Globus cruciger in the context of "Infant Jesus of Prague"

The Christian cross, with or without a figure of Christ included, is the main religious symbol of Christianity. A cross with a figure of Christ affixed to it is termed a crucifix and the figure is often referred to as the corpus (Latin for "body").

The term Greek cross designates a cross with arms of equal length, as in a plus sign, while the Latin cross designates a cross with an elongated descending arm. Numerous other variants have been developed during the medieval period.

The Señor Santo Niño de Cebú is a Catholic title of the Child Jesus associated with a religious image of the Christ Child widely venerated as miraculous by Filipino Catholics. It is the oldest Christian artifact in the Philippines, originally a gift from the Conquistador Ferdinand Magellan to Rajah Humabon (baptized as Carlos) and his wife and chief consort, Hara Humamay (baptized as Juana) on account of their Christian baptism in 1521. The image is the only canonically crowned image of Jesus Christ in the Philippines.

The dark wood statue measures approximately 12 inches (30 cm) tall, and carved in the Flemish style. It depicts the Child Jesus, with a serene countenance, in the attitude and dress of a Spanish monarch. The statue bears imperial regalia, including a golden crown, toison de oro, globus cruciger, and various sceptres, wears fine vestments, and possesses jewelry mostly offered by devotees over several centuries.

Salvator Mundi, Latin for Saviour of the World, is a subject in iconography depicting Christ with his right hand raised in blessing and his left hand holding an orb (frequently surmounted by a cross), known as a globus cruciger. The latter symbolizes the Earth, and the whole composition has strong eschatological undertones.

The Bohemian crown jewels, also called the Czech crown jewels (Czech: české korunovační klenoty), include the Crown of Saint Wenceslas (Svatováclavská koruna), the royal orb and sceptre, the coronation vestments of the Kings of Bohemia, the gold reliquary cross, and St. Wenceslas' sword. They were originally held in Prague and Karlštejn Castle, designed in the 14th century by Matthias of Arras. Since 1791 they have been stored in St. Vitus Cathedral at Prague Castle. Reproductions of the jewels are permanently exhibited in the historical exposition at the former royal palace in the castle. The crown was made for the coronation of Charles IV in 1347, making it the fourth oldest in Europe.

A monde, meaning 'world' in French, is an orb located near the top of a crown. It represents, as the name suggests, the world that the monarch rules. It is the point at which a crown's half arches meet. It is usually topped off either with a national or religious symbol, for example a cross in Christian countries.

In some cases, the crossed arches might relate this object to an armillary sphere representing the cosmic orb, as seems to happen with the crown of Pedro I of Brazil or, in a different way, with the serpent in the Rainbow Portrait of Queen Elizabeth I.

The French Crown Jewels (French: Joyaux de la Couronne de France) and Regalia comprise the crowns, orb, sceptres, diadems and jewels that were symbols of Royal or Imperial power between 752 and 1870. These were worn by many Kings and Queens of France as well as Emperor Napoleon. The set was finally broken up, with most of it sold off in 1885 by the Third Republic. The surviving French Crown Jewels, principally a set of historic crowns, diadems and parures, are mainly on display in the Galerie d'Apollon of the Louvre, France's premier museum and former royal palace, together with the Regent Diamond, the Sancy Diamond and the 105-carat (21.0 g) Côte-de-Bretagne red spinel, carved into the form of a dragon. In addition, some gemstones and jewels (including the Emerald of Saint Louis, the Ruspoli sapphire and the diamond pins of Queen Marie Antoinette) are on display in the Treasury vault of the Mineralogy gallery in the National Museum of Natural History.

On 19 October 2025, eight of the jewels were stolen from the Galerie d'Apollon. The location of the stolen jewels is unknown; the Crown of Empress Eugénie was also initially stolen but was dropped during the thieves' escape and recovered in a damaged condition. The exact extent of the damage is still unknown, but was later revealed to be severe, with "delicate" repair needed for possible restoration.