Murti in the context of "Hindu iconography"

Play Trivia Questions online!

or

Skip to study material about Murti in the context of "Hindu iconography"

Ad spacer

⭐ Core Definition: Murti

In the Hindu tradition, a murti (Sanskrit: मूर्ति, romanizedmūrti, lit.'form, embodiment, or solid object') is a devotional image, such as a statue or icon, of a deity or saint used during puja and/or in other customary forms of actively expressing devotion or reverence – whether at Hindu temples or shrines. A mūrti is a symbolic icon representing divinity for the purpose of devotional activities. Thus, not all icons of gods and saints are mūrti; for example, purely decorative depictions of divine figures often adorn Hindu temple architecture in intricately carved doorframes, on colourfully painted walls, and ornately sculpted rooftop domes. A mūrti itself is not God, but it is merely a representative shape, symbolic embodiment, or iconic manifestation of God.

Murti are also found in some nontheistic Jain traditions, where they serve as symbols of revered mortals inside Jain temples, and are worshiped in murtipujaka rituals.

↓ Menu

>>>PUT SHARE BUTTONS HERE<<<

👉 Murti in the context of Hindu iconography

Over the millennia of its development, Hinduism has adopted several iconic symbols, forming part of Hindu iconography, that are imbued with spiritual meaning based on either the scriptures or cultural traditions. The exact significance accorded to any of the icons varies with region, period and denomination of the followers. Over time some of the symbols, for instance the Swastika has come to have wider association while others like Om are recognized as unique representations of Hinduism. Other aspects of Hindu iconography are covered by the terms murti, for icons and mudra for gestures and positions of the hands and body.

↓ Explore More Topics
In this Dossier

Murti in the context of Jain temple

A Jain temple, Derasar (Gujarati: દેરાસર) or Basadi (Kannada: ಬಸದಿ), is the place of worship for Jains, the followers of Jainism. Jain architecture is essentially restricted to temples and monasteries, and Jain buildings generally reflect the prevailing style of the place and time they were built.

Jain temple architecture is generally close to Hindu temple architecture, and in ancient times Buddhist architecture. Normally the same builders and carvers worked for all religions, and regional and periodic styles are generally similar. For over 1,000 years, the basic layout of a Hindu or most Jain temples has consisted of a small garbhagriha or sanctuary for the main murti or idol, over which the high superstructure rises, then one or more larger mandapa halls.

↑ Return to Menu

Murti in the context of Cult statue

In the practice of religion, a cult image is a human-made object that is venerated or worshipped for the deity, spirit or daemon that it embodies or represents. In several traditions, including the ancient religions of Egypt, Greece and Rome, and Hinduism, cult images in a temple may undergo a daily routine of being washed, dressed, and having food left for them. Processions outside the temple on special feast days are often a feature. Religious images cover a wider range of all types of images made with a religious purpose, subject, or connection. In many contexts "cult image" specifically means the most important image in a temple, kept in an inner space, as opposed to what may be many other images decorating the temple.

The term idol, usually pejorative in English (except in Indian English where it usually carries no hostile implication), is an image or representation of a god used as an object of worship, while idolatry is the worship of an "idol" as though it were God. Anthropologists reporting on many cultures are generally sceptical that images themselves are in fact regarded as deities within religions, rather than representations of deities; this, however, has been since antiquity the recurrent charge of those opposed to religious images.

↑ Return to Menu

Murti in the context of Darshana

In Indian religions, a darshan (Sanskrit: दर्शन, IAST: darśana; lit. 'showing, appearance, view, sight') or darshanam is the auspicious sight of a deity or a holy person.

The term also refers to any one of the six traditional schools of Hindu philosophy and their literature on spirituality and soteriology.

↑ Return to Menu

Murti in the context of Muktinath

Muktinath is an ancient Vishnu temple located in Mustang, Nepal. The temple of Muktinath, known as 'the lord of liberation', is sacred to both Hindus and Buddhists whom they worship as an abode of Hindu deity Vishnu and Buddhist deity Avalokiteśvara respectively. Located in the Muktinath valley at the foot of the Thorong La mountain pass, it is one of the world's highest temples at an altitude of 3,800 meters. The temple is given a status of one of the 108 Divya Desams of Sri Vaishnavism (and the only Divya Desam located outside India) as well as one of the eight most sacred shrines in that tradition, known as the Svayam Vyakta Ksetras or Sthalas. It is also one of the 51 Shakta pithas, associated with the head of goddess Sati. The temple complex is known as Mukti Kshetra, which literally means "the place of liberation (moksha)" and is one of the Char Dham in Nepal.

For Buddhists, Muktinath is an abode of dakinis - goddesses known as Sky Dancers and is considered one of the twenty-four Tantric places. Tibetan Buddhists call it Chumig Gyatsa, which in Tibetan means "Hundred Waters" and the murti is revered as a manifestation of Avalokiteśvara, who embodies the compassion of all Buddhas.

↑ Return to Menu

Murti in the context of Hindu temple architecture

Hindu temple architecture as the main form of Hindu architecture has many different styles, though the basic nature of the Hindu temple remains the same, with the essential feature an inner sanctum, the garbha griha or womb-chamber, where the primary Murti or the image of a deity is housed in a simple bare cell. For rituals and prayers, this chamber frequently has an open space that can be moved in a clockwise direction. There are frequently additional buildings and structures in the vicinity of this chamber, with the largest ones covering several acres. On the exterior, the garbhagriha is crowned by a tower-like shikhara, also called the vimana in the south. Gopuram gateways are elaborate in the south. These are topped with a finial called kalasha. The shrine building often includes an circumambulatory passage for parikrama, a mandapa congregation hall, and sometimes an antarala antechamber and porch between garbhagriha and mandapa. In addition to other small temples in the compound, there may be additional mandapas or buildings that are either connected or separate from the larger temples.

Hindu temple architecture reflects a synthesis of arts, the ideals of dharma, values, and the way of life cherished under Hinduism. The temple is a place for Tirtha—pilgrimage. All the cosmic elements that create and celebrate life in Hindu pantheon, are present in a Hindu temple—from fire to water, from images of nature to deities, from the feminine to the masculine, from kama to artha, from the fleeting sounds and incense smells to Purusha—the eternal nothingness yet universality—is part of a Hindu temple architecture. The form and meanings of architectural elements in a Hindu temple are designed to function as a place in which to create a link between man and the divine, to help his progress to spiritual knowledge and truth, his liberation it calls moksha.

↑ Return to Menu

Murti in the context of Maa Dewri Temple

Maa Dewri Temple is an ancient temple, situated in Diuri village, Tamar near Ranchi in Jharkhand in India.   The main attraction of the temple is, 700 year old murti of 16-armed village deity Maa Dewri. It is an ancient temple and was renovated few years back. The ancient temple was constructed by interlocking stones without using chalk or binding material. The temple was earlier known as Dewri Diri, meaning sacred stone of Diuri village.

At the temple devotees tie yellow and red sacred threads on bamboo for the fulfilment of their wishes. Upon the fulfillment of their wishes, they again come to the temple and untie the thread. Dedicated to 16-armed Goddess Dewri, the temple is located a little outside the main city of Ranchi. Spread over nearly two acres, this old temple in Ranchi. As per the Legends, whoever has tried to alter the structure of this temple, has had to face the wrath of the gods and suffer consequences. In this temple the goddess is worshiped for six days by the tribal priest, mainly called Pahans and only for one day by the Brahmin Pandas. Located about 60 km from Ranchi, this temple is on the right side of the Ranchi-Tata road, toward the town of Tamar.

↑ Return to Menu