Itihasa in the context of Puranas


Itihasa in the context of Puranas

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⭐ Core Definition: Itihasa

In Hinduism, Itihasa-Purana, also called the fifth Veda, refers to the traditional accounts of cosmogeny, myths, royal genealogies of the lunar dynasty and solar dynasty, and legendary past events, as narrated in the Itihasa (Mahabharata and the Ramayana) and the Puranas. They are highly influential in Indian culture, and many classical Indian poets derive the plots of their poetry and drama from the Itihasa. The Epic-Puranic chronology derived from the Itihasa-Purana is an influential frame of reference in traditional Indian thought.

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Itihasa in the context of Ramayana

The Ramayana (/rɑːˈmɑːjənə/; Sanskrit: रामायणम्, romanizedRāmāyaṇam), also known as the Valmiki Ramayana or Tulsidas Ramayana, as traditionally attributed to Valmiki, is a smriti text (also described as a Sanskrit epic) from ancient India, one of the two important epics of Hinduism known as the Itihasas, the other being the Mahabharata. The epic narrates the life of Rama, the seventh avatar of the Hindu deity Vishnu, who was a prince of Ayodhya in the kingdom of Kosala. The epic follows his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across the forests in the Indian subcontinent with his wife Sita and brother Lakshmana; the kidnapping of Sita by Ravana, the king of Lanka, that resulted in bloodbath; and Rama's eventual return to Ayodhya along with Sita to be crowned as a king amidst jubilation and celebration.

Scholarly estimates for the earliest stage of the text range from the 7th–5th to 5th–4th century BCE, and later stages extend up to the 3rd century CE, although the original date of composition is unknown. It is one of the largest ancient epics in world literature and consists of nearly 24,000 shlokas (verses), divided into seven kāṇḍa (chapters). Each shloka is a couplet (two individual lines). The Ramayana belongs to the genre of Itihasa, narratives of past events (purāvṛtta), interspersed with teachings on the goals of human life.

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Itihasa in the context of Hindu texts

Hindu texts or Hindu scriptures are manuscripts and voluminous historical literature which are related to any of the diverse traditions within Hinduism. Some of the major Hindu texts include the Vedas, the Upanishads, and the Itihasa. Scholars hesitate in defining the term "Hindu scriptures" given the diverse nature of Hinduism, but many list the Agamas as Hindu scriptures, and Dominic Goodall includes Bhagavata Purana and Yajnavalkya Smriti in the list of Hindu scriptures as well.

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Itihasa in the context of Mahabharata

The Mahābhārata (/məˌhɑːˈbɑːrətə, ˌmɑːhə-/ mə-HAH-BAR-ə-tə, MAH-hə-; Sanskrit: महाभारतम्, IAST: Mahābhāratam, pronounced [mɐɦaːˈbʱaːrɐt̪ɐm]) is a smriti text (also described as a Sanskrit epic) from ancient India, one of the two important epics of Hinduism known as the Itihasas, the other being the Ramayana. It narrates the events and aftermath of the Kurukshetra War, a war of succession between two groups of princely cousins, the Kauravas and the Pāṇḍavas. It contains philosophical and devotional material, such as a discussion of the four "goals of life" or puruṣārtha (12.161). Among the principal works and stories in the Mahābhārata are the Bhagavad Gita, the story of Damayanti, the story of Shakuntala, the story of Pururava and Urvashi, the story of Savitri and Satyavan, the story of Kacha and Devayani, the story of Rishyasringa and an abbreviated version of the Rāmāyaṇa, often considered as works in their own right.

Traditionally, the authorship of the Mahābhārata is attributed to Vyāsa. There have been many attempts to unravel its historical growth and compositional layers. The bulk of the Mahābhārata was probably compiled between the 3rd century BCE and the 3rd century CE, with the oldest preserved parts not much older than around 400 BCE. The text probably reached its final form by the early Gupta period (c. 4th century CE).

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Itihasa in the context of Agastya

Agastya was a revered Indian sage of Hinduism. In the Indian tradition, he is a noted recluse and an influential scholar in diverse languages of the Indian subcontinent. He is regarded in some traditions to be a Chiranjivi. He and his wife Lopamudra are the celebrated authors of hymns 1.165 to 1.191 in the Sanskrit text Rigveda and other Vedic literature.

Agastya is considered to be the father of Siddha medicine. Agastya appears in numerous itihasas and Puranas including the major Ramayana and Mahabharata. He is one of the seven most revered rishis (the Saptarishi) in the Vedic texts, and is revered as one of the Tamil Siddhar in the Shaivism tradition, who invented an early grammar of the Old Tamil language, Agattiyam, playing a pioneering role in the development of Tampraparniyan medicine and spirituality at Saiva centres in proto-era Sri Lanka and South India. He is also revered in the Puranic literature of Shaktism and Vaishnavism. He is one of the Indian sages found in ancient sculpture and reliefs in Hindu temples of South Asia, and Southeast Asia such as in the early medieval era Shaiva temples on Java Indonesia. He is the principal figure and Guru in the ancient Javanese language text Agastyaparva, whose 11th-century version survives.

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Itihasa in the context of Hatha yoga

Hatha yoga (/ˈhʌtə, ˈhɑːtə/; Sanskrit हठयोग, IAST: haṭhayoga) is a branch of yoga that uses physical techniques to try to preserve and channel vital force or energy. The Sanskrit word हठ haṭha literally means "force", alluding to a system of physical techniques. Some hatha yoga style techniques can be traced back at least to the 1st-century CE, in texts such as the Hindu Sanskrit epics and Buddhism's Pali canon. The oldest dated text so far found to describe hatha yoga, the 11th-century Amṛtasiddhi, comes from a tantric Buddhist milieu. The oldest texts to use the terminology of hatha are also Vajrayana Buddhist. Hindu hatha yoga texts appear from the 11th century onward.

Some of the early hatha yoga texts (11th-13th c.) describe methods to raise and conserve bindu (vital force, that is, semen, and in women rajas – menstrual fluid). This was seen as the physical essence of life that was constantly dripping down from the head and being lost. Two early hatha yoga techniques sought to either physically reverse this process of dripping by using gravity to trap the bindhu in inverted postures like viparītakaraṇī, or force bindu upwards through the central channel by directing the breath flow into the centre channel using mudras (yogic seals, not to be confused with hand mudras, which are gestures).

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Itihasa in the context of Epic-Puranic chronology

The Epic-Puranic chronology is a timeline of Hindu mythology based on the Itihasa (the Sanskrit Epics, that is, the Mahabharata and the Ramayana) and the Puranas. These texts have an authoritative status in Indian tradition, and narrate cosmogeny, royal genealogies, myths and legendary events. The central dates here are the Bharata War and the start of the Kali Yuga.

These texts often discuss very long lengths of time, such as the widespread statement that Vaivasvata Manu lived 28 yuga cycles before the writer's time, which, if the usual yuga cycle of 4,320,000 years is meant, is 120 million years.

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Itihasa in the context of Ashtavakra

Ashtavakra (Sanskrit: अष्टावक्रः, lit.'eight deformities', IAST: Aṣṭāvakraḥ) is a revered Vedic sage in Hinduism. His maternal grandfather was the Vedic sage Aruni, his parents were both Vedic students at Aruni's school. Ashtavakra studied, became a sage and a celebrated character of the Hindu Itihasa epics and Puranas.

Ashtavakra is the author of the text Aṣṭāvakra Gītā, also known as Aṣṭāvakra Saṃhitā, in Hindu traditions. The text is a treatise on Brahman and Ātman.

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Itihasa in the context of Abhimana Kshethram

Abhimana Kshethram or Abhimana Sthalam are a list of 108 sacred Vishnu and Lakshmi temples apart from the other 108 Divya desams. Abhimana desams or close abodes, these temples are the most significant temples in the Sri Vaishnavite tradition which has similar greatness as Divya Desams. These set of temples is classified as an Abhimana Kshethram as it is mentioned in various Puranas and Ithihasas such as Ramayana and Mahabharata and have significant Sthala Puranas based on the Ithihasas and various Puranas of Hinduism. The temples are also said to be visited by many Religious scholars and saints such as Ramanuja, Adi Shankara, Madhvacharya, Nathamuni, Yamunacharya, Vedanta Desika, Manavala Mamunigal, Purandara Dasa, Narayana Teertha, Chaitanya Mahaprabhu and by many other great Vedic teachers and Rishis. Some of these Temples are said to be visited by the Alvars who did not sing the god's grace due to various reasons. Out of these 108 temples Rajagopalaswamy Temple, Mannargudi is considered as the 1st out of the 108 Abhimana Kshethras as Thirumangai Alvar is believed to have visited the temple and is believed to have built the tall flag post outside the temple with the help of cotton bales. The other Alvars who are believed to have visited the temple at various periods were seemingly lost in under the beauty of the presiding deity and were at a loss for words.

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Itihasa in the context of Nannaya

Nannayya Bhattaraka or Nannayya Bhattu (sometimes spelled Nannaya; c. 11th century) was a Telugu poet and the author of Andhra Mahabharatam, a Telugu retelling of the Sanskrit-language Mahabharata. Nannaya is generally considered the first poet (Adi Kavi) of Telugu language. He was patronized by Rajaraja Narendra of Rajamahendravaram. Rajaraja Narendra was an admirer of Mahabharata and wanted the message of the Sanskrit epic to reach the Telugu masses in their own language and idiom. He commissioned Nannaya, a scholar well versed in Vedas, Puranas, and Itihasas for the task. Nannaya began his work in c. 1025 CE and wrote Adi Parvam, Sabaparvam, and a part of Aranyaparvam.

Nannaya is the first of the three Telugu poets, called the Kavitrayam ("trinity of poets"), who wrote Andhra Mahabharatam. His work, which is rendered in the Champu style, is chaste and polished and of a high literary merit. The advanced and well-developed language used by Nannaya suggests that prior Telugu literature other than royal grants and decrees must have existed before him. However, these presumed works are now lost. Legends also credit him with writing the Sanskrit-language Andhra-shabda-chintamani, said to be the first work on Telugu grammar.

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