Satyricon in the context of "Picaresque novel"

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⭐ Core Definition: Satyricon

The Satyricon, Satyricon liber (The Book of Satyrlike Adventures), or Satyrica, is a Latin work of fiction believed to have been written by Gaius Petronius in the late 1st century AD, though the manuscript tradition identifies the author as Titus Petronius. The Satyricon is an example of Menippean satire, which is different from the formal verse satire of Juvenal or Horace. The work contains a mixture of prose and verse (commonly known as prosimetrum); serious and comic elements; and erotic and decadent passages. As with The Golden Ass by Apuleius (also called the Metamorphoses), classical scholars often describe it as a Roman novel, without necessarily implying continuity with the modern literary form.

The surviving sections of the original (much longer) text detail the bizarre exploits of the narrator, Encolpius, and his (possible) slave and catamite Giton, a handsome sixteen-year-old boy. It is the second most fully preserved Roman novel, after the fully extant The Golden Ass by Apuleius, which has significant differences in style and plot. Satyricon is also regarded as useful evidence for the reconstruction of how lower classes lived during the early Roman Empire.

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👉 Satyricon in the context of Picaresque novel

The picaresque novel (Spanish: picaresca, from pícaro, for 'rogue' or 'rascal') is a genre of prose fiction. It depicts the adventures of a roguish but appealing hero, usually of low social class, who lives by his wits in a corrupt society. Picaresque novels typically adopt the form of "an episodic prose narrative" with a realistic style. There are often elements of comedy and satire.

The picaresque genre began with the Spanish novel Lazarillo de Tormes (1554), which was published anonymously during the Spanish Golden Age because of its anticlerical content. Literary works from Imperial Rome published during the 1st–2nd century AD, such as Satyricon by Petronius and The Golden Ass by Apuleius had a relevant influence on the picaresque genre and are considered predecessors. Other notable early Spanish contributors to the genre included Mateo Alemán's Guzmán de Alfarache (1599–1604) and Francisco de Quevedo's El Buscón (1626). Some other ancient influences of the picaresque genre include Roman playwrights such as Plautus and Terence. The Golden Ass by Apuleius nevertheless remains, according to various scholars such as F. W. Chandler, A. Marasso, T. Somerville and T. Bodenmüller, the primary antecedent influence for the picaresque genre. Subsequently, following the example of Spanish writers, the genre flourished throughout Europe for more than 200 years and it continues to have an influence on modern literature and fiction.

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Satyricon in the context of Petronius

Gaius Petronius Arbiter (/pɪˈtrniəs/; Classical Latin: [ˈɡaː.i.ʊs pɛˈt̪roː.ni.ʊˈs ar.bɪ.t̪ɛr]; c. 27 – c. 66 AD; sometimes Titus Petronius Niger) was a Roman courtier during the reign of Nero (r. 54–68). He is generally believed to be the author of the Satyricon, a satirical novel believed to have been written during the Neronian era. He is one of the most important characters in Henryk Sienkiewicz' historical novel Quo Vadis (1895). Leo Genn portrays him in the 1951 film of the same name.

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Satyricon in the context of Commentarii

Commentarii (Latin, Greek: hupomnemata) are notes to assist the memory, or memoranda. This original idea of the word gave rise to a variety of meanings: notes and abstracts of speeches for the assistance of orators; family memorials, the origin of many of the legends introduced into early Roman history from a desire to glorify a particular family; and diaries of events occurring in their own circle kept by private individuals. An example of this is the day-book drawn up for Trimalchio in Petronius's Satyricon (Satyricon, 53) by his actuarius, a slave to whom the duty was specially assigned. Other commentarii were memoirs of events in which they had taken part drawn up by public men. Examples of these are the Commentaries of Caesar: Commentarii de Bello Gallico on the Gallic Wars and Commentarii de Bello Civili on the civil wars; another example is that of Cicero on his consulship. Different departments of the imperial administration and certain high functionaries kept records, which were under the charge of an official known as a commentariis (cf. a secretis, ab epistulis). Municipal authorities also kept a register of their official acts.

The Commentarii Principis were the register of the official acts of the emperor. They contained the decisions, favourable or unfavourable, in regard to certain citizens; accusations brought before him or ordered by him; and lists of persons in receipt of special privileges. These must be distinguished from the commentarii diurni, a daily court-journal. At a later period records called ephemerides were kept by order of the emperor; these were much used by the collection of biographies known as Scriptores Historiae Augustae (see Augustan History). The Commentarii Senatus, only once mentioned (Tacitus, Annals, xv. 74) are probably identical with the Acta Senatus.

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Satyricon in the context of Trimalchio

Trimalchio is a character in the 1st-century AD Roman work of fiction Satyricon by Petronius. He features as the ostentatious, nouveau-riche host in the section titled the "Cēna Trīmalchiōnis" (The Banquet of Trimalchio, often translated as "Dinner with Trimalchio"). Trimalchio is an arrogant former slave who has become quite wealthy as a wine merchant. The name "Trimalchio" is formed from the Greek prefix τρις and the Semitic מלך (melech) in its occidental form Malchio or Malchus. The fundamental meaning of the root is "King", and the name "Trimalchio" would thus mean "Thrice King" or "greatest King".

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