Inferno (Dante) in the context of "Purgatorio"

The Divine Comedy (Italian: Divina Commedia, pronounced [diˈviːna komˈmɛːdja]) is an Italian narrative poem by Dante Alighieri, begun c. 1308 and completed around 1321, shortly before the author's death. It is widely considered the pre-eminent work in Italian literature and one of the greatest works of Western literature. The poem's imaginative vision of the afterlife is representative of the medieval worldview as it existed in the Western Church by the 14th century. It helped establish the Tuscan language, in which it is written, as the standardized Italian language. It is divided into three parts: Inferno, Purgatorio, and Paradiso.

The poem explores the condition of the soul following death and portrays a vision of divine justice, in which individuals receive appropriate punishment or reward based on their actions. It describes Dante's travels through Hell, Purgatory, and Heaven. Allegorically, the poem represents the soul's journey towards God, beginning with the recognition and rejection of sin (Inferno), followed by the penitent Christian life (Purgatorio), which is then followed by the soul's ascent to God (Paradiso). Dante draws on medieval Catholic theology and philosophy, especially Thomistic philosophy derived from the Summa Theologica of Thomas Aquinas.

In Greek mythology, Minos (/ˈmaɪnɒs, -nəs/ ; Greek: Μίνως, [mǐːnɔːs]) was a king of Crete, son of Zeus and Europa. Every nine years, he made King Aegeus pick seven young boys and seven young girls to be sent to Daedalus's creation, the labyrinth, to be eaten by the Minotaur. After his death, King Minos became a judge of the dead in the underworld alongside Rhadamanthus and Aeacus.

Archeologist Sir Arthur Evans used King Minos as the namesake for the Minoan civilization of Crete. The Minoan palace at Knossos is sometimes referred to as the Palace of Minos though there is no evidence that Minos was a real person.

The Western classical tradition is the reception of classical Greco-Roman antiquity by later cultures, especially the post-classical West, involving texts, imagery, objects, ideas, institutions, monuments, architecture, cultural artifacts, rituals, practices, and sayings. Philosophy, political thought, and mythology are three major examples of how classical culture survives and continues to have influence. The West is one of a number of world cultures regarded as having a classical tradition, including the Indian, Chinese, and Islamic traditions.

The study of the classical tradition differs from classical philology, which seeks to recover "the meanings that ancient texts had in their original contexts." It examines both later efforts to uncover the realities of the Greco-Roman world and "creative misunderstandings" that reinterpret ancient values, ideas and aesthetic models for contemporary use. The classicist and translator Charles Martindale has defined the reception of classical antiquity as "a two-way process ... in which the present and the past are in dialogue with each other."

The Gates of Hell (French: La Porte de l'Enfer) is a monumental bronze sculptural group work by the French artist Auguste Rodin that depicts a scene from the Inferno, the first section of Dante Alighieri's Divine Comedy. It stands at 6 metres high, 4 metres wide and 1 metre deep (19.7×13.1×3.3 ft) and contains 180 figures.

Several casts of the work were made, which are now in various locations around the world. Rodin's original plaster model is in the Musée D’Orsay, Paris. The figures range from 15 centimetres (6 in) high up to more than one metre (3 ft). Several of the figures were also cast as independent free-standing statues.

Pope Boniface VIII (Latin: Bonifacius PP. VIII, Italian: Bonifacio VIII; born Benedetto Caetani; c. 1230 – 11 October 1303) was head of the Catholic Church and ruler of the Papal States from 24 December 1294 until his death in 1303. The Caetani family was of baronial origin with connections to the papacy. He succeeded Pope Celestine V, who had abdicated from the papal throne. Boniface spent his early pontificate abroad in diplomatic roles.

Boniface VIII put forward some of the strongest claims of any pope to temporal as well as spiritual power. He involved himself often with foreign affairs, including in France, Sicily, Italy, and the First War of Scottish Independence. These views, and his chronic intervention in temporal affairs, led to many bitter quarrels with Albert I of Germany, Philip IV of France, and Dante Alighieri, who expected the pope to soon arrive at the eighth circle of Hell in his Divine Comedy, among the simoniacs.

Paradiso (Italian: [paraˈdiːzo]; Italian for "Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.

Aloeus (/əˈloʊjuːs/; Ancient Greek: Ἀλωεύς probably derived from ἀλοάω aloaō "to thresh, to tread" as well as "to crush, to smash") can indicate one of the two characters in Greek mythology:

• Aloeus or Haloeus, a Thessalian prince as the son of Poseidon and princess Canace, daughter of King Aeolus and Enarete. He was the brother of Hopleus, Nireus, Epopeus and Triops. His first wife was his niece Iphimedeia, and later Eriboea, daughter of Eurymachus. In some accounts, Aloeus was the father of Salmoneus who founded Elis, the girls Elate and Platanus, the twin giants, Otus and Ephialtes, collectively known as the Aloadae and lastly, the maiden Pancratis. These giants made war on the gods and captured the god Ares in a bag. Aloeus's wife Eriboea reported this to the gods, for which Aloeus had her flayed alive. In Virgil's Aeneid, the sons of Aloeus were found in the underworld and there Aeneas sees them being punished by Rhadamanthus. This scene from Virgil was a precursor to Dante's depiction of Hell. Aloeus was credited to have founded the city of Alus in Aetolia.
• Aloeus, son of Helios and possibly Antiope or Perse, who received from his father the sovereignty over the district of Asopia (Sicyon). He was the father of Epopeus, his successor.