Hellenistic in the context of "Colonies in antiquity"

Cleopatra VII Thea Philopator (Koine Greek: Κλεοπάτρα Θεά Φιλοπάτωρ, lit. 'Cleopatra father-loving goddess'; 70/69 BC – 10 or 12 August 30 BC) was Queen of the Ptolemaic Kingdom of Egypt from 51 to 30 BC, and the last active Hellenistic pharaoh. A member of the Ptolemaic dynasty, she was a descendant of its founder Ptolemy I Soter, a Macedonian Greek general and companion of Alexander the Great. Her first language was Koine Greek, and she is the only Ptolemaic ruler known to have learned the Egyptian language, among several others. After her death, Egypt became a province of the Roman Empire, marking the end of the Hellenistic period in the Mediterranean, which had begun during the reign of Alexander (336–323 BC).

Born in Alexandria, Cleopatra was the daughter of Ptolemy XII Auletes, who named her his heir before his death in 51 BC. Cleopatra began her reign alongside her brother Ptolemy XIII, but a falling-out between them led to a civil war. Roman statesman Pompey fled to Egypt after losing the 48 BC Battle of Pharsalus against his rival Julius Caesar, the Roman dictator, in Caesar's civil war. Pompey had been a political ally of Ptolemy XII, but Ptolemy XIII had him ambushed and killed before Caesar arrived and occupied Alexandria. Caesar then attempted to reconcile the rival Ptolemaic siblings, but Ptolemy XIII's forces besieged Cleopatra and Caesar at the palace. Shortly after the siege was lifted by reinforcements, Ptolemy XIII died in the Battle of the Nile. Caesar declared Cleopatra and her brother Ptolemy XIV joint rulers, and maintained a private affair with Cleopatra which produced a son, Caesarion. Cleopatra traveled to Rome as a client queen in 46 and 44 BC, where she stayed at Caesar's villa. After Caesar's assassination, followed shortly afterwards by the sudden death of Ptolemy XIV (possibly murdered on Cleopatra's order), she named Caesarion co-ruler as Ptolemy XV.

Neptune (Latin: Neptūnus [nɛpˈtuːnʊs]) is the god of freshwater and the sea in the Roman religion. He is the counterpart of the Greek god Poseidon. In the Greek-inspired tradition, he is a brother of Jupiter and Pluto, with whom he presides over the realms of heaven, the earthly world (including the underworld), and the seas. Salacia is his wife.

Depictions of Neptune in Roman mosaics, especially those in North Africa, were influenced by Hellenistic conventions. He was likely associated with freshwater springs before the sea; his festival, Neptunalia, took place on July 23, during the peak of summer when water was scarcest. Like Poseidon, he was also worshipped by the Romans as a god of horses, Neptunus equestris, who was also a patron of horse-racing.

In ancient Greek religion and mythology, the twelve Olympians are the major deities of the Greek pantheon, commonly considered to be Zeus, Poseidon, Hera, Demeter, Aphrodite, Athena, Artemis, Apollo, Ares, Hephaestus, Hermes, and either Hestia or Dionysus. They were called Olympians because, according to tradition, they resided on Mount Olympus.

Besides the twelve Olympians, there were many other cultic groupings of twelve gods.

Sagalassos (Greek: Σαγαλασσός), also known as Selgessos (Greek: Σελγησσός) and Sagallesos (Greek: Σαγαλλησός), is an archaeological site in southwestern Turkey, about 100 km north of Antalya (ancient Attaleia) and 30 km from Burdur and Isparta. The ancient ruins of Sagalassos are 7 km from Ağlasun (as well as being its namesake) in the province of Burdur, on Mount Akdağ, in the Western Taurus Mountains range, at an altitude of 1450–1700 metres.In Roman Imperial times, the town was known as the "first city of Pisidia", a region in the western Taurus Mountains, currently known as the Turkish Lakes Region. During the Hellenistic period it was already one of the major Pisidian towns.

Orchomenus (Ancient Greek: Ὀρχομενός Orchomenos), the setting for many early Greek myths, is best known today as a rich archaeological site in Boeotia, Greece, that was inhabited from the Neolithic through the Hellenistic periods. It is often referred to as "Minyan Orchomenus", to distinguish it from a later city of the same name in Arcadia.

The catacombs of Kom El Shoqafa (Arabic: مقابر كوم الشقافة, romanized: Maqābir Kūm al-Shuqāfah, lit. 'Mound of Shards') are an historical archaeological site located in Alexandria, Egypt, and are considered one of the Seven Wonders of the Middle Ages.

The necropolis consists of a series of Alexandrian tombs, statues and archaeological objects of the Pharaonic funerary cult with Hellenistic and early Imperial Roman influences. Due to the time period, many of the features of the catacombs of Kom El Shoqafa merge Roman, Greek and Egyptian cultural attributes; some statues are Egyptian in style, yet bear Roman clothes and hairstyles whilst other features share a similar style. A circular staircase, which was often used to transport deceased bodies down the middle of it, leads down into the tombs that were tunneled into the bedrock during the age of the Antonine emperors (2nd century CE). The facility was then used as a burial chamber from the 2nd century to the 4th century, before being rediscovered in 1900 when a donkey accidentally fell into the access shaft. To date, three sarcophagi have been found, along with other human and animal remains which were added later. It is believed that the catacombs were only intended for a single family, but it is unclear why the site was expanded in order to house numerous other individuals.

Ptolemy I Soter (/ˈtɒləmi/; Greek: Πτολεμαῖος Σωτήρ, Ptolemaîos Sōtḗr, "Ptolemy the Savior"; c. 369/68 BC – January 282 BC) was a Macedonian Greek general, historian, and successor of Alexander the Great who went on to found the Ptolemaic Kingdom centered on Egypt. Ptolemy was king and pharaoh of Ptolemaic Egypt from 305/304 BC to his death in 282 BC, and his descendants continued to rule Egypt until 30 BC. During their rule, Egypt became a thriving bastion of Hellenistic civilization and Alexandria a great seat of Greek culture.

Ptolemy I was the son of Arsinoe of Macedon by either her husband Lagus or Philip II of Macedon, the father of Alexander. However, the latter is unlikely and may be a myth fabricated to glorify the Ptolemaic Dynasty. Ptolemy was one of Alexander's most trusted companions and military officers. After the death of Alexander in 323 BC, Ptolemy retrieved his body as it was en route to be buried in Macedon, placing it in Memphis instead, where it was later moved to Alexandria in a new tomb. Afterwards he joined a coalition against Perdiccas, the royal regent over Philip III of Macedon. Perdiccas invaded Egypt but was assassinated by his own officers in 320 BC, allowing Ptolemy I to consolidate his control over the country. After a series of wars between Alexander's successors, Ptolemy gained a claim to Judea in southern Syria, which was disputed with the Seleucid king Seleucus I. He also took control of Cyprus and Cyrenaica, the latter of which was placed under the control of Ptolemy's stepson Magas. Ptolemy also commanded the construction of the Library of Alexandria and of the Lighthouse of Alexandria, one of the Seven Wonders of the Ancient World.

The Late Period of ancient Egypt refers to the last flowering of native Egyptian rulers after the Third Intermediate Period in the 26th Saite Dynasty founded by Psamtik I, but includes the time of Achaemenid rule over Egypt after the conquest by Cambyses II in 525 BC as well. The Late Period existed from 664 BC until 332 BC, following a period of foreign rule by the Nubian 25th Dynasty and beginning with a short period of Neo-Assyrian suzerainty, with Psamtik I initially ruling as their vassal. The period ended with the conquests of the Achaemenid Empire by Alexander the Great and establishment of the Ptolemaic dynasty by his general Ptolemy I Soter, one of the Hellenistic diadochi from Macedon in northern Greece. With the Macedonian Greek conquest in the latter half of the 4th century BC, the age of Hellenistic Egypt began.

Neoclassicism, also spelled Neo-classicism, emerged as a Western cultural movement in the decorative and visual arts, literature, theatre, music, and architecture that drew inspiration from the art and culture of classical antiquity. Neoclassicism was born in Rome, largely due to the writings of Johann Joachim Winckelmann during the rediscovery of Pompeii and Herculaneum. Its popularity expanded throughout Europe as a generation of European art students finished their Grand Tour and returned from Italy to their home countries with newly rediscovered Greco-Roman ideals. The main Neoclassical movement emerged from the 18th-century Age of Enlightenment, and reached its peak in the early-to-mid-19th century, eventually competing with Romanticism. In architecture, the style endured throughout the 19th, 20th, and into the 21st century.

European Neoclassicism in the visual arts began c. 1760 in opposition to the then-dominant Rococo style. Rococo architecture emphasizes grace, ornamentation and asymmetry; Neoclassical architecture is based on the principles of simplicity and symmetry, which were seen as virtues of the arts of Ancient Rome and Ancient Greece, and drawn directly from 16th-century Renaissance Classicism. Each "neo"-classicism movement selects some models among the range of possible classics that are available to it, and ignores others. Between 1765 and 1830, Neoclassical proponents—writers, speakers, patrons, collectors, artists and sculptors—paid homage to an idea of the artistic generation associated with Phidias, but sculpture examples they actually embraced were more likely to be Roman copies of Hellenistic sculptures. They ignored both Archaic Greek art and the works of late antiquity. The discovery of ancient Palmyra's "Rococo" art through engravings in Robert Wood's The Ruins of Palmyra came as a revelation. With Greece largely unexplored and considered a dangerous territory of the Ottoman Empire, Neoclassicists' appreciation of Greek architecture was predominantly mediated through drawings and engravings which were subtly smoothed and regularized, "corrected" and "restored" monuments of Greece, not always consciously.