Human condition in the context of "Death"

The Ages of Man are the historical stages of human existence according to Greek mythology and its subsequent Roman interpretation.

Both Hesiod and Ovid offered accounts of the successive ages of humanity, which tend to progress from an original, long-gone age in which humans enjoyed a nearly divine existence to the current age of the writer, in which humans are beset by innumerable pains and evils. In the two accounts that survive from Ancient Greece and Rome, this degradation of the human condition over time is indicated symbolically with metals of successively decreasing value, yet increasing hardness.

Literary fiction—also called serious fiction, high literature, artistic literature, or sometimes just literature, encompasses fiction that is more character-driven than plot-driven, examines the human condition, or is considered serious art by critics. These labels are typically used in contrast to genre fiction, which refers to books that fit into established categories of the book trade and place more value on entertainment and appealing to a mass audience. Literary fiction can also be called non-genre fiction and is often considered to have more artistic merit than popular genre fiction.

Some categories of literary fiction, such as historical fiction, magic realism, autobiographical novels, and encyclopedic novels, are frequently called genres without being considered genre fiction. Some authors are seen as writing literary equivalents or precursors to established genres while still maintaining the division between commercial and literary fiction. Examples include the literary romance of Jane Austen and the speculative fiction of Margaret Atwood. Some critics and genre authors have argued for even greater overlap between literary and commercial fiction, noting that major literary figures have used elements of popular genres—such as science fiction, crime fiction, and romance—to create works of literature. The slipstream genre is sometimes described as falling between the genre fiction and non-genre fiction.

A cultural universal (also called an anthropological universal or human universal) is an element, pattern, trait, or institution that is common to all known human cultures worldwide. Taken together, the whole body of cultural universals is known as the human condition. Evolutionary psychologists hold that behaviors or traits that occur universally in all cultures are good candidates for evolutionary adaptations. Some anthropological and sociological theorists that take a cultural relativist perspective may deny the existence of cultural universals: the extent to which these universals are "cultural" in the narrow sense, or in fact biologically inherited behavior is an issue of "nature versus nurture". Prominent scholars on the topic include Emile Durkheim, George Murdock, Claude Lévi-Strauss, and Donald Brown.

Fyodor Mikhailovich Dostoevsky (11 November [O.S. 30 October] 1821 – 9 February [O.S. 28 January] 1881) was a Russian novelist, short story writer, essayist and journalist. He is regarded as one of the greatest novelists in both Russian and world literature, and many of his works are considered highly influential masterpieces. Dostoevsky's literary works explore the human condition in the troubled political, social and spiritual atmospheres of 19th-century Russia, and engage with a variety of philosophical and religious themes. His most acclaimed novels include Crime and Punishment (1866), The Idiot (1869), Demons (1872), The Adolescent (1875) and The Brothers Karamazov (1880). His Notes from Underground, a novella published in 1864, is considered one of the first works of existentialist literature.

Born in Moscow in 1821, Dostoevsky was introduced to literature at an early age through fairy tales and legends and through books by Russian and foreign authors. His mother died of tuberculosis on 27 February 1837, when he was 15, and around the same time, he left school to enter the Nikolayev Military Engineering Institute (later renamed the Military Engineering-Technical University). After graduating, he worked as an engineer and briefly enjoyed a lavish lifestyle, translating books to earn extra money. In the mid-1840s, he wrote his first novel, Poor Folk, which gained him entry into Saint Petersburg's literary circles. However, he was arrested in 1849 for belonging to a literary group, the Petrashevsky Circle, that discussed banned books critical of Tsarist Russia. Dostoevsky was sentenced to death, but the sentence was commuted at the last moment. He spent four years in a Siberian prison camp, followed by six years of compulsory military service in exile. In the following years, Dostoevsky worked as a journalist, publishing and editing several magazines of his own and later A Writer's Diary, a collection of his writings. He began to travel around Western Europe and developed a gambling addiction, which led to financial hardship. For a time, he had to beg for money, but he eventually became one of the most widely read and highly regarded Russian writers.

Everything, every-thing, or every thing, is all that exists; it is an antithesis of nothing, or its complement. It is the totality of things relevant to some subject matter. The universe is everything that exists theoretically, though a multiverse may exist according to theoretical cosmology predictions. It may refer to an anthropocentric worldview, or the sum of human experience, history, and the human condition in general. Every object and entity is a part of everything, including all physical bodies and in some cases all abstract objects.

To describe or know of everything as a spatial consideration in a local environment, such as the world in which humans mostly live, is possible. The detemination of all things in the universe is unknown because of the physics beyond the observed universe and the problem of knowing physics at the range infinite. To know universally everything as a temporal and spatial consideration isn't possible because of the unavailabilty of information at a certain time before the beginning of the universe and because of the problem of eternal causality.

Progressivism is a left-leaning political philosophy and reform movement that seeks to advance the human condition through social reform. Adherents hold that progressivism has universal application and endeavor to spread this idea to human societies everywhere. Progressivism arose during the Age of Enlightenment out of the belief that civility in Europe was improving due to the application of new empirical knowledge.

In modern political discourse, progressivism is often associated with social liberalism, a left-leaning type of liberalism, and social democracy. Within economic progressivism, there is some ideological variety on the social liberal to social democrat continuum, as well as occasionally some variance on cultural issues; examples of this include some Christian democrat and conservative-leaning communitarian movements. While many ideologies can fall under the banner of progressivism, both the current and historical movement are characterized by a critique of unregulated capitalism, desiring a more active democratic government to take a role in safeguarding human rights, bringing about cultural development, and being a check-and-balance on corporate monopolies.

Peace and conflict studies is a field of social science that identifies and analyses violent and nonviolent behaviours as well as the structural mechanisms attending conflicts (including social conflicts), to understand those processes which lead to a more desirable human condition. A variation on this, peace studies, is an interdisciplinary effort aiming at the prevention, de-escalation, and solution of conflicts by peaceful means, based on achieving conflict resolution and dispute resolution at the international and domestic levels based on positive sum, rather than negative sum, solutions.

In contrast with strategic studies or war studies, which focus on traditionally realist objectives based on the state or individual unit level of analysis, peace and conflict studies often focuses on the structural violence, social or human levels of analysis.

The Beat Generation was a literary subculture movement started by a group of authors whose work explored and influenced American culture and politics in the post–World War II and Cold War eras. The bulk of their work was published and popularized by members of the Silent Generation in the 1950s, better known as Beatniks. The central elements of Beat culture are the rejection of standard narrative values, making a spiritual quest, the exploration of American and Eastern religions, the rejection of economic materialism, explicit portrayals of the human condition, experimentation with psychedelic drugs, and sexual liberation and exploration.

Allen Ginsberg's Howl (1956), William S. Burroughs' Naked Lunch (1959), and Jack Kerouac's On the Road (1957) are among the best-known examples of Beat literature. Both Howl and Naked Lunch were the focus of obscenity trials that ultimately helped to liberalize publishing in the United States. The members of the Beat Generation developed a reputation as new bohemian hedonists, who celebrated non-conformity and spontaneous creativity.

Satirical music describes music that employs satire or was described as such. It deals with themes of social, political, religious, cultural structures and provides commentary or criticism on them typically under the guise of dark humor or respective music genres. Topics include sexuality, race, culture, religion, politics, institutions, taboo subjects, morality, and the human condition.

Jean-François Lyotard (/liːoʊˈtɑːr/; French: [ʒɑ̃ fʁɑ̃swa ljɔtaʁ]; 10 August 1924 – 21 April 1998) was a French philosopher, sociologist, and literary theorist. His interdisciplinary discourse spans such topics as epistemology and communication, the human body, modern art and postmodern art, literature and critical theory, music, film, time and memory, space, the city and landscape, the sublime, and the relation between aesthetics and politics. He is best known for his articulation of postmodernism after the late 1970s and the analysis of the impact of postmodernity on the human condition. Lyotard was a key personality in contemporary continental philosophy and authored 26 books and many articles. He was a director of the International College of Philosophy founded by Jacques Derrida, François Châtelet, Jean-Pierre Faye, and Dominique Lecourt.

Humanity is a virtue linked with altruistic ethics derived from the human condition. It signifies human love and compassion towards each other. Humanity differs from mere justice in that there is a level of altruism towards individuals included in humanity more so than in the fairness found in justice. That is, humanity, and the acts of love, altruism, and social intelligence are typically individual strengths while fairness is generally expanded to all. Humanity is one of six virtues that are consistent across all cultures.

The concept of "humanity" goes back to the development of "humane" or "humanist" philosophy during the Renaissance (with predecessors in 13th-century scholasticism that stressed a concept of basic human dignity inspired by Aristotelianism) and the concept of humanitarianism in the early modern period, resulting in modern notions such as "human rights".

Count Giacomo Taldegardo Francesco di Sales Saverio Pietro Leopardi (29 June 1798 – 14 June 1837) was an Italian philosopher, poet, essayist, and philologist. Considered the greatest Italian poet of the 19th century and one of the greatest authors of his time worldwide, as well as one of the principals of literary Romanticism, his constant reflection on existence and on the human condition—of sensuous and materialist inspiration—has also earned him a reputation as a deep philosopher. He is widely seen as one of the most radical and challenging thinkers of the 19th century, and one of the crowns of Italian Romanticism together with Alessandro Manzoni, even if he expressed different and sometimes opposing positions compared to the latter. Although he lived in a secluded town in the conservative Papal States, he came into contact with the main ideas of the Enlightenment, and, through his own literary evolution, created a remarkable and renowned poetic work, related to the Romantic era. The strongly lyrical quality of his poetry made him a central figure on the European and international literary and cultural landscape.

Philosophical fiction is any fiction that devotes a significant portion of its content to the sort of questions addressed by philosophy. It might explore any facet of the human condition, including the function and role of society, the nature and motivation of human acts, the purpose of life, ethics or morals, the role of art in human lives, the role of experience or reason in the development of knowledge, whether there exists free will, or any other topic of philosophical interest. Philosophical fiction includes the novel of ideas, which can also fall under the genre of science fiction, utopian and dystopian fiction, and bildungsroman.

There is no universally accepted definition of philosophical fiction, but a sampling of notable works can help to outline its history. For example, a Platonic dialogue could be considered philosophical fiction. Some modern philosophers have written novels, plays, or short fiction in order to demonstrate or introduce their ideas. Common examples include Voltaire, Fyodor Dostoevsky, Thomas Mann, Hermann Hesse, Albert Camus, Jean-Paul Sartre, Simone de Beauvoir and Ayn Rand. Authors who admire certain philosophers may incorporate their ideas into the principal themes or central narratives of novels. Some examples include The Moviegoer (Walker Percy), Thus Spoke Zarathustra (Nietzsche), Wittgenstein's Mistress (David Markson), and Speedboat (post-structuralism).

Science fiction (or sci-fi) is a film genre that uses speculative, science-based depictions of phenomena that are not fully accepted by mainstream science, such as extraterrestrial lifeforms, spacecraft, robots, cyborgs, mutants, interstellar travel, time travel, or other technologies. Science fiction films have often been used to focus on political or social issues, and to explore philosophical issues like the human condition.

The genre has existed since the early years of silent cinema, when Georges Méliès' A Trip to the Moon (1902) employed trick photography effects. The next major example (first in feature-length in the genre) was the film Metropolis (1927). From the 1930s to the 1950s, the genre consisted mainly of low-budget B movies. After Stanley Kubrick's landmark 2001: A Space Odyssey (1968), the science fiction film genre was taken more seriously. In the late 1970s, big-budget science fiction films filled with special effects became popular with audiences after the success of Star Wars (1977) and paved the way for the blockbuster hits of subsequent decades.

Bellum omnium contra omnes, a Latin phrase meaning "the war of all against all", is the description that Thomas Hobbes gives to human existence in the state-of-nature thought experiment that he conducts in De Cive (1642) and Leviathan (1651). The common modern English usage is a war of "each against all" where war is rare and terms such as "competition" or "struggle" are more common.