The pastoral genre of literature, art, or music depicts an idealised form of the shepherd's lifestyle – herding livestock around open areas of land according to the seasons and the changing availability of water and pasture. The target audience is typically an urban one. A pastoral is a work of this genre. A piece of music in the genre is usually referred to as a pastorale.
The genre is also known as bucolic, from the Greek βουκολικόν, from βουκόλος, meaning a cowherd.
Italus or Italos (from Ancient Greek: Ἰταλός) was a legendary king of the Oenotrians, ancient people of Italic origin who inhabited the region now called Calabria, in southern Italy. In his Fabularum Liber (or Fabulae), Gaius Julius Hyginus recorded the myth that Italus was a son of Penelope and Telegonus (a son of Odysseus by Circe).
According to Aristotle (Politics) and Thucydides (History of the Peloponnesian War), Italus was the eponym of Italy (Italia). Aristotle, writing in the 4th century BCE, relates that, according to tradition, Italus converted the Oenotrians from a pastoral society to an agricultural one and gave them various ordinances, being the first to institute their system of common meals.
A literary genre is a category of literature. Genres may be determined by literary technique, tone, content, or length (especially for fiction). They generally move from more abstract, encompassing classes, which are then further sub-divided into more concrete distinctions. The distinctions between genres and categories are flexible and loosely defined, and even the rules designating genres change over time and are fairly unstable.
Genres can all be in the form of prose or poetry. Additionally, a genre such as satire, allegory or pastoral might appear in any of the above, not only as a subgenre (see below), but as a mixture of genres. They are defined by the general cultural movement of the historical period in which they were composed.
The Parilia or Palilia was an ancient Roman festival of rural character performed annually on 21 April, aimed at cleansing both sheep and shepherd. It was carried out in acknowledgment to the Roman deity Pales, a deity of uncertain gender who was a patron of shepherds and sheep.
Ovid describes the Parilia at length in the Fasti, an elegiac poem on the Roman religious calendar, and implies that it predates the founding of Rome (753 BC in the Varronian chronology), as indicated by its pastoral and preagricultural concerns. During the Republic, farming was idealized and central to Roman identity, so the festival took on a more generally rural character. Increasing urbanization caused the rustic Parilia to be reinterpreted rather than abandoned, as Rome was an intensely traditional society. During the Imperial period, the date was celebrated as the birthday of Rome (Latin: dies natalis Romae or natalis Urbis).
As You Like It is a pastoral comedy by William Shakespeare believed to have been written in 1599 and first published in the First Folio in 1623. The play's first performance is uncertain, though a performance at Wilton House in 1603 (the house having been a focus for literary activity under Mary Sidney for much of the later 16th century) has been suggested as a possibility.
As You Like It follows its heroine Rosalind as she flees persecution in her uncle's court, accompanied by her cousin Celia to find safety and, eventually, love, in the Forest of Arden. In the forest, they encounter a variety of memorable characters, notably the melancholy traveller Jaques, who speaks one of Shakespeare's most famous speeches ("All the world's a stage") and provides a sharp contrast to the other characters in the play, always observing and disputing the hardships of life in the country.
Lupercalia, also known as Lupercal, was a pastoral festival of Ancient Rome observed annually on February 15 to purify the city, promoting health and fertility. Lupercalia was also known as dies Februatus, after the purification instruments called februa, the basis for the month named Februarius.
An idyll (/ˈaɪdɪl/, UK also /ˈɪdɪl/; from Greek εἰδύλλιον (eidullion) 'short poem'; occasionally spelled idyl in American English) is a short poem, descriptive of rustic life, written in the style of Theocritus's short pastoral poems, the Idylls (Εἰδύλλια).
Unlike Homer, Theocritus did not engage in heroes and warfare. His idylls are limited to a small intimate world, and describe scenes from everyday life. Later imitators include the Roman poets Virgil and Catullus, Italian poets Torquato Tasso, Sannazaro and Leopardi, the English poet Alfred, Lord Tennyson (Idylls of the King), and Nietzsche's Idylls from Messina. Goethe called his poem Hermann and Dorothea—which Schiller considered the very climax in Goethe's production—an idyll.
In ancient Greek religion and mythology, Pan (/pæn/; Ancient Greek: Πάν, romanized: Pán) is the god of the wild, shepherds and flocks, rustic music and impromptus, and companion of the nymphs. He has the hindquarters, legs, and horns of a goat, in the same manner as a faun or satyr. With his homeland in rustic Arcadia, he is also recognized as the god of fields, groves, wooded glens, and often affiliated with sex; because of this, Pan is connected to fertility and the season of spring.
In Roman religion and myth, Pan was frequently identified with Faunus, a nature god who was the father of Bona Dea, sometimes identified as Fauna; he was also closely associated with Silvanus, due to their similar relationships with woodlands, and Inuus, a vaguely defined deity also sometimes identified with Faunus. In the eighteenth and nineteenth centuries, Pan became a significant figure in the Romantic movement of Western Europe and also in the twentieth-century Neopagan movement.
In religion and folklore, paradise is a place of everlasting happiness, delight, and bliss. Paradisiacal notions are often laden with pastoral imagery, and may be cosmogonical, eschatological, or both, often contrasted with the miseries of human civilization: in paradise there is only peace, prosperity, and happiness. Paradise is a place of contentment, a land of luxury and fulfillment containing ever-lasting bliss and delight. Paradise is often described as a "higher place", the holiest place, in contrast to this world, or underworlds such as hell.
In eschatological contexts, paradise is imagined as an abode of the virtuous dead. In Judaism, Christianity, and Islam, heaven is a paradisiacal belief. In Hinduism and Buddhism, paradise and heaven are synonymous, with higher levels available to beings who have achieved special attainments of virtue and meditation. In old Egyptian beliefs, the underworld is Aaru, the reed-fields of ideal hunting and fishing grounds where the dead lived after judgment. For the Celts, it was the Fortunate Isle of Mag Mell. For the classical Greeks, the Elysian fields was a paradisiacal land of plenty where adherents hoped the heroic and righteous dead would spend eternity. In the Zoroastrian Avesta, the "Best Existence" and the "House of Song" are places of the righteous dead. On the other hand, in cosmogonical contexts 'paradise' describes the world before it was tainted by evil.
Pastorale refers to something of a pastoral nature in music, whether in form or in mood.
In Baroque music, a pastorale is a movement of a melody in thirds over a drone bass, recalling the Christmas music of pifferari, players of the traditional Italian bagpipe (zampogna) and reed pipe (piffero). Pastorales are generally in
8 or
8 or
8 metre, at a moderate tempo. They resemble a slowed-down version of a tarantella, encompassing many of the same rhythms and melodic phrases.