The Vana Parva ("Book of the Forest") is the third of the eighteen parvas (books) of the Indian epic Mahabharata. Vana Parva traditionally has 21 parts and 324 chapters. The critical edition of Vana Parva contains 16 parts and 299 chapters.
The parva is a chronicle of the twelve-year journey of the Pandavas in a forest, where they learn life lessons and build character.
Nannayya Bhattaraka or Nannayya Bhattu (sometimes spelled Nannaya; c. 11th century) was a Telugu poet and the author of Andhra Mahabharatam, a Telugu retelling of the Sanskrit-language Mahabharata. Nannaya is generally considered the first poet (Adi Kavi) of Telugu language. He was patronized by Rajaraja Narendra of Rajamahendravaram. Rajaraja Narendra was an admirer of Mahabharata and wanted the message of the Sanskrit epic to reach the Telugu masses in their own language and idiom. He commissioned Nannaya, a scholar well versed in Vedas, Puranas, and Itihasas for the task. Nannaya began his work in c. 1025 CE and wrote Adi Parvam, Sabaparvam, and a part of Aranyaparvam.
Nannaya is the first of the three Telugu poets, called the Kavitrayam ("trinity of poets"), who wrote Andhra Mahabharatam. His work, which is rendered in the Champu style, is chaste and polished and of a high literary merit. The advanced and well-developed language used by Nannaya suggests that prior Telugu literature other than royal grants and decrees must have existed before him. However, these presumed works are now lost. Legends also credit him with writing the Sanskrit-language Andhra-shabda-chintamani, said to be the first work on Telugu grammar.
Damayanti (Sanskrit: दमयन्ती, romanized: Damayantī) is a heroine in ancient Indian literature, primarily known for her role in the episode of Nalopakhyana, which is embedded within the Vana Parva (the third book) of the epic Mahabharata (c. 400 BCE – 400 CE). She is celebrated for her beauty, intelligence, unwavering love, and steadfast devotion to her husband, Nala, the king of Nishadha kingdom.
Damayanti is the princess of ancient Vidarbha Kingdom and the daughter of King Bhima. She falls in love with Nala after hearing about his virtues from a divine swan. She chooses him in a swayamvara (self-choice ceremony), even rejecting gods who had disguised themselves as Nala. Their happiness is short-lived when Nala, influenced by the malicious deity Kali, loses his kingdom in a game of dice and is forced into exile. Overcome with despair and shame, he abandons Damayanti in the forest. Undeterred, she endures great hardships and eventually reaches her father’s court. Determined to find Nala, she devises a plan to draw him out by organizing a second swayamvara. The plan succeeds, and they are joyfully reunited. Nala then regains his kingdom, and the two are restored as the rightful king and queen of Nishadha.
Savitri and Satyavan, also called Sāvitrī-Upākhyāna and Pativrata-mahatmya Parva, is an episode from the Indian epic Mahabharata, appearing in the Vana Parva (The Book of the Forest). It tells the story of Princess Savitri, who, through her intelligence and devotion, overcomes a divine prophecy foretelling her husband Satyavan's early death. This episode is a significant literary and religious text in Hindu tradition, emphasizing themes of destiny, free will, and pativrata dharma (conjugal fidelity of a woman).
Nala (Sanskrit: नल) is a legendary king of ancient Nishadha kingdom and the central protagonist of the Nalopakhyana, a sub-narrative within the Indian epic Mahabharata, found in its third book, Vana Parva (Book of the Forest). He is renowned for his valor, wisdom, and exceptional skill in charioteering. His story revolves around his love for Damayanti, the princess of Vidarbha, and his struggle to reclaim his lost fortune.
According to Nalopakhyana, despite his virtues, Nala falls victim to a curse from the malicious deity Kali, who influences him to lose his kingdom in a game of dice against his brother Pushkara. Forced into exile, he abandons Damayanti in the forest, believing she would suffer less without him. Wandering in disguise under the name Bahuka after being transformed by a serpent’s bite, Nala takes service as a charioteer in the court of King Rituparna of Ayodhya, where he acquires new skills in gambling and horsemanship. Meanwhile, Damayanti devises a plan to find him. Their eventual reunion leads to Nala reclaiming his true identity, allowing him to challenge Pushkara in a new game and restore his kingdom.