Salvator Mundi, Latin for Saviour of the World, is a subject in iconography depicting Christ with his right hand raised in blessing and his left hand holding an orb (frequently surmounted by a cross), known as a globus cruciger. The latter symbolizes the Earth, and the whole composition has strong eschatological undertones.
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👉 Salvator Mundi in the context of Globus cruciger
The globus cruciger (Latin for 'cross-bearing orb'), also known as stavroforos sphaira (Greek: σταυροφόρος σφαίρα) or "the orb and cross", is an orb surmounted by a cross. It has been a Christian symbol of authority since the Middle Ages, used on coins, in iconography, and with a sceptre as royal regalia.
The cross laid over the globus represents Christ's dominion over the world, literally held in the hand of a worthy earthly ruler. In the iconography of Western art, when Christ himself holds the globe, he is called Salvator Mundi (Latin for 'Saviour of the World'). For instance, the 16th-century Infant Jesus of Prague statue holds a globus cruciger in this manner.
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Salvator Mundi in the context of Salvator Mundi (Leonardo)
Salvator Mundi (Latin for 'Savior of the World') is a painting attributed in whole or part to the Italian High Renaissance artist Leonardo da Vinci, dated c. 1499–1510. Long thought to be a copy of a lost original veiled with overpainting, it was rediscovered, restored, and included in an exhibition of Leonardo's work at the National Gallery, London, in 2011–2012. Christie's, which sold the work in 2017, stated that most leading scholars consider it an original work by da Vinci, but this attribution has been disputed by some leading specialists, some of whom propose that he only contributed certain elements; others believe that the extensive restoration prevents a definitive attribution.
The painting depicts Jesus Christ in anachronistic blue Renaissance attire, making a gesture of blessing with his right hand, while holding a transparent, non-refracting crystal orb in his left, signalling his role as Salvator Mundi and representing the celestial sphere of the heavens. Approximately thirty copies and variations of the work by pupils and followers of Leonardo have been identified; two are considered to have been produced during Leonardo's lifetime. Two preparatory chalk and ink drawings of the drapery by Leonardo are held in the British Royal Collection.