Marginalia in the context of "Cogito, ergo sum"

⭐ In the context of Descartes’ philosophy, the variations of the ‘cogito, ergo sum’ statement, including ‘dubito, ergo sum’ and ‘ego sum, ego existo’, were initially developed and documented through what form of textual annotation?

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⭐ Core Definition: Marginalia

Marginalia (or apostils) are marks made in the margins of a book or other document. They may be scribbles, comments, glosses (annotations), critiques, doodles, drolleries, or illuminations.

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👉 Marginalia in the context of Cogito, ergo sum

The Latin cogito, ergo sum, usually translated into English as "I think, therefore I am", is the "first principle" of René Descartes' philosophy. He originally published it in French as je pense, donc je suis in his 1637 Discourse on the Method, so as to reach a wider audience than Latin would have allowed. It later appeared in Latin in his Principles of Philosophy, and a similar phrase (Ego sum, ego existo, 'I am, I exist') also featured prominently in his Meditations on First Philosophy. The dictum is also sometimes referred to as the cogito. As Descartes explained in a margin note, "we cannot doubt of our existence while we doubt." In the posthumously published The Search for Truth by Natural Light, he expressed this insight as dubito, ergo sum, vel, quod idem est, cogito, ergo sum ("I doubt, therefore I am—or what is the same—I think, therefore I am."). Antoine Léonard Thomas, in a 1765 essay in honor of Descartes, presented it as dubito, ergo cogito, ergo sum ("I doubt, therefore I think, therefore I am.").

Descartes's statement became a fundamental element of Western philosophy, as it purported to provide a certain foundation for knowledge in the face of radical doubt. While other knowledge could be a figment of imagination, deception, or mistake, Descartes asserted that the very act of doubting one's own existence served—at minimum—as proof of the reality of one's own mind; there must be a thinking entity—in this case the self—for there to be a thought.

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Marginalia in the context of Margin (typography)

In typography, a margin is the area between the main content of a page and the page edges. The margin helps to define where a line of text begins and ends. When a page is justified the text is spread out to be flush with the left and right margins. When two pages of content are combined next to each other (known as a two-page spread), the space between the two pages is known as the gutter. (Any space between columns of text is a gutter.) The top and bottom margins of a page are also called "head" and "foot", respectively. The term "margin" can also be used to describe the edge of internal content, such as the right or left edge of a column of text.

Marks made in the margins are called marginalia.

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Marginalia in the context of Illuminated manuscript

An illuminated manuscript is a formally prepared document where the text is decorated with flourishes such as borders and miniature illustrations. Often used in the Roman Catholic Church for prayers and liturgical books such as psalters and courtly literature, the practice continued into secular texts from the 13th century onward and typically include proclamations, enrolled bills, laws, charters, inventories, and deeds.

The earliest surviving illuminated manuscripts are a small number from late antiquity, and date from between 400 and 600 CE. Examples include the Vergilius Romanus, Vergilius Vaticanus, and the Rossano Gospels. The majority of extant manuscripts are from the Middle Ages, although many survive from the Renaissance. While Islamic manuscripts can also be called illuminated and use essentially the same techniques, comparable Far Eastern and Mesoamerican works are described as painted.

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Marginalia in the context of Incunabula

An incunable or incunabulum (pl.: incunables or incunabula, respectively) is a book, pamphlet, or broadside that was printed in the earliest stages of printing in Europe, up to the year 1500. The specific date is essentially arbitrary, but the number of printed book editions exploded in the following century, so that all incunabula, produced before the printing press became widespread in Europe, are rare, where even some early 16th-century books are relatively common.

They are distinct from manuscripts, which are documents written by hand. Some authorities on the history of printing include block books from the same time period as incunabula, whereas others limit the term to works printed using movable type.

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Marginalia in the context of Armenian illuminated manuscripts

Armenian illuminated manuscripts (Armenian: Հայկական մանրանկարչություն, romanizedHaykakan manrankarch'owt'yown), form an Armenian tradition of formally prepared documents where the text is often supplemented with flourishes such as borders and miniature illustrations. They are related to other forms of Medieval Armenian art, Persian miniatures, and to Byzantine illuminated manuscripts. The earliest surviving examples date after the Golden Age of Armenian art and literature in the 6th century. Armenian illuminated manuscripts embody Armenian culture; they illustrate its spiritual and cultural values.

The most famous Armenian miniaturist, Toros Roslin, lived in the 13th century. The art form flourished in Greater Armenia, Lesser Armenia and the Armenian Diaspora. Its appearance dates back to the creation of the Armenian alphabet in Armenia, in the year 405 AD. Very few fragments of illuminated manuscripts from the 6th and 7th centuries have survived. The oldest fully preserved manuscript dates from the 9th century. Art experienced a golden age in the 13th and 14th centuries when the main schools and centers started to pop up (fifteen hundred centers of writing and illumination). The most striking are those of Syunik, Vaspurakan and Cilicia. Many Armenian illuminated manuscripts outside the country of Armenia have also survived the centuries. Despite the creation of the Armenian printing press in the 16th century, the production of miniatures continued until the 19th century and survives through modern Armenian painting and cinema.

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Marginalia in the context of Gloss (annotation)

A gloss is a brief notation, especially a marginal or interlinear one, of the meaning of a word or wording in a text. It may be in the language of the text or in the reader's language if that is different.

A collection of glosses is a glossary. A collection of medieval legal glosses, made by glossators, is called an apparatus. The compilation of glosses into glossaries was the beginning of lexicography, and the glossaries so compiled were in fact the first dictionaries. In modern times a glossary, as opposed to a dictionary, is typically found in a text as an appendix of specialized terms that the typical reader may find unfamiliar. Also, satirical explanations of words and events are called glosses. The German Romantic movement used the expression of gloss for poems commenting on a given other piece of poetry, often in the Spanish Décima style.

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