Paradise in the context of "Pastoral"

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⭐ Core Definition: Paradise

In religion and folklore, paradise is a place of everlasting happiness, delight, and bliss. Paradisiacal notions are often laden with pastoral imagery, and may be cosmogonical, eschatological, or both, often contrasted with the miseries of human civilization: in paradise there is only peace, prosperity, and happiness. Paradise is a place of contentment, a land of luxury and fulfillment containing ever-lasting bliss and delight. Paradise is often described as a "higher place", the holiest place, in contrast to this world, or underworlds such as hell.

In eschatological contexts, paradise is imagined as an abode of the virtuous dead. In Judaism, Christianity, and Islam, heaven is a paradisiacal belief. In Hinduism and Buddhism, paradise and heaven are synonymous, with higher levels available to beings who have achieved special attainments of virtue and meditation. In old Egyptian beliefs, the underworld is Aaru, the reed-fields of ideal hunting and fishing grounds where the dead lived after judgment. For the Celts, it was the Fortunate Isle of Mag Mell. For the classical Greeks, the Elysian fields was a paradisiacal land of plenty where adherents hoped the heroic and righteous dead would spend eternity. In the Zoroastrian Avesta, the "Best Existence" and the "House of Song" are places of the righteous dead. On the other hand, in cosmogonical contexts 'paradise' describes the world before it was tainted by evil.

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Paradise in the context of Christian mythology

Christian mythology is the body of myths associated with Christianity. The term encompasses a broad variety of legends and narratives, especially those considered sacred narratives. Mythological themes and elements occur throughout Christian literature, including recurring myths such as ascending a mountain, the axis mundi, myths of combat, descent into the Underworld, accounts of a dying-and-rising god, a flood myth, stories about the founding of a tribe or city, and myths about great heroes (or saints) of the past, paradises, and self-sacrifice.

Various authors have also used it to refer to other mythological and allegorical elements found in the Bible, such as the story of the Leviathan. The term has been applied to myths and legends from the Middle Ages, such as the story of Saint George and the Dragon, the stories of King Arthur and his Knights of the Round Table, and the legends of the Parsival. Multiple commentators have classified John Milton's epic poem Paradise Lost as a work of Christian mythology. The term has also been applied to modern stories revolving around Christian themes and motifs, such as the writings of C. S. Lewis, J. R. R. Tolkien, Madeleine L'Engle, and George MacDonald.

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Paradise in the context of Candide

Candide, ou l'Optimisme (/kɒnˈdd/ kon-DEED, French: [kɑ̃did] ) is a French satire written by Voltaire, a philosopher of the Age of Enlightenment, first published in 1759. The novella has been widely translated, with English versions titled Candide: or, All for the Best (1759); Candide: or, The Optimist (1762); and Candide: Optimism (1947). A young man, Candide, lives a sheltered life in an Edenic paradise, being indoctrinated with Leibnizian optimism by his mentor, Professor Pangloss. This lifestyle is abruptly ended, followed by Candide's slow and painful disillusionment as he witnesses and experiences great hardships in the world. Voltaire concludes Candide with, if not rejecting Leibnizian optimism outright, advocating a deeply practical precept, "we must cultivate our garden", in lieu of the Leibnizian mantra of Pangloss, "all is for the best" in the "best of all possible worlds".

Candide is characterized by its tone as well as its erratic, fantastical, and fast-moving plot. A picaresque novel with a story akin to a serious bildungsroman, it parodies many adventure and romance clichés, in a tone that is bitter and matter-of-fact. The events discussed are often based on historical happenings. As philosophers of Voltaire's day contended with the problem of evil, so does Candide, albeit more directly and humorously. Voltaire ridicules religion, theologians, governments, armies, philosophies, and philosophers. Through Candide, he assaults Leibniz and his optimism.

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Paradise in the context of Heaven

Heaven, or the Heavens, is a common religious cosmological or supernatural place where beings such as deities, angels, souls, saints, or venerated ancestors are said to originate, be enthroned, or reside. According to the beliefs of some religions, heavenly beings can descend to Earth or incarnate and earthly beings can ascend to Heaven in the afterlife or, in exceptional cases, enter Heaven without dying.

Heaven is often described as a "highest place", the holiest place, a paradise, in contrast to Hell or the Underworld or the "low places" and universally or conditionally accessible by earthly beings according to various standards of divinity, goodness, piety, faith, or other virtues or right beliefs or simply divine will. Some believe in the possibility of a heaven on Earth in a world to come.

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Paradise in the context of Hell

In religion and folklore, hell is a location or state in the afterlife in which souls are subjected to punishment after death. Religions with a linear divine history sometimes depict hells as eternal, such as in some versions of Christianity and Islam, whereas religions with reincarnation usually depict a hell as an intermediary period between incarnations, as is the case in the Indian religions. Religions typically locate hell in another dimension or under Earth's surface. Other afterlife destinations include heaven, paradise, purgatory, limbo, and the underworld.

Other religions, which do not conceive of the afterlife as a place of punishment or reward, merely describe an abode of the dead, the grave, a neutral place that is located under the surface of Earth (for example, see Kur, Hades, and Sheol). Such places are sometimes equated with the English word hell, though a more correct translation would be "underworld" or "world of the dead". The ancient Mesopotamian, Greek, Roman, and Finnic religions include entrances to the underworld from the land of the living.

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Paradise in the context of Green

Green is the color between cyan and yellow on the visible spectrum. It is evoked by light which has a dominant wavelength of roughly 495–570 nm. In subtractive color systems, used in painting and color printing, it is created by a combination of yellow and cyan; in the RGB color model, used on television and computer screens, it is one of the additive primary colors, along with red and blue, which are mixed in different combinations to create all other colors. By far the largest contributor to green in nature is chlorophyll, the chemical by which plants photosynthesize and convert sunlight into chemical energy. Many creatures have adapted to their green environments by taking on a green hue themselves as camouflage. Several minerals have a green color, including the emerald, which is colored green by its chromium content.

During post-classical and early modern Europe, green was the color commonly associated with wealth, merchants, bankers, and the gentry, while red was reserved for the nobility. For this reason, the costume of the Mona Lisa by Leonardo da Vinci and the benches in the British House of Commons are green while those in the House of Lords are red. It also has a long historical tradition as the color of Ireland and of Gaelic culture. It is the historic color of Islam, representing the lush vegetation of Paradise. It was the color of the banner of Muhammad, and is found in the flags of nearly all Islamic countries.

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Paradise in the context of World to Come

The world to come, age to come, heaven on Earth, and the Kingdom of God are eschatological phrases reflecting the belief that the current world or current age is flawed or cursed and will be replaced in the future by a better world, age, or paradise.

The concept is related to, but differs from, the concepts of heaven or the afterlife in that heaven is another place or state of existence generally seen as above the world, and the afterlife is generally an individual's continued existence after death.

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Paradise in the context of Garden of Eden

In Abrahamic religions, the Garden of Eden (Biblical Hebrew: גַּן־עֵדֶן, romanized: gan-ʿĒḏen; Greek: Εδέμ; Latin: Paradisus) or Garden of God (גַּן־יְהֹוֶה, gan-YHWH and גַן־אֱלֹהִים, gan-Elohim), also called the Terrestrial Paradise, is the biblical paradise described in Genesis 2–3 and Ezekiel 28 and 31.

The location of Eden is described in the Book of Genesis as the source of four tributaries. Various suggestions have been made for its location: at the head of the Persian Gulf, in southern Mesopotamia where the Tigris and Euphrates rivers run into the sea; and in Armenia. Others theorize that Eden was the entire Fertile Crescent or a region substantial in size in Mesopotamia, where its native inhabitants still exist in cities such as Telassar.

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Paradise in the context of Triparadisus

Triparadeisos or Triparadisus (Greek: Τριπαράδεισος) was a settlement in Syria near the sources of the Orontes. A paradeisos was a hunting reserve or pleasure-ground for the nobility of the Achaemenid (Persian) Empire, normally a walled-in area with groves of trees, wild animals, and running water.

Triparadeisos was the place where the Treaty of Triparadisus occurred, in which Alexander the Great's Empire was divided between his generals in 321 BC. It has been suggested that it was at the site of Roman Heliopolis (modern Baalbek). Heliopolis was a colony of the Roman Empire in what is now Lebanon. The name was Colonia Julia Augusta Felix Heliopolitana.

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