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⭐ In the context of Robert Browning's poetry, dark humour is considered…

Browning’s use of dark humour wasn’t merely for amusement; it was interwoven with his characterization, irony, and social commentary, allowing him to delve into difficult subjects and present nuanced perspectives.

⭐ Core Definition: Dark humour

Dark humor, also known as black comedy, black humor, bleak comedy, dark comedy, gallows humor or morbid humor, is a style of comedy that makes light of subject matter that is generally considered taboo, particularly subjects that are normally considered serious or painful to discuss, aiming to provoke discomfort, serious thought, and amusement for their audience.

Dark humor differs from blue comedy—which focuses more on topics such as nudity, sex, and body fluids—and from obscenity. Additionally, whereas the term dark humor is a relatively broad term covering humor relating to many serious subjects, gallows humor tends to be used more specifically in relation to death, or situations that are reminiscent of dying. Black humor can occasionally be related to the grotesque genre. Literary critics have associated black comedy and black humor with authors as early as the ancient Greeks with Aristophanes.

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👉 Dark humour in the context of Robert Browning

Robert Browning (7 May 1812 – 12 December 1889) was an English poet and playwright whose dramatic monologues put him high among the Victorian poets. He was noted for irony, characterization, dark humour, social commentary, historical settings and challenging vocabulary and syntax.

His early long poems Pauline (1833) and Paracelsus (1835) were acclaimed, but his reputation dwindled for a time – his 1840 poem Sordello was seen as wilfully obscure – and took over a decade to recover, by which time he had moved from Shelleyan forms to a more personal style. In 1846, he married fellow poet Elizabeth Barrett and moved to Italy. By her death in 1861, he had published the collection Men and Women (1855). His Dramatis Personae (1864) and book-length epic poem The Ring and the Book (1868–1869) made him a leading poet. By his death in 1889, he was seen as a sage and philosopher-poet who had fed into Victorian social and political discourse. Societies for studying his work survived in Britain and the US into the 20th century.

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