Shikhara in the context of "Dravidian architecture"

Hindu temple architecture as the main form of Hindu architecture has many different styles, though the basic nature of the Hindu temple remains the same, with the essential feature an inner sanctum, the garbha griha or womb-chamber, where the primary Murti or the image of a deity is housed in a simple bare cell. For rituals and prayers, this chamber frequently has an open space that can be moved in a clockwise direction. There are frequently additional buildings and structures in the vicinity of this chamber, with the largest ones covering several acres. On the exterior, the garbhagriha is crowned by a tower-like shikhara, also called the vimana in the south. Gopuram gateways are elaborate in the south. These are topped with a finial called kalasha. The shrine building often includes an circumambulatory passage for parikrama, a mandapa congregation hall, and sometimes an antarala antechamber and porch between garbhagriha and mandapa. In addition to other small temples in the compound, there may be additional mandapas or buildings that are either connected or separate from the larger temples.

Hindu temple architecture reflects a synthesis of arts, the ideals of dharma, values, and the way of life cherished under Hinduism. The temple is a place for Tirtha—pilgrimage. All the cosmic elements that create and celebrate life in Hindu pantheon, are present in a Hindu temple—from fire to water, from images of nature to deities, from the feminine to the masculine, from kama to artha, from the fleeting sounds and incense smells to Purusha—the eternal nothingness yet universality—is part of a Hindu temple architecture. The form and meanings of architectural elements in a Hindu temple are designed to function as a place in which to create a link between man and the divine, to help his progress to spiritual knowledge and truth, his liberation it calls moksha.

Buddhist architecture is the architectural style that adheres to the philosophy and religious practices of Buddhism. The origins of Buddhism date back to the 5th century BCE in the Indian subcontinent. Buddhist architectural forms were developed to serve monastic, ritual, and commemorative functions. Distinctive features such as stupas, vihāras (monasteries), and chaityas (prayer halls) are often seen in Buddhist temples.

As Buddhism spread throughout and beyond South Asia, its architectural traditions evolved and diversified, leading to a wide range of regional adaptations across Southeast Asia and East Asia. It has been argued that certain stylistic features of Buddhist architecture, particularly the stupa, may have been influenced by elements from Hindu temple architecture, such as the shikhara. Over time, these forms evolved into the pagoda, a prominent architectural feature seen throughout the Indosphere and East Asia

Māru-Gurjara architecture or Solaṅkī style, is the style of West Indian temple architecture that originated in Gujarat and Rajasthan from the 11th to 13th centuries, under the Chaulukya dynasty (also called Solaṅkī dynasty). It became especially popular in Jain temples, and mainly under Jain patronage later spread across India, then later to diaspora communities around the world.

On the exteriors, the style of Māru-Gurjara architecture is distinguished from other North Indian temple styles of the period in "that the external walls of the temples have been structured by increasing numbers of projections and recesses, accommodating sharply carved statues in niches. These are normally positioned in superimposed registers, above the lower bands of moldings. The latter display continuous lines of horse riders, elephants, and kīrttimukhas. Hardly any segment of the surface is left unadorned." The main shikhara tower usually has many urushringa subsidiary spirelets on it, and two smaller side-entrances with porches are common in larger temples.

A vimana is the structure over the garbhagriha or inner sanctum in the Hindu temples of South India and Odisha in East India. In typical temples of Odisha using the Kalinga style of architecture, the vimana is the tallest structure of the temple, as it is in the shikhara towers of temples in West and North India. By contrast, in large South Indian temples, it is typically smaller than the great gatehouses or gopuram, which are the most immediately striking architectural elements in a temple complex. A vimana is usually shaped as a pyramid, consisting of several stories or tala. Vimana are divided in two groups: jati vimanas that have up to four tala and mukhya vimana that have five tala and more.

In North Indian temple architecture texts, the superstructure over the garbhagriha is called a shikhara. However, in South Indian Hindu architecture texts, the term shikhara means a dome-shaped crowning cap above the vimana.

Manikarneswar Devalaya at the top of Manikhalaya hill in Assam, North Guwahati is a temple dedicated to god Shiva. The present brick temple was built by Ahom King Rajeswar Singha in 1755 C.E. upon a star-shaped ground plan of a stone temple of the 10–11th century and made arrangements for regular worship at this temple.

The temple's shikhara got destroyed in the earthquake of 1897 and is currently roofed with a tin.