A garbhagriha (Sanskrit: गर्भगृह, romanized: Garbhagṛha) is the innermost sanctuary of Hindu and Jain temples, often referred to as the "holy of holies" or "sanctum sanctorum".
The term garbhagriha (literally, "womb chamber") comes from the Sanskrit words garbha for womb and griha for house. Although the term is often associated with Hindu temples, it is also found in Jain and Buddhist temples.
Hindu temple architecture as the main form of Hindu architecture has many different styles, though the basic nature of the Hindu temple remains the same, with the essential feature an inner sanctum, the garbha griha or womb-chamber, where the primary Murti or the image of a deity is housed in a simple bare cell. For rituals and prayers, this chamber frequently has an open space that can be moved in a clockwise direction. There are frequently additional buildings and structures in the vicinity of this chamber, with the largest ones covering several acres. On the exterior, the garbhagriha is crowned by a tower-like shikhara, also called the vimana in the south. Gopuram gateways are elaborate in the south. These are topped with a finial called kalasha. The shrine building often includes an circumambulatory passage for parikrama, a mandapa congregation hall, and sometimes an antarala antechamber and porch between garbhagriha and mandapa. In addition to other small temples in the compound, there may be additional mandapas or buildings that are either connected or separate from the larger temples.
Hindu temple architecture reflects a synthesis of arts, the ideals of dharma, values, and the way of life cherished under Hinduism. The temple is a place for Tirtha—pilgrimage. All the cosmic elements that create and celebrate life in Hindu pantheon, are present in a Hindu temple—from fire to water, from images of nature to deities, from the feminine to the masculine, from kama to artha, from the fleeting sounds and incense smells to Purusha—the eternal nothingness yet universality—is part of a Hindu temple architecture. The form and meanings of architectural elements in a Hindu temple are designed to function as a place in which to create a link between man and the divine, to help his progress to spiritual knowledge and truth, his liberation it calls moksha.
A Jain temple, Derasar (Gujarati: દેરાસર) or Basadi (Kannada: ಬಸದಿ), is the place of worship for Jains, the followers of Jainism. Jain architecture is essentially restricted to temples and monasteries, and Jain buildings generally reflect the prevailing style of the place and time they were built.
Jain temple architecture is generally close to Hindu temple architecture, and in ancient times Buddhist architecture. Normally the same builders and carvers worked for all religions, and regional and periodic styles are generally similar. For over 1,000 years, the basic layout of a Hindu or most Jain temples has consisted of a small garbhagriha or sanctuary for the main murti or idol, over which the high superstructure rises, then one or more larger mandapa halls.
In Indian religions, a darshan (Sanskrit: दर्शन, IAST: darśana; lit. 'showing, appearance, view, sight') or darshanam is the auspicious sight of a deity or a holy person.
The term also refers to any one of the six traditional schools of Hindu philosophy and their literature on spirituality and soteriology.
Dravidian architecture, or the Southern Indian temple style, is an architectural idiom in Hindu temple architecture that emerged from Southern India, reaching its final form by the sixteenth century.
In contrast with North Indian temple styles, Dravidian architecture uses shorter and more pyramidal towers, called vimana, over the garbhagriha or sanctuary, where the north has taller towers, usually curving inwards as they rise, called shikharas. Larger modern Dravidian style temples, however, include one or more high gopura or gatehouse entrances to the compound as their dominating feature; large temples have several dwarfing the vimana, although these are a much more recent development. There are numerous other distinct features, such as the dvarapalakas – twin guardians at the main entrance and the inner sanctum of the temple and goshtams – deities carved in niches on the outer side walls of the garbhagriha.
Shikhara (Sanskrit: शिखर, IAST: Śikhara), a Sanskrit word translating literally to "mountain peak", refers to the rising tower in the Hindu temple architecture of North India, and also often used in Jain temples. A shikhara over the garbhagriha chamber where the presiding deity is enshrined is the most prominent and visible part of a Hindu temple of North India.
In South India, the equivalent term is vimana; unlike the shikhara, this refers to the whole building, including the sanctum beneath. In the south, shikhara is a term for the top stage of the vimana only, which is usually a dome capped with a finial; this article is concerned with the northern form. The southern vimana is not to be confused with the elaborate gateway-towers of south Indian temples, called gopuram, which are often taller and more prominent features in large temples.
A vimana is the structure over the garbhagriha or inner sanctum in the Hindu temples of South India and Odisha in East India. In typical temples of Odisha using the Kalinga style of architecture, the vimana is the tallest structure of the temple, as it is in the shikhara towers of temples in West and North India. By contrast, in large South Indian temples, it is typically smaller than the great gatehouses or gopuram, which are the most immediately striking architectural elements in a temple complex. A vimana is usually shaped as a pyramid, consisting of several stories or tala. Vimana are divided in two groups: jati vimanas that have up to four tala and mukhya vimana that have five tala and more.
In North Indian temple architecture texts, the superstructure over the garbhagriha is called a shikhara. However, in South Indian Hindu architecture texts, the term shikhara means a dome-shaped crowning cap above the vimana.