In films and videos, an intertitle, also known as a title card, is a piece of filmed, printed text edited into the midst of (hence, inter-) the photographed action at various points. Intertitles used to convey character dialogue are referred to as "dialogue intertitles", and those used to provide related descriptive/narrative material are referred to as "expository intertitles". In modern usage, the terms refer to similar text and logo material inserted at or near the start or end of films and television shows.
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👉 Intertitle in the context of Silent film
A silent film is a film without synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of inter-title cards.
The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era, which existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in larger cities, an orchestra—would play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema prior to the invention of synchronized sound, but it also applies to such sound-era films as City Lights, Modern Times and Silent Movie which are accompanied by a music-only soundtrack in place of dialogue.
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Intertitle in the context of Raja Harishchandra
Raja Harishchandra (transl. King Harishchandra) is a 1913 Indian silent film directed and produced by Dadasaheb Phalke. It is often considered the first full-length Indian feature film. Raja Harishchandra features Dattatraya Damodar Dabke, Anna Salunke, Bhalchandra Phalke and Gajanan Vasudev Sane. It is based on the legend of Harishchandra, with Dabke portraying the title character. The film, being silent, had English, Marathi, and Hindi-language intertitles.
Phalke decided to make a feature film after watching The Life of Christ (1906) at a theatre in Bombay in April 1911. In February 1912, he went to London for two weeks to learn filmmaking techniques and upon return founded Phalke Films Company. He imported the hardware required for filmmaking and exhibition from England, France, Germany, and the United States. Phalke shot a short film Ankurachi Wadh (Growth of a Pea Plant) to attract investors for his venture. He published advertisements in various newspapers calling for the cast and crew. As no women were available to play female roles, male actors performed the female roles. Phalke was in charge of scriptment, direction, production design, make-up, film editing, along with film processing. Trymbak B. Telang handled the camera. Phalke completed filming in six months and 27 days producing a film of 3,700 feet (1,100 m), about four reels.
Intertitle in the context of Silent Movie
Silent Movie is a 1976 American satirical silent comedy film co-written, directed by and starring Mel Brooks, released by 20th Century Fox in summer 1976. The ensemble cast includes Dom DeLuise, Marty Feldman, Bernadette Peters, and Sid Caesar, with cameos by Anne Bancroft, Liza Minnelli, Burt Reynolds, James Caan, Marcel Marceau, and Paul Newman as themselves, and character cameos by Harry Ritz of the Ritz Brothers, Charlie Callas, and Henny Youngman. The film was produced in the manner of an early-20th-century silent film, with intertitles instead of spoken dialogue; the soundtrack consists almost entirely of orchestral accompaniment and sound effects. It is an affectionate parody of slapstick comedies, including those of Charlie Chaplin, Mack Sennett, and Buster Keaton. The film satirizes the film industry, presenting the story of a film producer trying to obtain studio support to make a silent film in the 1970s.
Intertitle in the context of The Whirlpool of Fate
The Whirlpool of Fate or The Girl of the Water (French: La Fille de l'eau) is a 1925 French silent drama film directed by Jean Renoir and starring Catherine Hessling as its heroine.
All of the French copies of this film have been lost but English copies continue to exist with complete copies of the intertitles (albeit in English). The intertitles have been translated back into French so that modern viewers in France can still enjoy the film in a way that is as close as possible to the original as it originally screened.