Imperial Rome in the context of "Fellini Satyricon"

In Imperial Rome, Cura Annonae ("care of Annona") was the logistics system which procured and distributed grain for the cities of Rome and, after its foundation, Constantinople. The term was used in honour of the goddess Annona. The city of Rome imported all the grain consumed by its population, estimated to number 1,000,000 by the 2nd century AD. This included recipients of the grain dole or corn dole, a state-run social welfare program which gave out heavily subsidized and later free grain or bread to about 200,000 of Rome's adult male citizens.

Rome's grain subsidies were originally ad hoc emergency measures taken to import cheap grain from trading partners and allies at times of scarcity, to help feed growing numbers of indebted and dispossessed citizen-farmers. The programmes expanded over time, such that by the end of the Republican era, the grain dole was a permanent social welfare program which comprised a substantial part of the state budget. The grain dole was reluctantly adopted by Augustus and later emperors as a free monthly issue to those who qualified to receive it. In 22 AD, Augustus' successor Tiberius publicly acknowledged the Cura Annonae as a personal and imperial duty, which if neglected would cause "the utter ruin of the state".

The picaresque novel (Spanish: picaresca, from pícaro, for 'rogue' or 'rascal') is a genre of prose fiction. It depicts the adventures of a roguish but appealing hero, usually of low social class, who lives by his wits in a corrupt society. Picaresque novels typically adopt the form of "an episodic prose narrative" with a realistic style. There are often elements of comedy and satire.

The picaresque genre began with the Spanish novel Lazarillo de Tormes (1554), which was published anonymously during the Spanish Golden Age because of its anticlerical content. Literary works from Imperial Rome published during the 1st–2nd century AD, such as Satyricon by Petronius and The Golden Ass by Apuleius had a relevant influence on the picaresque genre and are considered predecessors. Other notable early Spanish contributors to the genre included Mateo Alemán's Guzmán de Alfarache (1599–1604) and Francisco de Quevedo's El Buscón (1626). Some other ancient influences of the picaresque genre include Roman playwrights such as Plautus and Terence. The Golden Ass by Apuleius nevertheless remains, according to various scholars such as F. W. Chandler, A. Marasso, T. Somerville and T. Bodenmüller, the primary antecedent influence for the picaresque genre. Subsequently, following the example of Spanish writers, the genre flourished throughout Europe for more than 200 years and it continues to have an influence on modern literature and fiction.

In ancient Rome, the domus (pl.: domūs, genitive: domūs or domī) was the type of town house occupied by the upper classes and some wealthy freedmen during the Republican and Imperial eras. It was found in almost all the major cities throughout the Roman territories. The modern English word domestic comes from Latin domesticus, which is derived from the word domus. Along with a domus in the city, many of the richest families of ancient Rome also owned a separate country house known as a villa. Many chose to live primarily, or even exclusively, in their villas; these homes were generally much grander in scale and on larger acres of land due to more space outside the walled and fortified city.

The elite classes of Roman society constructed their residences with elaborate marble decorations, inlaid marble paneling, door jambs and columns, as well as expensive paintings and frescoes. Many poor and lower-middle-class Romans lived in crowded, dirty and mostly rundown rental apartments, known as insulae. These multi-level apartment blocks were built as high and tightly together as possible and held far less status and convenience than the private homes of the prosperous.

Castra Praetoria were the ancient barracks (castra) of the Praetorian Guard of Imperial Rome.