidden", and Barker agreed to license the rights. Where Barker's story revolved around the themes of the British class system in contemporary Liverpool, Rose chose to refit the story to Cabrini-Green's public housing development in Chicago and instead focus on the themes of race and social class in the inner-city United States.

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Virginia Madsen in the context of Sideways

Sideways is a 2004 American comedy-drama directed by Alexander Payne and written by Jim Taylor and Payne. A film adaptation of Rex Pickett's 2004 novel, Sideways follows two men in their forties, Miles Raymond (Paul Giamatti), a depressed teacher and unsuccessful writer, and Jack Cole (Thomas Haden Church), a past-his-prime actor, who take a week-long road trip to Santa Barbara County wine country to celebrate Jack's upcoming wedding. Sandra Oh and Virginia Madsen also star as women they encounter during their trip.

Sideways premiered at the Toronto International Film Festival on September 13, 2004, and was released in the United States on October 22, 2004. It received widespread acclaim from critics and is regarded as one of the greatest films of the 2000s. At the 77th Academy Awards, the film was nominated for Best Picture, Best Director, Best Supporting Actor (Haden Church), Best Supporting Actress (Madsen), and Best Adapted Screenplay, the last of which it won.

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