Art exhibition in the context of "Salon of 1849"

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⭐ Core Definition: Art exhibition

An art exhibition is traditionally the space in which art objects (in the most general sense) meet an audience. The exhibit is universally understood to be for some temporary period unless, as is occasionally true, it is stated to be a "permanent exhibition". In American English, they may be called "exhibit", "exposition" (the French word) or "show". In UK English, they are always called "exhibitions" or "shows", and an individual item in the show is an "exhibit".

Such expositions may present pictures, drawings, video, sound, installation, performance, interactive art, new media art or sculptures by individual artists, groups of artists or collections of a specific form of art.

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Art exhibition in the context of Salon (Paris)

The Salon, or sometimes Paris Salon (French: Salon de Paris [salɔ̃ d(ə) paʁi]), beginning in 1667, was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world.

At the Salon of 1761, thirty-three painters, nine sculptors, and eleven engravers contributed. From 1881 onward, it was managed by the Société des Artistes Français.

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Art exhibition in the context of Kassel

Kassel (German pronunciation: [ˈkasl̩] ; in Germany, spelled Cassel until 1926) is a city on the Fulda River in northern Hesse, in central Germany. It is the administrative seat of the Regierungsbezirk Kassel and the district of the same name, and had 201,048 inhabitants in December 2020. The former capital of the state of Hesse-Kassel, it has many palaces and parks, including the Bergpark Wilhelmshöhe, which is a UNESCO World Heritage Site. Kassel is also known for the documenta exhibitions of contemporary art. Kassel has a public university with 25,000 students (2018) and a multicultural population (39% of the citizens in 2017 had a migration background).

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Art exhibition in the context of Art Basel

Art Basel is a for-profit, privately owned and managed, international series of art fairs whose annual flagship event has long been considered the largest and most prestigious fair of the contemporary and modern art market. Art Basel started in Basel, Switzerland in 1970. Since then, it has added annual satellite fairs in Miami Beach in the United States; Hong Kong, and Paris. Starting in February 2026, it will also host its first Art Basel event in Doha, Qatar.

The annual fairs bring together galleries, collectors, curators and artists for exhibitions, sales and programming. They also serve as an anchor for numerous other art fairs that simultaneously operate in parallel in the host cities.

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Art exhibition in the context of Botanical garden

A botanical garden or botanic garden is a garden with a documented collection of living plants for the purpose of scientific research, conservation, display, and education. It is their mandate as a botanical garden that plants are labelled with their botanical names. It may contain specialist plant collections such as cacti and other succulent plants, herb gardens, plants from particular parts of the world, and so on; there may be glasshouses or shadehouses, again with special collections such as tropical plants, alpine plants, or other exotic plants that are not native to that region.

Most are at least partly open to the public, and may offer guided tours, public programming such as workshops, courses, educational displays, art exhibitions, book rooms, open-air theatrical and musical performances, and other entertainment.

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Art exhibition in the context of Salon of 1875

The Salon of 1875 was an art exhibition held at the Palace of Industry in Paris from 1 May to 29 June 1875. It took place during the Belle Époque when Academic art was at its height. Traditionally the Salon was the undisputed premier exhibition held in France, but a Salon des Refusés was held that year featuring works from the Impressionist movement.

Nonetheless, Édouard Manet featured at the Salon of 1875 with one his first overtly impressionistic work Argenteuil, depicting a couple by the River Seine. Jules Lefebvre was awarded a gold medal for Chloé, a nude painting featuring the naiad of the same name. It later became one of the best-known paintings in Australia.

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Art exhibition in the context of Vernissage

A vernissage (from French, originally meaning "varnishing") is a preview of an art exhibition, which may be private, before the formal opening. If the vernissage is not open to the public, but only to invited guests, it is often called a private view.

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Art exhibition in the context of Salon of 1761

The Salon of 1761 was an art exhibition held at the Louvre in Paris. Staged during the reign of Louis XV and at a time when the Seven Years' War against Britain and Prussia was at its height, it reflected the taste of the Ancien régime during the mid-eighteenth century. The biannual Salon was organised by the Académie Royale. Jean Siméon Chardin was in charge of choosing hanging locations for the two hundred or so works on display. A number of submissions were Rococo in style. The art critic Denis Diderot wrote extensively about the Salon.

The exhibition was notable for the paintings of Jean-Baptiste Greuze who displayed fourteen works including The Laundress and The Village Bride. François Boucher submitted a pastoral work Shepherd and Shepherdess Reposing. The Swedish artist Alexander Roslin produced portraits both of Boucher and his wife Marie-Jeanne. Louis-Michel van Loo exhibited his Portrait of Louis XV, now a lost work but with several contemporary copies surviving. Joseph Vernet displayed two versions of View of Bayonne, part of his Views of the Ports of France series. Charles-André van Looexhibited Mary Magdalene in the Desert and Jean-Baptiste-Henri Deshays's The Martyrdom of Saint Andrew, which were praised by Diderot.

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Art exhibition in the context of Art dealer

An art dealer is a person or company that buys and sells works of art, or acts as the intermediary between the buyers and sellers of art.

An art dealer in contemporary art typically seeks out various artists to represent, and builds relationships with collectors and museums whose interests are likely to match the work of the represented artists. Some dealers are able to anticipate market trends, while some prominent dealers may be able to influence the taste of the market. Many dealers specialize in a particular style, period, or region. They often travel internationally, frequenting exhibitions, auctions, and artists' studios looking for good buys, little-known treasures, and exciting new works. When dealers buy works of art, they resell them either in their galleries or directly to collectors. Those who deal in contemporary art in particular usually exhibit artists' works in their own galleries. They will often take part in preparing the works of art to be revealed or processed.

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