Social commentary in the context of "Satirical music"

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⭐ Core Definition: Social commentary

Social commentary is the act of using rhetorical means to provide commentary on social, cultural, political, or economic issues in a society. This is often done with the idea of implementing or promoting change by informing the general populace about a given problem and appealing to people's sense of justice. Social commentary can be practiced through all forms of communication, from printed form, to conversations to computerized communication,including visual arts, photography, literature, public speaking, music, film, television, comic strips, and digital media.  Examples range from visual art like graffiti addressing social issues, photography documenting humanitarian crises, literary and film works critiquing social injustices, dystopian fiction exploring societal control, rap music highlighting racial and economic disparities, to internet-based platforms fostering open discussions.

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👉 Social commentary in the context of Satirical music

Satirical music describes music that employs satire or was described as such. It deals with themes of social, political, religious, cultural structures and provides commentary or criticism on them typically under the guise of dark humor or respective music genres. Topics include sexuality, race, culture, religion, politics, institutions, taboo subjects, morality, and the human condition.

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Social commentary in the context of Robert Browning

Robert Browning (7 May 1812 – 12 December 1889) was an English poet and playwright whose dramatic monologues put him high among the Victorian poets. He was noted for irony, characterization, dark humour, social commentary, historical settings and challenging vocabulary and syntax.

His early long poems Pauline (1833) and Paracelsus (1835) were acclaimed, but his reputation dwindled for a time – his 1840 poem Sordello was seen as wilfully obscure – and took over a decade to recover, by which time he had moved from Shelleyan forms to a more personal style. In 1846, he married fellow poet Elizabeth Barrett and moved to Italy. By her death in 1861, he had published the collection Men and Women (1855). His Dramatis Personae (1864) and book-length epic poem The Ring and the Book (1868–1869) made him a leading poet. By his death in 1889, he was seen as a sage and philosopher-poet who had fed into Victorian social and political discourse. Societies for studying his work survived in Britain and the US into the 20th century.

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Social commentary in the context of Social theory

Social theories are analytical frameworks, or paradigms, that are used to study and interpret social phenomena. A tool used by social scientists, social theories relate to historical debates over the validity and reliability of different methodologies (e.g. positivism and antipositivism), the primacy of either structure or agency, as well as the relationship between contingency and necessity. Social theory in an informal nature, or authorship based outside of academic social and political science, may be referred to as "social criticism" or "social commentary", or "cultural criticism" and may be associated both with formal cultural and literary scholarship, as well as other non-academic or journalistic forms of writing.

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Social commentary in the context of Jane Austen

Jane Austen (/ˈɒstɪn, ˈɔːstɪn/ OST-in, AW-stin; 16 December 1775 – 18 July 1817) was an English novelist known primarily for her six novels, which implicitly interpret, critique, and comment on the English landed gentry at the end of the 18th century.

Austen's plots often explore the dependence of women on marriage for the pursuit of favourable social standing and economic security. Her works are implicit critiques of the novels of sensibility of the second half of the 18th century and are part of the transition to 19th-century literary realism. Her use of social commentary, realism, wit, and irony have earned her acclaim amongst critics and scholars.

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Social commentary in the context of Pearls Before Swine (comic strip)

Pearls Before Swine (also known as Pearls) is an American comic strip written and illustrated by Stephan Pastis. The series began on December 31, 2001. It chronicles the daily lives of an ensemble cast of suburban anthropomorphic animals: Pig, Rat, Zebra, Goat, and a fraternity of crocodiles, as well as a number of supporting characters, one of whom is Pastis himself. Each character represents an aspect of Pastis's personality and worldview. The daily and Sunday comic strip is distributed by Andrews McMeel Syndication (by United Feature Syndicate until 2011).

The strip's style is notable for its black comedy, simplistic artwork, self-deprecating fourth wall meta-humor, social commentary, mockery of itself or other comic strips, and occasional elaborate stories leading to a pun.

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Social commentary in the context of Mark Twain Prize for American Humor

The Mark Twain Prize for American Humor is an American award presented by the John F. Kennedy Center for the Performing Arts in Washington, D.C. annually since 1998 (except 2020–2021). Named after the 19th-century humorist Mark Twain, it is presented to individuals who have "had an impact on American society in ways similar to" Twain. The Kennedy Center chose Twain in recognition of his role as a controversial social commentator and his "uncompromising perspective of social injustice and personal folly." A copy of Karl Gerhardt's 1884 bust of Twain is presented in a ceremony usually in the Kennedy Center Concert Hall, during which the recipient is celebrated by his or her peers. The event is a significant fundraiser to benefit the Kennedy Center, which sells tickets as well as access to dinners and after-parties featuring the celebrities.

As of 2025, 26 individuals have been awarded the award: 20 men and 6 women (Bill Cosby's award was rescinded by the Kennedy Center in 2018). Due to the COVID-19 pandemic, there were no awards in 2020 or 2021.

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