Mosaic in the context of "Byzantine architecture"

An icon (from Ancient Greek εἰκών (eikṓn) 'image, resemblance') is a religious work of art, most commonly a painting, in the cultures of the Eastern Orthodox, Oriental Orthodox, Catholic, and Lutheran churches. The most common subjects include Jesus, Mary, saints, and angels. Although especially associated with portrait-style images concentrating on one or two main figures, the term also covers most of the religious images in a variety of artistic media produced by Eastern Christianity, including narrative scenes, usually from the Bible or the lives of saints.

Icons are most commonly painted on wood panels with egg tempera, but they may also be cast in metal or carved in stone or embroidered on cloth or done in mosaic or fresco work or printed on paper or metal, etc. Comparable images from Western Christianity may be classified as "icons", although "iconic" may also be used to describe the static style of a devotional image. In the Greek language, the term for icon painting uses the same word as for "writing", and Orthodox sources often translate it into English as icon writing.

Divine Liturgy (Koine Greek: Θεία Λειτουργία, romanized: Theía Leitourgía, pronounced [ˈθi.a li.turˈʝi.a]) or Holy Liturgy is the usual name used in most Eastern Christian rites for the Eucharistic service.

The Eastern Orthodox Churches, Eastern Catholic Churches and Eastern Lutheran Churches believe the Divine Liturgy transcends both time and the world. All believers are seen as united in worship in the Kingdom of God along with the departed saints and the angels of heaven. Everything in the liturgy is seen as symbolic, but not merely so, for it makes present the unseen reality. According to Eastern tradition and belief, the liturgy's roots go back to the adaptation of Jewish liturgy by Early Christians. The first part, termed the "Liturgy of the Catechumens", includes the reading of scriptures like those in a synagogue, and in some places, also a sermon/homily. The second half, the "Liturgy of the Faithful", is based on the Last Supper and the first Eucharistic celebrations by Early Christians. Eastern Christians (and many other branches of Christianity) believe that the Eucharist is the central part of the service in which they participate, as they believe the bread and wine truly become the real Body and Blood of Christ, and that by partaking of it they jointly become the Body of Christ (that is, the Church). Each liturgy has its differences from others, but most are very similar to each other with adaptations based on tradition, purpose, culture and theology.

Neptune (Latin: Neptūnus [nɛpˈtuːnʊs]) is the god of freshwater and the sea in the Roman religion. He is the counterpart of the Greek god Poseidon. In the Greek-inspired tradition, he is a brother of Jupiter and Pluto, with whom he presides over the realms of heaven, the earthly world (including the underworld), and the seas. Salacia is his wife.

Depictions of Neptune in Roman mosaics, especially those in North Africa, were influenced by Hellenistic conventions. He was likely associated with freshwater springs before the sea; his festival, Neptunalia, took place on July 23, during the peak of summer when water was scarcest. Like Poseidon, he was also worshipped by the Romans as a god of horses, Neptunus equestris, who was also a patron of horse-racing.

The Dionysia (/ˌdaɪ.əˈnɪzi.ə, ˌdaɪ.əˈnɪʃi.ə, ˌdaɪ.əˈnɪʃə/; Greek: Διονύσια) was a large festival in ancient Athens in honor of the god Dionysus, the central events of which were processions and sacrifices in honor of Dionysus, the theatrical performances of dramatic tragedies and, from 487 BC, comedies. It was the second-most important festival after the Panathenaia. The Dionysia actually consisted of two related festivals, the Rural Dionysia and the City Dionysia, which took place in different parts of the year.

Tiles are usually thin, square or rectangular coverings manufactured from hard-wearing material such as ceramic, stone, metal, baked clay, or even glass. They are generally fixed in place in an array to cover roofs, floors, walls, edges, or other objects such as tabletops. Alternatively, tile can sometimes refer to similar units made from lightweight materials such as perlite, wood, and mineral wool, typically used for wall and ceiling applications. In another sense, a tile is a construction tile or similar object, such as rectangular counters used in playing games (see tile-based game). The word is derived from the French word tuile, which is, in turn, from the Latin word tegula, meaning a roof tile composed of fired clay.

Tiles are often used to form wall and floor coverings, and can range from simple square tiles to complex or mosaics. Tiles are most often made of ceramic, typically glazed for internal uses and unglazed for roofing, but other materials are also commonly used, such as glass, cork, concrete and other composite materials, and stone. Tiling stone is typically marble, onyx, granite or slate. Thinner tiles can be used on walls than on floors, which require more durable surfaces that will resist impacts.

A desert is a landscape where little precipitation occurs and, consequently, living conditions create unique biomes and ecosystems. The lack of vegetation exposes the unprotected surface of the ground to denudation. About one-third of the land surface of the Earth is arid or semi-arid. This includes much of the polar regions, where little precipitation occurs, and which are sometimes called polar deserts or "cold deserts". Deserts can be classified by the amount of precipitation that falls, by the temperature that prevails, by the causes of desertification or by their geographical location.

Deserts are formed by weathering processes as large variations in temperature between day and night strain the rocks, which consequently break into pieces. Although rain seldom occurs in deserts, there are occasional downpours that can result in flash floods. Rain falling on hot rocks can cause them to shatter, and the resulting fragments and rubble strewn over the desert floor are further eroded by the wind. This picks up particles of sand and dust, which can remain airborne for extended periods – sometimes causing the formation of sand storms or dust storms. Wind-blown sand grains striking any solid object in their path can abrade the surface. Rocks are smoothed down, and the wind sorts sand into uniform deposits. The grains end up as level sheets of sand or are piled high in billowing dunes. Other deserts are flat, stony plains where all the fine material has been blown away and the surface consists of a mosaic of smooth stones, often forming desert pavements, and little further erosion occurs. Other desert features include rock outcrops, exposed bedrock and clays once deposited by flowing water. Temporary lakes may form and salt pans may be left when waters evaporate. There may be underground water sources in the form of springs and seepages from aquifers. Where these are found, oases can occur.

Ostia Antica (lit. 'Ancient Ostia') is an ancient Roman city and the port of Rome located at the mouth of the Tiber. It is near modern Ostia, 25 km (16 mi) southwest of Rome. Due to silting and the invasion of sand, the site now lies 3 km (2 mi) from the sea. The name Ostia (the plural of ostium) derives from Latin os 'mouth'.

Ostia is now a large archaeological site noted for the excellent preservation of its ancient buildings, magnificent frescoes and impressive mosaics. The city's decline after antiquity led to harbor deterioration, marshy conditions, and reduced population. Sand dunes covering the site aided its preservation. Its remains provide insights into a city of commercial importance. As in Pompeii, Ostia's ruins provide details about Roman urbanism that are not accessible within the city of Rome itself.

The Great Palace of Constantinople (Greek: Μέγα Παλάτιον, Méga Palátion; Latin: Palatium Magnum), also known as the Sacred Palace (Greek: Ἱερὸν Παλάτιον, Hieròn Palátion; Latin: Sacrum Palatium), was the large imperial Byzantine palace complex located in the south-eastern end of the peninsula today making up the Fatih district of Istanbul (formerly Constantinople), in modern Turkey. It served as the main imperial residence of the Eastern Roman emperors until 1081 and was the centre of imperial administration for over 690 years. Only a few remnants and fragments of its foundations have survived into the present day.

The mosaics of Delos are a significant body of ancient Greek mosaic art. Most of the surviving mosaics from Delos, Greece, an island in the Cyclades, date to the last half of the 2nd century BC and early 1st century BC, during the Hellenistic period and beginning of the Roman period of Greece. Hellenistic mosaics were no longer produced after roughly 69 BC, due to warfare with the Kingdom of Pontus and the subsequently abrupt decline of the island's population and position as a major trading center. Among Hellenistic Greek archaeological sites, Delos contains one of the highest concentrations of surviving mosaic artworks. Approximately half of all surviving tessellated Greek mosaics from the Hellenistic period come from Delos.

The paved walkways of Delos range from simple pebble or chip-pavement constructions to elaborate mosaic floors composed of tesserae. Most motifs contain simple geometric patterns, while only a handful utilize the opus tessellatum and opus vermiculatum techniques to create lucid, naturalistic, and richly colored scenes and figures. Mosaics have been found in places of worship, public buildings, and private homes, the latter usually containing either an irregular-shaped floor plan or peristyle central courtyard.