Kami in the context of Yorishiro

In Christian belief, a saint, also known as a hallow, is a person who is recognized as having an exceptional degree of holiness, likeness, or closeness to God. However, the use of the term saint depends on the context and denomination. Official ecclesiastical recognition, and veneration, is conferred on some denominational saints through the process of canonization in the Catholic Church or glorification in the Eastern Orthodox Church after their approval. The saints are honored in the liturgical calendars of Evangelical Lutheranism and Anglicanism. In other nonconformist denominations, such as the Plymouth Brethren, and following from Pauline usage, saint refers broadly to any holy Christian without special recognition or selection.

While the English word saint (deriving from the Latin sanctus) originated in Christianity, historians of religion tend to use the appellation "in a more general way to refer to the state of special holiness that many religions attribute to certain people", referring to the Hindu rishi, Sikh bhagat or guru, the Shintoist kami, the Taoist immortal or zhenren, the Jewish tzadik, the Islamic walī/fakir, and the Buddhist arhat or bodhisattva also as saints. Depending on the religion, saints are recognized either by official declaration, as in Roman Catholicism, Oriental Orthodoxy or Eastern Orthodoxy, or by popular acclamation (see folk saint).

Shinto (神道, Shintō; Japanese pronunciation: [ɕiꜜn.toː]), also called Shintoism, is a religion originating in Japan. Classified as an East Asian religion by scholars of religion, it is often regarded by its practitioners as Japan's indigenous religion and as a nature religion. Scholars sometimes call its practitioners Shintoists, although adherents rarely use that term themselves. With no unifying doctrine or central authority in control of Shinto, there is much diversity of belief and practice evident among practitioners.

A polytheistic and animistic religion, Shinto revolves around supernatural entities called the kami (神). The kami are believed to inhabit all things, including forces of nature, prominent landscape locations, and even notable historical figures. The kami are worshipped at kamidana household shrines, family shrines, and jinja public shrines. The latter are staffed by priests, known as kannushi, who oversee offerings of food and drink to the specific kami enshrined at that location. This is done to cultivate harmony between humans and kami and to solicit the latter's blessing. Other common rituals include the kagura dances, rites of passage, and kami festivals. Public shrines facilitate forms of divination and supply religious objects, such as amulets, to the religion's adherents. Shinto places a major conceptual focus on ensuring purity, largely by cleaning practices such as ritual washing and bathing, especially before worship. Little emphasis is placed on specific moral codes or particular afterlife beliefs, although the dead are deemed capable of becoming kami. With the kami of the dead, there is the common worship of ancestral kami, whose presence is only in your clan, and Arahitogami, who can have their purification rituals performed by anyone whose life has been impacted by them. The religion has no single creator or specific doctrine, and instead exists in a diverse range of local and regional forms.

Amaterasu Ōmikami (天照大（御）神; Japanese pronunciation: [aꜜ.ma.te.ɾa.sɯ | oː.mʲiꜜ.ka.mʲi]), often called Amaterasu ([aꜜ.ma.te.ɾa.sɯ]) for short, also known as Amateru Kami (天照神) and Ōhirume no Muchi (大日孁貴), is the goddess of the sun in Japanese mythology. Often considered the chief deity (kami) of the Shinto pantheon, she is also portrayed in Japan's earliest literary texts, the Kojiki (c. 712 CE) and the Nihon Shoki (720 CE), as the ruler (or one of the rulers) of the heavenly realm Takamagahara and as the mythical ancestress of the Imperial House of Japan via her grandson Ninigi. Along with two of her siblings (the moon deity Tsukuyomi and the impetuous storm-god Susanoo) she ranks as one of the "Three Precious Children" (三貴子, mihashira no uzu no miko / sankishi), the three most important offspring of the creator god Izanagi.

Amaterasu's chief place of worship, the Grand Shrine of Ise in Ise, Mie Prefecture, is one of Shinto's holiest sites and a major pilgrimage center and tourist spot. As with other Shinto kami, she is also enshrined in a number of Shinto shrines throughout Japan.

The Nara period (奈良時代, Nara jidai; Japanese pronunciation: [na.ɾa (d)ʑiꜜ.dai]) of the history of Japan covers the years from 710 to 794. Empress Genmei established the capital of Heijō-kyō (present-day Nara). Except for a five-year period (740–745), when the capital was briefly moved again, it remained the capital of Japanese civilization until Emperor Kanmu established a new capital, Nagaoka-kyō, in 784, before moving to Heian-kyō, modern Kyoto, a decade later in 794.

Japanese society during this period was predominantly agricultural and centered on village life. Most of the villagers followed Shintō, a religion based on the worship of natural and ancestral spirits named kami.

The Kojiki (古事記, "Records of Ancient Matters" or "An Account of Ancient Matters"), also sometimes read as Furukotofumi or Furukotobumi, is an early Japanese chronicle of myths, legends, hymns, genealogies, oral traditions, and semi-historical accounts down to 641 concerning the origin of the Japanese archipelago, the kami, and the Japanese imperial line. It is claimed in its preface to have been composed by Ō no Yasumaro at the request of Empress Genmei in the early 8th century (711–712), and thus is usually considered to be the oldest extant literary work in Japan.

The myths contained in the Kojiki as well as the Nihon Shoki are part of the inspiration behind many practices and unified "Shinto orthodoxy". Later, they were incorporated into Shinto practices such as the misogi purification ritual.

Japanese mythology is a collection of traditional stories, folktales, and beliefs that emerged in the islands of the Japanese archipelago. Shinto traditions are the cornerstones of Japanese mythology. The history of thousands of years of contact with Chinese and various Indian myths (such as Buddhist and Hindu mythology) are also key influences in Japanese religious belief.

Japanese myths are tied to the topography of the archipelago as well as agriculturally-based folk religion, and the Shinto pantheon holds uncountable kami ("god(s)" or "spirits").

A Shinto shrine (神社, jinja; archaic: shinsha, meaning: 'kami shrine') is a structure whose main purpose is to house ("enshrine") one or more kami, the deities of the Shinto religion.

The main hall (本殿, honden) is where a shrine's patron kami is or are enshrined. The honden may be absent in cases where a shrine stands on or near a sacred mountain, tree, or other object which can be worshipped directly or in cases where a shrine possesses either an altar-like structure, called a himorogi, or an object believed to be capable of attracting spirits, called a yorishiro, which can also serve as direct bonds to a kami. There may be a hall of worship (拝殿, haiden) and other structures as well.

Ise (伊勢市, Ise-shi; Japanese pronunciation: [iꜜ.se, i.seꜜ.ɕi]), formerly called Ujiyamada (宇治山田), is a city in central Mie Prefecture, on the island of Honshū, Japan. Ise is home to Ise Grand Shrine, the most sacred Shintō shrine in Japan. The city has a long-standing title – Shinto (神都) – that roughly means "the Holy City", and literally means "the Capital of the Kami". As of 31 July 2021, the city had an estimated population of 123,533 in 55,911 households and a population density of 590 people per km. The total area of the city is 208.53 square kilometres (80.51 sq mi).

Tsurugaoka Hachimangū (鶴岡八幡宮) is the most important Shinto shrine in the city of Kamakura, Kanagawa Prefecture, Japan. The shrine is a cultural center of the city of Kamakura and serves as the venue of many of its most important festivals with two museums.

For most of its history, it served both as a Hachiman shrine, and in latter years a Tendai Buddhist temple typical of Japanese Buddhist architecture. The famed Buddhist priest Nichiren Daishonin once reputedly visited the shrine to reprimand the kami Hachiman just before his execution at Shichirigahama beach.

A torii (Japanese: 鳥居; [to.ɾi.i]) is a traditional Japanese gate most commonly found at the entrance of or within a Shinto shrine, where it symbolically marks the transition from the mundane to the sacred, and a spot where kami are welcomed and thought to travel through.

The presence of a torii at the entrance is usually the simplest way to identify Shinto shrines, and a small torii icon represents them on Japanese road maps and on Google Maps.

Kamidana (神棚, lit. 'god/spirit-shelf') are miniature household altars provided to enshrine a Shinto kami. They are most commonly found in Japan, the home of kami worship.

The kamidana is typically placed high on a wall and contains a wide variety of items related to Shinto-style ceremonies, the most prominent of which is the shintai, an object meant to house a chosen kami, thus giving it a physical form to allow worship. Kamidana shintai are most commonly small circular mirrors, though they can also be magatama jewels, or some other object with largely symbolic value. The kami within the shintai is often the deity of the local shrine or one particular to the house owner's profession. A part of the kami (bunrei) was obtained specifically for that purpose from a shrine through a process called kanjō.

Shinto priests (神職, shinshoku) are members of the clergy at a Shinto shrine (神社, jinja) responsible for maintaining the shrine and leading worship of the kami there. In Japanese, they are also commonly referred to as kannushi (神主, "divine master (of ceremonies)"). The characters for kannushi are sometimes also read as jinshu with the same meaning. Kannushi originally referred only to the highest-ranking member of the clergy at a shrine, but has since expanded to become a collective term for all members of the clergy, synonymous with shinshoku.

Another office called shinkan (神官; lit. "religious official") used to exist, but the position was abolished during the removal of Shinto from government oversight during the establishment of the Japanese constitution.

Kagura (神楽(かぐら), "god-entertainment") is a type of Shinto ritual ceremonial dance. The term is a contraction of the phrase kami no kura ("seat of god"), indicating the presence of gods (kami) in the practice.

One major function of kagura is chinkon (purifying and shaking the spirit), involving a procession-trance process. Usually a female shaman will perform the dance and obtain the oracle from the god—in the setting, the dancer herself turns into the god during the performance. Once strictly a ceremonial art derived from kamigakari (神懸, "oracular divinification"), kagura has evolved in many directions over the span of more than a millennium. Today, it is very much a living tradition, with rituals tied to the rhythms of the agricultural calendar, thriving primarily in parts of Shimane Prefecture, and urban centers such as Hiroshima.

Japanese festivals, or matsuri (Japanese: 祭り), are traditional festive occasions often celebrated with dance and music in Japan. The origin of the word matsuri is related to the kami (神, Shinto deities); there are theories that the word matsuri is derived from matsu (待つ) meaning "to wait (for the kami to descend)", tatematsuru (献る) meaning "to make offerings to the kami", and matsurau (奉う) meaning "to obey the kami". The theory that it is derived from matsurau is the most popular.

It is estimated that there are between 100,000 and 300,000 festivals across Japan, generating an annual economic impact of 530 billion yen as of 2019. As of 2024, 33 of these festivals have been registered as UNESCO Intangible Cultural Heritage Lists as "Yama, Hoko, Yatai, float festivals in Japan". Various folk dances, costume processions, kagura, dengaku, bugaku, and noh performed at festivals are also registered as UNESCO Intangible Cultural Heritage Lists. For example, 41 folk dances including bon odori from various regions of Japan are registered as "Furyu-odori" and 10 costume processions including namahage are registered as "Raihō-shin".

Arahitogami (現人神) is a Japanese word, meaning a kami (or deity) who is a human being. It first appeared in the Nihon Shoki (c. 720) as the words of Yamato Takeru saying: "I am the son of an arahitogami."

In 1946, at the request of the GHQ, the Shōwa Emperor (Hirohito) proclaimed in the Humanity Declaration that he had never been an akitsumikami (現御神), divinity in human form, and claimed his relation to the people did not rely on such a mythological idea but on a historically developed family-like reliance. However, the declaration excluded the word arahitogami.

Susanoo (スサノオ, Japanese pronunciation: [sɯ̥.sa.noꜜː]; historical orthography: スサノヲ, 'Susanowo'), often referred to by the honorific title Susanoo-no-Mikoto ([sɯ̥.sa.noꜜː no mʲi.ko.to]), is a kami in Japanese mythology. The younger brother of Amaterasu, goddess of the sun and mythical ancestress of the Japanese imperial line, he is a multifaceted deity with contradictory characteristics (both good and bad), being portrayed in various stories either as a wild, impetuous god associated with the sea and storms, as a heroic figure who killed a monstrous serpent, or as a local deity linked with the harvest and agriculture. Syncretic beliefs of the Gion cult that arose after the introduction of Buddhism to Japan also saw Susanoo becoming conflated with deities of pestilence and disease.

Susanoo, alongside Amaterasu and the earthly kami Ōkuninushi (also Ōnamuchi) – depicted as either Susanoo's son or scion depending on the source – is one of the central deities of the imperial Japanese mythological cycle recorded in the Kojiki (c. 712 CE) and the Nihon Shoki (720 CE). One of the gazetteer reports (Fudoki) commissioned by the imperial court during the same period these texts were written, that of Izumo Province (modern Shimane Prefecture) in western Japan, also contains a number of short legends concerning Susanoo or his children, suggesting a connection between the god and this region.

Izanagi (イザナギ/伊邪那岐/伊弉諾) or Izanaki (イザナキ), formally referred to with a divine honorific asIzanagi-no-Mikoto (伊邪那岐命/伊弉諾尊; meaning "He-who-invites" or the "Male-who-invites"), is the creator deity (kami) of both creation and life in Japanese mythology. He and his sister-wife Izanami are the last of the seven generations of primordial deities that manifested after the formation of heaven and earth. Izanagi and Izanami are held to be the creators of the Japanese archipelago and the progenitors of many deities, which include the sun goddess Amaterasu, the moon deity Tsukuyomi, and the storm god Susanoo. He is a god that can be said to be the beginning of the current Japanese imperial family.

In Shinto shrine architecture, the honden (本殿, main hall), also called shinden (神殿), or sometimes shōden (昇殿) as in Ise Shrine's case, is the most sacred building at a Shinto shrine, intended purely for the use of the enshrined kami, usually symbolized by a mirror or sometimes by a statue. The building is normally in the rear of the shrine and closed to the general public. In front of it usually stands the haiden, or oratory. The haiden is often connected to the honden by a heiden, or hall of offerings.

Physically, the honden is the heart of the shrine complex, connected to the rest of the shrine but usually raised above it, and protected from public access by a fence called tamagaki. It usually is relatively small and with a gabled roof. Its doors are usually kept closed, except at religious festivals. Shinto priests themselves enter only to perform rituals. The rite of opening those doors is itself an important part of the shrine's life. Inside the honden is kept the go-shintai (御神体), literally, "the sacred body of the kami". The go-shintai is actually not divine, but just a temporary repository of the enshrined kami.