Harold Pinter in the context of "John Malkovich"

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⭐ Core Definition: Harold Pinter

Harold Pinter (/ˈpɪntər/; 10 October 1930 – 24 December 2008) was a British playwright, screenwriter, director and actor. A Nobel Prize winner, Pinter was one of the most influential modern British dramatists with a writing career that spanned more than 50 years. His best-known plays include The Birthday Party (1957), The Homecoming (1964) and Betrayal (1978), each of which he adapted for the screen. His screenplay adaptations of others' works include The Servant (1963), The Go-Between (1971), The French Lieutenant's Woman (1981), The Trial (1993) and Sleuth (2007). He also directed or acted in radio, stage, television and film productions of his own and others' works.

Pinter was born in Hackney, east London, and educated at Hackney Downs School. He was a sprinter and cricket player, acting in school plays and writing poetry. He attended the Royal Academy of Dramatic Art but did not complete the course. He was fined for refusing national service as a conscientious objector. Subsequently, he continued training at the Central School of Speech and Drama and worked in repertory theatre in Ireland and England. In 1956 he married actress Vivien Merchant and had a son, Daniel, born in 1958. He left Merchant in 1975 and married author Lady Antonia Fraser in 1980.

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👉 Harold Pinter in the context of John Malkovich

John Gavin Malkovich (born December 9, 1953) is an American actor. He is the recipient of several accolades, including a Primetime Emmy Award, in addition to nominations for two Academy Awards, a BAFTA Award, two Screen Actors Guild Awards, and three Golden Globe Awards.

Malkovich started his career as a charter member of the Steppenwolf Theatre Company in Chicago in 1976. He moved to New York City, acting in a Steppenwolf production of the Sam Shepard play True West (1980). He made his Broadway debut as Biff in the revival of the Arthur Miller play Death of a Salesman (1984). He directed the Harold Pinter play The Caretaker (1986), and acted in Lanford Wilson's Burn This (1987).

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Harold Pinter in the context of British Jews

British Jews (often referred to collectively as British Jewry or Anglo-Jewry) are citizens of the United Kingdom who are Jewish, forming one of the country’s oldest and most historically significant religious minority communities. Jewish presence in Britain dates to at least the 11th century, when William the Conqueror encouraged Jewish merchants and financiers to migrate from northern France to London. The Jews were expelled from England under Edward I in 1290, but a continuous community was re-established following the readmission of Jews under Oliver Cromwell in the 1650s. From the 18th century onwards, British Jews became increasingly integrated into national life, contributing to commerce, science, literature, and politics while maintaining distinctive religious and communal institutions. Some 60,000-70,000 British Jews served in the British Army during the Second World War, serving in all branches and theatres of war. Prominent British Jews have included Prime Minister Benjamin Disraeli; financier and activist Moses Montefiore; scientist Rosalind Franklin; playwright Harold Pinter; businessman Michael Marks; and philosopher Sir Isaiah Berlin.

Waves of migration from Eastern Europe in the late 19th and early 20th centuries transformed Jewish life in Britain, particularly in London’s East End, Manchester, and Leeds, substantially increasing the community's numbers while altering its cultural composition. The community has since diversified, including both long-established Anglo-Jewish families and more recent arrivals from Europe, the Middle East, and the Commonwealth.

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Harold Pinter in the context of John Gielgud

Sir Arthur John Gielgud (/ˈɡlɡʊd/ GHEEL-guud; 14 April 1904 – 21 May 2000) was an English actor and theatre director whose career spanned eight decades. With Ralph Richardson and Laurence Olivier, he was one of the trinity of actors who dominated the British stage for much of the 20th century. A member of the Terry family theatrical dynasty, he gained his first paid acting work as a junior member of his cousin Phyllis Neilson-Terry's company in 1922. After studying at the Royal Academy of Dramatic Art (RADA), he worked in repertory theatre and in the West End before establishing himself at the Old Vic as an exponent of Shakespeare in 1929–31.

During the 1930s Gielgud was a stage star in the West End and on Broadway, appearing in new works and classics. He began a parallel career as a director, and set up his own company at the Queen's Theatre, London. He was regarded by many as the finest Hamlet of his era, and was also known for high comedy roles such as John Worthing in The Importance of Being Earnest. In the 1950s Gielgud feared that his career was threatened when he was convicted and fined for a homosexual offence, but his colleagues and the public supported him loyally. When avant-garde plays began to supersede traditional West End productions in the later 1950s he found no new suitable stage roles, and for several years he was best known in the theatre for his one-man Shakespeare show The Ages of Man. From the late 1960s he found new plays that suited him, by authors including Alan Bennett, David Storey and Harold Pinter.

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Harold Pinter in the context of The French Lieutenant's Woman (film)

The French Lieutenant's Woman is a 1981 British romantic drama film directed by Karel Reisz, produced by Leon Clore, and adapted by the playwright Harold Pinter. It is based on The French Lieutenant's Woman, a 1969 novel by John Fowles. The music score is by Carl Davis and the cinematography by Freddie Francis.

The film stars Meryl Streep and Jeremy Irons. Other featured actors include Hilton McRae, Peter Vaughan, Colin Jeavons, Liz Smith, Patience Collier, Richard Griffiths, David Warner, Alun Armstrong, Penelope Wilton, and Leo McKern.

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