Casein paint in the context of "Tempera"

⭐ In the context of tempera, casein paint is distinguished by its use of what primary binding agent?

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⭐ Core Definition: Casein paint

Casein paint, derived from milk casein (milk protein), is a fast-drying, water-soluble medium used by artists.

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πŸ‘‰ Casein paint in the context of Tempera

Tempera (Italian: [ˈtΙ›mpera]) is a permanent, fast-drying painting medium consisting of pigments mixed with a water-soluble binder medium, usually glutinous material such as egg yolk. There are several types of tempera paint, but the one containing egg yolk is called egg tempera. Tempera paint made from the milk protein is Casein paint. If the binder is synthetic PVA, the result is polyvinyl acetate tempera. A distemper paint consisting of pigment and binders such as cornstarch, gum arabic and other gums is called poster paint in certain parts of the world, and it is also often confusingly referred to as "tempera paint", although the binders in this paint are different from traditional egg tempera paints and the visual effect is more like gouache.

The term Tempera also refers to the paintings done in any kind of these tempera mediums.

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Casein paint in the context of Fresco-secco

Fresco-secco (or a secco or fresco finto) is a wall painting technique where pigments mixed with an organic binder and/or lime are applied onto dry plaster. The paints used can e.g. be casein paint, tempera, oil paint, silicate mineral paint. If the pigments are mixed with lime water or lime milk and applied to a dry plaster the technique is called lime secco painting. The secco technique contrasts with the fresco technique, where the painting is executed on a layer of wet plaster.

Because the pigments do not become part of the wall, as in buon fresco, fresco-secco paintings are less durable. The colors may flake off the painting as time goes by, but this technique has the advantages of a longer working time and retouchability. In Italy, the fresco technique was reintroduced around 1300 and led to an increase in the general quality of mural painting. This technological change coincided with the realistic turn in Western art and the changing liturgical use of murals.

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