Greek language

Magnesia ad Sipylum (Greek: Mαγνησία ἡ πρὸς Σιπύλῳ or Mαγνησία ἡ ἐπὶ Σιπύλου; modern Manisa, Turkey) was a city of Lydia, situated about 65 km northeast of Smyrna (now İzmir) on the river Hermus (now Gediz) at the foot of Mount Sipylus. The city should not be confused with its older neighbor, Magnesia on the Maeander, both founded by colonists from the Greek region of Magnesia.

Penthesilea (Greek: Πενθεσίλεια, romanized: Penthesíleia) was an Amazonian queen in Greek mythology, the daughter of Ares and Otrera and the sister of Hippolyta, Antiope, and Melanippe. She assisted Troy in the Trojan War, during which she was killed by Achilles or Neoptolemus. The asteroid 271 Penthesilea, discovered in 1887, was named in her honor.

A zoster (Greek: ζωστήρ, zōstēr) was a form of girdle or belt worn by men and perhaps later by women in ancient Greece, from the Archaic period (c. 750 – c. 500 BC) to the Hellenistic period (323–30 BC).

The word occurs in Homer, where it appears to refer to a warrior's belt of leather, possibly covered in bronze plates. Later references in the late Archaic and early Classical periods show it used as a belt or cloth girdle with men's clothes, especially the shorter chiton.

In Greek mythology, Melanippe (/mɛləˈnɪpiː/; Ancient Greek: Μελανίππη, "black mare"), also known as Arne or Antiopa, was the daughter of Aeolus and the precedent Melanippe (or else daughter of Hippotes or of Desmontes). She was the mother by Poseidon, of the twins Aeolus (Hellen) and Boeotus.

Pleuron (Ancient Greek: Πλευρών, gen.: Πλευρῶνος; Greek: Πλευρώνα, Plevrona or Ασφακοβούνι, Asfakovouni) was a city in ancient Aetolia, Greece. The name refers to two settlements, the older of which was at the foot of Mount Curium between the river Acheloos and the river Evenos, and was mentioned by Homer in the Catalogue of Ships in the Iliad. The territory of Pleuron was called Pleuronia. The ruins of this more ancient city are 1.5 km to the southeast of the newer one. The circuit wall exhibits "the large roughly shaped stones and small stones in the interstices which are the characteristics of Cyclopean masonry."

The vast majority of the territory of present-day Greece was at some point incorporated within the Ottoman Empire. The period of Ottoman rule in Greece, lasting from the mid-15th century until the successful Greek War of Independence broke out in 1821 and the First Hellenic Republic was proclaimed in 1822, is known in Greece as Turkocracy (Greek: Τουρκοκρατία, romanized: Tourkokratia, lit. 'Turkish rule'). Some regions, like the Ionian islands and various temporary Venetian possessions of the Stato da Mar, were not incorporated in the Ottoman Empire. The Mani Peninsula in the Peloponnese was not fully integrated into the Ottoman Empire, but was under Ottoman suzerainty.

The Eastern Roman Empire, which ruled most of the Greek-speaking world for over 1100 years, had been fatally weakened since the Fourth Crusade of 1204. Having defeated the Serbs, the Ottomans captured Constantinople in 1453 and soon advanced southwards capturing Athens in 1456 and the Peloponnese in 1460. By the early 16th century, all of mainland Greece and most of the Aegean Islands were in Ottoman hands, excluding several port cities that were still held by the Venetians (notably Nafplio, Monemvasia, Parga and Methone). The mountains of Greece remained largely untouched and were a refuge for Greeks who desired to flee Ottoman rule and engage in guerrilla warfare. The Cyclades islands were annexed by the Ottomans in 1579, although they had been under vassal status since the 1530s. Cyprus fell in 1571, and the Venetians retained Crete until 1669. The Ionian Islands were never ruled by the Ottomans, with the exception of Kefalonia (from 1479 to 1481 and from 1485 to 1500), but remained under the rule of the Venice. It was in the Ionian Islands that modern Greek statehood was born, with the creation of the Republic of the Seven Islands in 1800.

The Acropolis Museum (Greek: Μουσείο Ακρόπολης, Mouseio Akropolis) is an archaeological museum focused on the findings of the archaeological site of the Acropolis of Athens. The museum was built to house every artifact found on the rock and on the surrounding slopes, from the Greek Bronze Age to Roman and Byzantine Greece. The Acropolis Museum also lies over the ruins of part of Roman and early Byzantine Athens.

The museum was founded in 2003, while the Organization of the Museum was established in 2008. It opened to the public on 20 June 2009. More than 4,250 objects are exhibited over an area of 14,000 square metres.

Ptolemy V Epiphanes Eucharistus (Greek: Πτολεμαῖος Ἐπιφανής Εὐχάριστος, Ptolemaĩos Epiphanḗs Eukháristos "Ptolemy the Manifest, the Beneficent"; 9 October 210–September 180 BC) was the King of Ptolemaic Egypt from July or August 204 BC until his death in 180 BC.

Ptolemy V, the son of Ptolemy IV and Arsinoe III, inherited the throne at the age of five when his parents died in suspicious circumstances. The new regent, Agathocles, was widely reviled and was toppled by a revolution in 202 BC, but the series of regents who followed proved incompetent and the kingdom was paralysed. The Seleucid king Antiochus III and the Antigonid king Philip V took advantage of the kingdom's weakness to begin the Fifth Syrian War (202–196 BC), in which the Ptolemies lost all their territories in Asia Minor and the Levant, as well as most of their influence in the Aegean Sea. Simultaneously, Ptolemy V faced a widespread Egyptian revolt (206–185 BC) led by the self-proclaimed pharaohs Horwennefer and Ankhwennefer, which resulted in the loss of most of Upper Egypt and parts of Lower Egypt as well.

The pastoral genre of literature, art, or music depicts an idealised form of the shepherd's lifestyle – herding livestock around open areas of land according to the seasons and the changing availability of water and pasture. The target audience is typically an urban one. A pastoral is a work of this genre. A piece of music in the genre is usually referred to as a pastorale.

The genre is also known as bucolic, from the Greek βουκολικόν, from βουκόλος, meaning a cowherd.

Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet. Poets use a variety of techniques called poetic devices, such as assonance, alliteration, consonance, euphony and cacophony, onomatopoeia, rhythm (via metre), rhyme schemes (patterns in the type and placement of a phoneme group) and sound symbolism, to produce musical or other artistic effects. They also frequently organize these devices into poetic structures, which may be strict or loose, conventional or invented by the poet. Poetic structures vary dramatically by language and cultural convention, but they often rely on rhythmic metre: patterns of syllable stress or syllable (or mora) weight. They may also use repeating patterns of phonemes, phoneme groups, tones, words, or entire phrases. Poetic structures may even be semantic (e.g. the volta required in a Petrachan sonnet).

Most written poems are formatted in verse: a series or stack of lines on a page, which follow the poetic structure. For this reason, verse has also become a synonym (a metonym) for poetry. Some poetry types are unique to particular cultures and genres and respond to characteristics of the language in which the poet writes. Readers accustomed to identifying poetry with Dante, Goethe, Mickiewicz, or Rumi may think of it as written in lines based on rhyme and regular meter. There are, however, traditions, such as Biblical poetry and alliterative verse, that use other means to create rhythm and euphony. Other traditions, such as Somali poetry, rely on complex systems of alliteration and metre independent of writing and have been described as structurally comparable to ancient Greek and medieval European oral verse. Much modern poetry reflects a critique of poetic tradition, testing the principle of euphony itself or altogether forgoing rhyme or set rhythm. In first-person poems, the lyrics are spoken by an "I", a character who may be termed the speaker, distinct from the poet (the author). Thus if, for example, a poem asserts, "I killed my enemy in Reno", it is the speaker, not the poet, who is the killer (unless this "confession" is a form of metaphor which needs to be considered in closer context – via close reading).