Jacob Jordaens in the context of "Frans Snyders"

Flemish Baroque painting was a style of painting in the Southern Netherlands during Spanish control in the 16th and 17th centuries. The period roughly begins when the Dutch Republic was split from the Habsburg Spain regions to the south with the Spanish recapturing of Antwerp in 1585 and goes until about 1700, when Spanish Habsburg authority ended with the death of King Charles II. Antwerp, home to the prominent artists Peter Paul Rubens, Anthony van Dyck, and Jacob Jordaens, was the artistic nexus, while other notable cities include Brussels and Ghent.

Rubens, in particular, had a strong influence on seventeenth-century visual culture. His innovations helped define Antwerp as one of Europe's major artistic cities, especially for Counter-Reformation imagery, and his student Van Dyck was instrumental in establishing new directions in English portraiture. Other developments in Flemish Baroque painting are similar to those found in Dutch Golden Age painting, with artists specializing in such areas as history painting, portraiture, genre painting, landscape painting, and still life.

A figure painting is a work of fine art in any of the painting media with the primary subject being the human figure, whether clothed or nude. Figure painting may also refer to the activity of creating such a work. The human figure has been one of the constant subjects of art since the first Stone Age cave paintings, and has been reinterpreted in various styles throughout history.

Unlike figure drawings which are usually nudes, figure paintings are often clothed depictions which may be either historically accurate or symbolic. Figure painting is not synonymous with figurative art, which may depict real objects of any kind (including humans and animals).

The word Cushi or Kushi (Hebrew: כּוּשִׁי Hebrew pronunciation: [kuˈʃi] colloquial: [ˈkuʃi]) was racial terminology used in the Hebrew Bible to refer to a dark-skinned person of African descent, equivalent to Greek Αἰθίοψ "Aithíops". However, today the term is generally understood to be a racial slur for people of African descent.

A gospel harmony is an attempt to compile the canonical gospels of the Christian New Testament into a single account. This may take the form either of a single, merged narrative, or a tabular format with one column for each gospel, technically known as a synopsis, although the word harmony is often used for both.

Harmonies are constructed for a variety of purposes: to create a readable and accessible piece of literature for the general public, to establish a scholarly chronology of events in the life of Jesus as depicted in the canonical gospels, or to better understand how the accounts relate to each other.

The looting of Polish cultural artifacts and industrial infrastructure during World War II was carried out by Nazi Germany and the Soviet Union simultaneously after the invasion of Poland of 1939. A significant portion of Poland's cultural heritage, estimated at half a million art objects, was plundered by the occupying powers. Catalogued pieces are still occasionally recovered elsewhere in the world and returned to Poland.

Priceless items of art still considered missing or found in other museums include works by Bernardo Bellotto, Anna Bilińska-Bohdanowicz, Józef Brandt, Lucas Cranach the Elder, Lucas Cranach the Younger, Albrecht Dürer, Anthony van Dyck, Hans Holbein the Younger, Jacob Jordaens, Frans Luycx, Jacek Malczewski, Raphael, Rembrandt van Rijn, Peter Paul Rubens, Henryk Siemiradzki, Veit Stoss, Alfred Wierusz-Kowalski, Leon Wyczółkowski, Jan Matejko, Henri Gervex, Ludwig Buchhorn, Józef Simmler, Henri-Pierre Danloux, Jan Miense Molenaer and many others.

In Christian tradition, the Four Evangelists are Matthew, Mark, Luke and John, the authors attributed with the creation of the four canonical Gospel accounts. In the New Testament, they bear the following titles: the Gospel of Matthew; the Gospel of Mark; the Gospel of Luke; and the Gospel of John.