John Malkovich in the context of "Harold Pinter"

In the Line of Fire is a 1993 American political action thriller film directed by Wolfgang Petersen and starring Clint Eastwood, John Malkovich and Rene Russo. Written by Jeff Maguire, the film is about a disillusioned and obsessed former CIA agent who plans to assassinate the President of the United States and the Secret Service agent who is tracking him. Eastwood's character is the sole remaining active-duty Secret Service agent from the detail that was guarding John F. Kennedy in Dallas, Texas at the time of his assassination in 1963. The film also stars Dylan McDermott, Gary Cole, John Mahoney, and Fred Dalton Thompson.

In the Line of Fire was co-produced by Columbia Pictures and Castle Rock Entertainment, with Columbia handling distribution. The film was a critical and commercial success. It grossed $187 million against a $40 million production budget and earned three nominations at the 66th Academy Awards.

Empire of the Sun is a 1987 American epic coming-of-age war drama film directed by Steven Spielberg and written by Tom Stoppard, based on J. G. Ballard's semi-autobiographical 1984 novel of the same name. The film tells the story of Jamie "Jim" Graham (Christian Bale), a young boy who goes from living with his wealthy British family in Shanghai to becoming a prisoner of war in an internment camp operated by the Japanese during World War II. The film also stars John Malkovich, Miranda Richardson, Nigel Havers, Joe Pantoliano, Masatō Ibu, Leslie Phillips, Ben Stiller, and Robert Stephens.

Harold Becker and David Lean were originally to direct before Spielberg came on board, initially as a producer for Lean. Spielberg was attracted to directing the film because of a personal connection to Lean's films and World War II topics. He considers it to be his most profound work on "the loss of innocence". The film received positive reviews, with praise towards Bale's performance, the cinematography, the visuals, Williams's score and Spielberg's direction. However, the film was not initially a commercial success, earning only $22 million at the US box office, although it eventually more than recouped its budget through revenues in foreign markets, home video, and television.