Gouache in the context of "Hans Gude"

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⭐ Core Definition: Gouache

Gouache (/ɡuˈɑːʃ, ɡwɑːʃ/; French: [ɡwaʃ]), body color, or opaque watercolor is a water-medium paint consisting of natural pigment, water, a binding agent (usually gum arabic or dextrin), and sometimes additional inert material. Gouache is designed to be opaque. Gouache has a long history, having been used for at least twelve centuries. It is used most consistently by commercial artists for posters, illustrations, comics, and other design work.

Gouache is similar to watercolor in that it can be rewetted and dried to a matte finish, and the paint can become infused into its paper support. It is similar to acrylic or oil paints in that it is normally used in an opaque painting style and it can form a superficial layer. Many manufacturers of watercolor paints also produce gouache, and the two can easily be used together.

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👉 Gouache in the context of Hans Gude

Hans Fredrik Gude (March 13, 1825 – August 17, 1903) was a Norwegian romanticist painter and is considered along with Johan Christian Dahl to be one of Norway's foremost landscape painters. He has been called a mainstay of Norwegian National Romanticism. He is associated with the Düsseldorf school of painting.

Gude's artistic career was not one marked with drastic change and revolution, but was instead a steady progression that slowly reacted to general trends in the artistic world. Gude's early works are of idyllic, sun-drenched Norwegian landscapes which present a romantic, yet still realistic view of his country. Around 1860 Gude began painting seascapes and other coastal subjects. Gude had difficulty with figure drawing initially and so collaborated with Adolph Tidemand in some of his painting, drawing the landscape himself and allowing Tidemand to paint the figures. Later Gude would work specifically on his figures while at Karlsruhe, and so began populating his paintings with them. Gude initially painted primarily with oils in a studio, basing his works on studies he had done earlier in the field. However, as Gude matured as a painter he began to paint en plein air and espoused the merits of doing so to his students. Gude would paint with watercolors later in life as well as gouache in an effort to keep his art constantly fresh and evolving, and although these were never as well received by the public as his oil paintings, his fellow artists greatly admired them.

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Gouache in the context of Tempera

Tempera (Italian: [ˈtɛmpera]) is a permanent, fast-drying painting medium consisting of pigments mixed with a water-soluble binder medium, usually glutinous material such as egg yolk. There are several types of tempera paint, but the one containing egg yolk is called egg tempera. Tempera paint made from the milk protein is Casein paint. If the binder is synthetic PVA, the result is polyvinyl acetate tempera. A distemper paint consisting of pigment and binders such as cornstarch, gum arabic and other gums is called poster paint in certain parts of the world, and it is also often confusingly referred to as "tempera paint", although the binders in this paint are different from traditional egg tempera paints and the visual effect is more like gouache.

The term Tempera also refers to the paintings done in any kind of these tempera mediums.

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Gouache in the context of Caran d'Ache (company)

Caran d'Ache (French pronunciation: [kaʁɑ̃ daʃ]) is a Swiss manufacturing company of art materials and writing instruments. The company, established in 1915, produces a wide range of products including colored pencils, graphite pencils, pastels, fountain pens, ballpoint pens, mechanical pencils, markers, gouache paints, and ink cartridges.

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Gouache in the context of Arts of Iran

The Arts of Iran include a variety of traditional disciplines, including architecture, painting, literature, music, weaving, pottery, calligraphy, and metalwork.

Today, there is an active modern Iranian art scene, including cinema and photography. For a history of Persian visual art up to the early 20th century, see Persian art or Iranian architecture.

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Gouache in the context of Poster paint

Poster paint (also known as tempera paint in the US, poster color in Asia) is a distemper paint that usually uses starch, cornstarch, cellulose, gum-water or another glue size as its binder. It either comes in large bottles or jars or in a powdered form. It is normally a cheap paint used in school art classes.

Asian poster paints are similar to gouache, albeit has a thinner viscosity, uses gum arabic and/or dextrin as a binder, and use inexpensive and less lightfast pigments more coarsely ground, with added brighteners to make the paints affordable. Poster colors are used in art classes, in animation production, and in scanning and printing. Notable brands that produce poster colors include Kokuyo Camlin, Monami, Pentel, Sakura, and Nicker.

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Gouache in the context of Portrait miniature

A portrait miniature is a miniature portrait painting from Renaissance art, usually executed in gouache, watercolor, or enamel. Portrait miniatures developed out of the techniques of the miniatures in illuminated manuscripts, and were popular among 16th-century elites, mainly in England and France, and spread across the rest of Europe from the middle of the 18th century, remaining highly popular until the development of daguerreotypes and photography in the mid-19th century. They were usually intimate gifts given within the family, or by hopeful males in courtship, but some rulers, such as James I of England, gave large numbers as diplomatic or political gifts. They were especially likely to be painted when a family member was going to be absent for significant periods, whether a husband or son going to war or emigrating, or a daughter getting married.

The first miniaturists used watercolour to paint on stretched vellum, or (especially in England) on playing cards trimmed to the shape required. The technique was often called limning (as in Nicolas Hilliard's treatise on the Art of Limming of c. 1600), or painting in little. During the second half of the 17th century, vitreous enamel painted on copper became increasingly popular, especially in France. In the 18th century, miniatures were painted with watercolour on ivory, which had now become relatively cheap. As small in size as 40 mm × 30 mm, portrait miniatures were often fitted into lockets, inside watch-covers or pieces of jewellery so that they could be carried on the person. Others were framed with stands or hung on a wall, or fitted into snuff box covers.

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Gouache in the context of Paint-on-glass animation

Paint-on-glass animation is a technique for making animated films by manipulating slow-drying oil paints on sheets of glass. Gouache mixed with glycerine is sometimes used instead. The best-known practitioner of the technique is Russian animator Aleksandr Petrov; he has used it in seven films, all of which have won awards.

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Gouache in the context of Acrylic paint

Acrylic paint is a fast-drying paint made of pigment suspended in acrylic polymer emulsion and plasticizers, silicone oils, defoamers, stabilizers, or metal soaps. Most acrylic paints are water-based, but become water-resistant when dry. Depending on how much the paint is diluted with water, or modified with acrylic gels, mediums, or pastes, the finished acrylic painting can resemble a watercolor, a gouache, or an oil painting, or it may have its own unique characteristics not attainable with other media.

Water-based acrylic paints are used as latex house paints, as latex is the technical term for a suspension of polymer microparticles in water. Interior latex house paints tend to be a combination of binder (sometimes acrylic, vinyl, PVA, and others), filler, pigment, and water. Exterior latex house paints may also be a co-polymer blend, but the best exterior water-based paints are 100% acrylic, because of its elasticity and other factors. Vinyl, however, costs half of what 100% acrylic resins cost, and polyvinyl acetate (PVA) is even cheaper, so paint companies make many different combinations of them to match the market.

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