Lithograph in the context of Miscibility


Lithograph in the context of Miscibility

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⭐ Core Definition: Lithograph

Lithography (from Ancient Greek λίθος (líthos) 'stone' and γράφω (gráphō) 'to write') is a planographic method of printing originally based on the immiscibility of oil and water. The printing is from a stone (lithographic limestone) or a metal plate with a smooth surface. It was invented in 1796 by the German author and actor Alois Senefelder and was initially used mostly for musical scores and maps. Lithography can be used to print text or images onto paper or other suitable material. A lithograph is something printed by lithography, but this term is only used for fine art prints and some other, mostly older, types of printed matter, not for those made by modern commercial lithography.

Traditionally, the image to be printed was drawn with a greasy substance, such as oil, fat, or wax onto the surface of a smooth and flat limestone plate. The stone was then treated with a mixture of weak acid and gum arabic ("etch") that made the parts of the stone's surface that were not protected by the grease more hydrophilic (water attracting). For printing, the stone was first moistened. The water adhered only to the etched, hydrophilic areas, making them even more oil-repellant. An oil-based ink was then applied, and would stick only to the original drawing. The ink would finally be transferred to a blank sheet of paper, producing a printed page. This traditional technique is still used for fine art printmaking.

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Lithograph in the context of Children's literature

Children's literature or juvenile literature includes stories, books, magazines, and poems that are created for children. In addition to conventional literary genres, modern children's literature is classified by the intended age of the reader, ranging from picture books for the very young to young adult fiction for those nearing maturity.

Children's literature can be traced to traditional stories like fairy tales, which have only been identified as children's literature since the eighteenth century, and songs, part of a wider oral tradition, which adults shared with children before publishing existed. The development of early children's literature, before printing was invented, is difficult to trace. Even after printing became widespread, many classic "children's" tales were originally created for adults and later adapted for a younger audience. Since the fifteenth century much literature has been aimed specifically at children, often with a moral or religious message. Children's literature has been shaped by religious sources, like Puritan traditions, or by more philosophical and scientific standpoints with the influences of Charles Darwin and John Locke. The late nineteenth and early twentieth centuries are known as the "Golden Age of Children's Literature" because many classic children's books were published then.

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Lithograph in the context of Planographic

Planographic printing means printing from a flat surface, as opposed to a raised surface (as with relief printing) or incised surface (as with intaglio printing). Lithography and offset lithography are planographic processes that rely on the property that water will not mix with oil. The image is created by applying a tusche (greasy substance) to a plate or stone. The term lithography comes from litho, for stone, and -graph to draw. Certain parts of the semi-absorbent surface being printed on can be made receptive to ink while others (the blank parts) reject it.

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Lithograph in the context of Pantomime

Pantomime (/ˈpæntəˌmm/; informally panto) is a type of musical comedy stage production designed for family entertainment, generally combining broad and topical humour and cross-dressing actors with a story more or less based on a well-known fairy tale, fable or folk tale. Pantomime is a participatory form of theatre developed in England in the 18th century in which the audience is encouraged and expected to sing along with certain parts of the music and to shout out phrases to the performers.

The origins of pantomime reach back to ancient Greek classical theatre. It developed partly from the 16th century commedia dell'arte tradition of Italy and partly from other European and British stage traditions, such as 17th-century masques and music hall. An important part of the pantomime, until the late 19th century, was the harlequinade. Modern pantomime is performed throughout the United Kingdom, Ireland and (to a lesser extent) in other English-speaking countries, especially during the Christmas and New Year season, and includes songs, gags, slapstick comedy and dancing.

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Lithograph in the context of Hypokinetic diseases

Diseases of affluence, previously called diseases of rich people, is a term sometimes given to selected diseases and other health conditions which are commonly thought to be a result of increasing wealth in a society. Also referred to as the "Western disease" paradigm, these diseases are in contrast to "diseases of poverty", which largely result from and contribute to human impoverishment. These diseases of affluence have vastly increased in prevalence since the end of World War II.

Examples of diseases of affluence include mostly chronic non-communicable diseases (NCDs) and other physical health conditions for which personal lifestyles and societal conditions associated with economic development are believed to be an important risk factor—such as type 2 diabetes, asthma, coronary heart disease, cerebrovascular disease, peripheral vascular disease, obesity, hypertension, cancer, alcoholism, gout, and some types of allergy. They may also be considered to include depression and other mental health conditions associated with increased social isolation and lower levels of psychological well-being observed in many developed countries. Many of these conditions are interrelated, for example obesity is thought to be a partial cause of many other illnesses.

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Lithograph in the context of David Roberts (painter)

David Roberts RA RBA (24 October 1796 – 25 November 1864) was a Scottish painter. He is especially known for The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia, a prolific series of detailed lithograph prints of Egypt and the Near East that he produced from sketches he made during long tours of the region (1838–1840). These and his large oil paintings of similar subjects made him a prominent Orientalist painter. He was elected as a Royal Academician in 1841.

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Lithograph in the context of Strap-on dildo

A strap-on dildo (also simply a strap-on) is a dildo designed to be worn, usually with a harness, during sexual activity. Harnesses and dildos are made in a wide variety of styles, with variations in how the harness fits the wearer, how the dildo attaches to the harness, as well as various features intended to facilitate stimulation of the wearer or a sexual partner. Strap-on dildos can be used by people of any gender or sexuality.

A strap-on dildo can be used for a wide variety of sexual activities, including vaginal sex, anal sex, pegging, oral sex, or masturbation. Sexual lubricant can be used to ease insertion.

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Lithograph in the context of The Drunkard's Progress

The Drunkard's Progress: From the First Glass to the Grave is an 1846 lithograph by Nathaniel Currier. It is a nine-step lebenstreppe on a stone arch depicting a man's journey through alcoholism. Through a series of vignettes it shows how a single drink starts an arc that ends in suicide. Below the structure, the protagonist's wife and child stand in tears.

The lithograph is based on John Warner Barber's 1826 work The Drunkard's Progress, or The Direct Road to Poverty, Wretchedness, & Ruin. Critical reception has been poor since the image was released, but it influenced other temperance-themed works. The Drunkard's Progress is used in high school American history classes to teach about the temperance movement.

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Lithograph in the context of Jean-Baptiste Debret

Jean-Baptiste Debret (French pronunciation: [ʒɑ̃ batist dəbʁɛ]; 18 April 1768 – 28 June 1848) was a French painter, who produced many valuable lithographs depicting the people of Brazil. Debret won the second prize at the 1798 Salon des Beaux Arts.

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Lithograph in the context of Louis Haghe

Louis Haghe (17 March 1806 – 9 March 1885) was a lithographer and watercolourist from the Netherlands and then the United Kingdom.

His father and grandfather had practised as architects. Training in his teens in watercolour painting, he found work in the relatively new art of lithography when the first press was set up in Tournai. He visited England to find work, and settled there permanently in 1823.

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Lithograph in the context of Nixtamalization

Nixtamalization (/ˌnɪʃtəməlɪˈzʃən, ˌnɪks-/ nish-tə-mə-lih-ZAY-shən) is a process for the preparation of maize (corn), or other grain, in which the grain is soaked and cooked in an alkaline solution, usually limewater (but sometimes aqueous alkali metal carbonates), washed, and then hulled. The term can also refer to the removal via an alkali process of the pericarp from other grains such as sorghum.

Nixtamalized corn has several benefits over unprocessed grain: It is more easily ground, its nutritional value is increased, flavor and aroma are improved, and mycotoxins are reduced by up to 97–100% (for aflatoxins).

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Lithograph in the context of Frank Leslie's Illustrated Newspaper

Frank Leslie's Illustrated Newspaper, later renamed Leslie's Weekly, was an American illustrated literary and news magazine founded in 1855 and published until 1922. It was one of several magazines started by publisher and illustrator Frank Leslie.

Throughout its existence, the weekly provided illustrations and reports—with wood engravings, lithographs and steel engravings based on sketches and photography, beginning with daguerreotypes and later with more advanced forms of photography—of wars from John Brown's raid at Harpers Ferry and the Civil War to the Spanish–American War and the First World War - and numerous other articles of topical interest.

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Lithograph in the context of Jean-Louis Forain

Jean-Louis Forain (French pronunciation: [ʒɑ̃ lwi fɔʁɛ̃]; 23 October 1852 – 11 July 1931) was a French Impressionist painter and printmaker, working in media including oils, watercolour, pastel, etching and lithograph. Compared to many of his Impressionist colleagues, he was more successful during his lifetime, but his reputation is now much less exalted.

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Lithograph in the context of Currier and Ives

Currier and Ives was a New York City-based printmaking business operating from 1835 to 1907. Founded by Nathaniel Currier, the company designed and sold inexpensive hand-painted lithographic works based on news events, views of popular culture and Americana. Advertising itself as "the Grand Central Depot for Cheap and Popular Prints", the corporate name was changed in 1857 to "Currier and Ives" with the addition of James Merritt Ives.

A perennial bestselling series was the Darktown Comics lithographs.

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Lithograph in the context of Pin-up model

A pin-up model is a model whose mass-produced pictures and photographs have wide appeal within the popular culture of a society. Pin-up models are usually glamour, actresses, or fashion models whose pictures are intended for informal and aesthetic display, known for being pinned onto a wall. From the 1940s, pictures of pin-up girls were also known as cheesecake in the U.S.

The term pin-up refers to drawings, paintings, and photographs of semi-nude women and was first attested to in English in 1941. Images of pin-up girls were published in magazines and newspapers. They were also displayed on postcards, lithographs, and calendars. The counterpart of the pin-up girl is the male pin-up, also known as beefcake, including celebrated actors and athletes such as the actor James Dean, the singer Jim Morrison, and the model Fabio.

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Lithograph in the context of Salon of 1849

The Salon of 1849 was an art exhibition held in Paris. It was the first to be located at the Tuileries Palace, rather than the traditional venue of the Salon at the Louvre. It was staged during the French Republic which had been established following the Revolution of 1848. The Tuileries were a historic royal residence, and had before the revolution belonged to the now deposed Louis Philippe I.

The rules of submission were made more open to artists. A major beneficiary of this was the realist painter Gustave Courbet whose After Dinner at Ornans won a gold medal. Under the July Monarchy Salon juries had rejected all but three of his twenty two submissions. The young Pierre-Charles Comte exhibited a history painting The Coronation of Inês de Castro in 1361 featuring the fourteenth century Portuguese queen Inês de Castro. Rosa Bonheur displayed a rural scene Ploughing in the Nivernais. Another realist painter François Bonvin submitted three painting.

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Lithograph in the context of History of the Indian Tribes of North America

The History of the Indian Tribes of North America is a three-volume collection of Native American biographies and accompanying lithograph portraits, originally published in the United States from 1836 to 1844 by Thomas McKenney and James Hall. The majority of the portraits were first painted in oil by Charles Bird King. McKenney was working as the US Superintendent of Indian Trade and would head the Office of Indian Affairs, both within the War Department. He planned publication of the biographical project to be supported by private subscription, as was typical for publishing of the time.

Believing that Native Americans were threatened as a race, McKenney wanted to preserve a record of their leaders for government archives, as well as to share it with the American people. He commissioned Charles Bird King to paint portraits of leaders who came to Washington to negotiate treaties, and James Hall to write biographies of them. The publication project incorporated lithographs made from the paintings.

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