John Gielgud in the context of "Harold Pinter"

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⭐ Core Definition: John Gielgud

Sir Arthur John Gielgud (/ˈɡlɡʊd/ GHEEL-guud; 14 April 1904 – 21 May 2000) was an English actor and theatre director whose career spanned eight decades. With Ralph Richardson and Laurence Olivier, he was one of the trinity of actors who dominated the British stage for much of the 20th century. A member of the Terry family theatrical dynasty, he gained his first paid acting work as a junior member of his cousin Phyllis Neilson-Terry's company in 1922. After studying at the Royal Academy of Dramatic Art (RADA), he worked in repertory theatre and in the West End before establishing himself at the Old Vic as an exponent of Shakespeare in 1929–31.

During the 1930s Gielgud was a stage star in the West End and on Broadway, appearing in new works and classics. He began a parallel career as a director, and set up his own company at the Queen's Theatre, London. He was regarded by many as the finest Hamlet of his era, and was also known for high comedy roles such as John Worthing in The Importance of Being Earnest. In the 1950s Gielgud feared that his career was threatened when he was convicted and fined for a homosexual offence, but his colleagues and the public supported him loyally. When avant-garde plays began to supersede traditional West End productions in the later 1950s he found no new suitable stage roles, and for several years he was best known in the theatre for his one-man Shakespeare show The Ages of Man. From the late 1960s he found new plays that suited him, by authors including Alan Bennett, David Storey and Harold Pinter.

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John Gielgud in the context of British cinema

British cinema has significantly influenced the global film industry since the 19th century. The oldest known surviving film in the world, Roundhay Garden Scene (1888), was shot in England by French inventor Louis Le Prince. Early colour films were also pioneered in the UK. Film production reached an all-time high in 1936, but the "golden age" of British cinema is usually thought to have occurred in the 1940s, which saw the release of the most critically acclaimed works by filmmakers such as David Lean, Michael Powell, and Carol Reed.

Many British actors have accrued critical success and worldwide recognition, including Alec Guinness, Patrick Stewart, Julie Andrews, Michael Caine, Joan Collins, Sean Connery, Olivia Colman, Benedict Cumberbatch, Daniel Craig, Daniel Day-Lewis, Judi Dench, Helen Mirren, Olivia de Havilland, Audrey Hepburn, Anthony Hopkins, Glynis Johns, Vivien Leigh, Ian Mckellen, Peter O'Toole, Gary Oldman, Laurence Olivier, John Gielgud, Maggie Smith, Joan Plowright, Emma Thompson, Rachel Weisz, Kate Winslet and Keira Knightley. Some of the films with the largest ever box office profits have been made in the United Kingdom, including Harry Potter and James Bond, the fourth and fifth highest-grossing film franchises of all time.

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John Gielgud in the context of Alec Guinness

Sir Alec Guinness (born Alec Guinness de Cuffe; 2 April 1914 – 5 August 2000) was an English actor. In the BFI listing of the 100 most important British films of the 20th century, he was the single most noted actor, represented across nine films—six in starring roles and three in supporting roles—including five directed by David Lean and four from Ealing Studios. He won an Academy Award, a BAFTA, a Golden Globe a Tony Award and a Volpi Cup. In 1959, he was knighted by Queen Elizabeth II for services to the arts. He received a star on the Hollywood Walk of Fame in 1960, the Academy Honorary Award for lifetime achievement in 1980 and the BAFTA Academy Fellowship Award in 1989.

Guinness began his stage career in 1934. Two years later, at the age of 22, he played the role of Osric in Hamlet in the West End and joined the Old Vic. He continued to play Shakespearean roles throughout his career. He served in the Royal Naval Reserve during the Second World War and commanded a landing craft during the invasion of Sicily and Elba. Along with Laurence Olivier, John Gielgud and Ralph Richardson, he was one of the great British theatre actors who made the transition to films after the war, making his name in six Ealing comedies, starting in 1949 with both A Run for Your Money and Kind Hearts and Coronets (in which he played eight different characters). He went on to lead roles in 1951 with The Man in the White Suit and The Lavender Hill Mob (for which he received his first Academy Award nomination for Best Actor), then in 1955 with The Ladykillers, and culminating in 1957 with Barnacle Bill.

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John Gielgud in the context of Laurence Olivier

Laurence Kerr Olivier, Baron Olivier (/ˈlɒrəns ˈkɜːr əˈlɪvi/ LORR-ənss KUR ə-LIV-ee-ay; 22 May 1907 – 11 July 1989) was an English actor and director. He and his contemporaries Ralph Richardson and John Gielgud made up a trio of male actors who dominated the British stage of the mid-20th century. He also worked in films throughout his career, playing more than fifty cinema roles. Late in his career he had considerable success in television roles.

Olivier's family had no theatrical connections, but his father, a clergyman, decided that his son should become an actor. After attending a drama school in London, Olivier learned his craft in a succession of acting jobs during the late 1920s. In 1930 he had his first important West End success in Noël Coward's Private Lives, and he appeared in his first film. In 1935 he played in a celebrated production of Romeo and Juliet alongside Gielgud and Peggy Ashcroft, and by the end of the decade he was an established star. In the 1940s, together with Richardson and John Burrell, Olivier was the co-director of the Old Vic, building it into a highly respected company. There his most celebrated roles included Shakespeare's Richard III and Sophocles's Oedipus.

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