Buster Keaton in the context of "Silent Movie"

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⭐ Core Definition: Buster Keaton

Joseph Frank "Buster" Keaton (October 4, 1895 – February 1, 1966) was an American actor, comedian and filmmaker. He is best known for his silent films during the 1920s, in which he performed physical comedy and inventive stunts. He frequently maintained a stoic, deadpan facial expression that became his trademark and earned him the nickname "The Great Stone Face".

Keaton was a child vaudeville star, performing as part of his family's traveling act. As an adult, he began working with independent producer Joseph M. Schenck and filmmaker Edward F. Cline, with whom he made a series of successful two-reel comedies in the early 1920s, including One Week (1920), The Playhouse (1921), Cops (1922), and The Electric House (1922). He then moved to feature-length films; several of them, such as Sherlock Jr. (1924), The General (1926), Steamboat Bill, Jr. (1928), and The Cameraman (1928), remain highly regarded. The General is perhaps his most acclaimed work; Orson Welles considered it "the greatest comedy ever made...and perhaps the greatest film ever made".

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👉 Buster Keaton in the context of Silent Movie

Silent Movie is a 1976 American satirical silent comedy film co-written, directed by and starring Mel Brooks, released by 20th Century Fox in summer 1976. The ensemble cast includes Dom DeLuise, Marty Feldman, Bernadette Peters, and Sid Caesar, with cameos by Anne Bancroft, Liza Minnelli, Burt Reynolds, James Caan, Marcel Marceau, and Paul Newman as themselves, and character cameos by Harry Ritz of the Ritz Brothers, Charlie Callas, and Henny Youngman. The film was produced in the manner of an early-20th-century silent film, with intertitles instead of spoken dialogue; the soundtrack consists almost entirely of orchestral accompaniment and sound effects. It is an affectionate parody of slapstick comedies, including those of Charlie Chaplin, Mack Sennett, and Buster Keaton. The film satirizes the film industry, presenting the story of a film producer trying to obtain studio support to make a silent film in the 1970s.

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Buster Keaton in the context of Parody

A parody is a creative work designed to imitate, comment on, and/or mock its subject by means of satirical or ironic imitation. Often its subject is an original work or some aspect of it (theme/content, author, style, etc.), but a parody can also be about a real-life person (e.g. a politician), event, or movement (e.g. the French Revolution or 1960s counterculture). Literary scholar Professor Simon Dentith defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice". The literary theorist Linda Hutcheon said "parody ... is imitation, not always at the expense of the parodied text." Parody may be found in art or culture, including literature, music, theater, television and film, animation, and gaming.

The writer and critic John Gross observes in his Oxford Book of Parodies, that parody seems to flourish on territory somewhere between pastiche ("a composition in another artist's manner, without satirical intent") and burlesque (which "fools around with the material of high literature and adapts it to low ends"). Meanwhile, the Encyclopédie of Denis Diderot distinguishes between the parody and the burlesque, "A good parody is a fine amusement, capable of amusing and instructing the most sensible and polished minds; the burlesque is a miserable buffoonery which can only please the populace." Historically, when a formula grows tired, as in the case of the moralistic melodramas in the 1910s, it retains value only as a parody, as demonstrated by the Buster Keaton shorts that mocked that genre.

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Buster Keaton in the context of Silent comedy

Silent comedy is a style of film, related to but distinct from mime, developed to bring comedy into the medium of film during the silent film era (1900s–1920s), before synchronized soundtracks that could include dialogue were technologically available for the majority of films. While silent comedy is still practiced today, albeit much less frequently, it has significantly influenced modern comedic media.

Many techniques used in silent comedy were borrowed from vaudeville traditions, with many silent comedy stars, such as Buster Keaton and Charlie Chaplin, getting their start in vaudeville. Silent comedies often place a strong emphasis on visual and physical humor, frequently utilizing "sight gags" to convey stories and entertain audiences. These gags often involved exaggerated forms of violence, a style that became known as "slapstick". Classic examples of slapstick comedy devices include the "pratfall," slipping on a banana peel, getting soaked with water, and having a pie thrown in one's face.

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Buster Keaton in the context of Disguise

A disguise can be anything incognito which conceals one's identity or changes a person's physical appearance, including a wig, glasses, makeup, fake moustache, costume or other items. Camouflage is a type of disguise for people, animals and objects. Hats, glasses, changes in hair style or wigs, plastic surgery, and make-up are also used.

Disguises can be used by criminals, terrorists, secret agents and special forces operators seeking to avoid identification. A person working for an agency trying to get information might go "undercover" to get information without being recognised by the public; a celebrity may go "incognito" in order to avoid unwelcome press attention. Protests often feature people dressed in humorous costumes while political publicity stunts and pranks sometimes employ disguises and imposture. In comic books and films, disguises are often used by superheroes, and in science fiction they may be used by aliens. Dressing up in costumes is a Halloween tradition.

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Buster Keaton in the context of Bathtub

A bathtub, also abbreviated as bath or tub, is a container for holding water in which a person or another animal may bathe. Modern bathtubs can be made of thermoformed acrylic, porcelain-enameled steel or cast iron, or fiberglass-reinforced polyester. A bathtub is usually placed in a bathroom, either as a stand-alone fixture or in conjunction with shower plumbing.

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Buster Keaton in the context of Edward F. Cline

Edward Francis Cline (November 4, 1891 – May 22, 1961) was an American screenwriter, actor, writer and director best known for his work with comedians W.C. Fields and Buster Keaton. He was born in Kenosha, Wisconsin and died in Hollywood, California.

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Buster Keaton in the context of One Week (1920 film)

One Week is a 1920 American two-reel silent comedy film starring Buster Keaton, the first independent film production he released on his own. The film was written and directed by Keaton and Edward F. Cline, and runs for 19 minutes. Sybil Seely co-stars. The film contains a large number of innovative visual gags largely pertaining to either the house or to ladders.

In 2008, One Week was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

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Buster Keaton in the context of The Playhouse (film)

The Playhouse is a 1921 American two-reel silent comic trick film written by, directed by, and starring Buster Keaton. It runs for 22 minutes, and is most famous for an opening sequence where Keaton plays every role.

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