Gallerie dell'Accademia in the context of "Vitruvian Man"

⭐ In the context of the *Vitruvian Man*, the Gallerie dell'Accademia is primarily known for…

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⭐ Core Definition: Gallerie dell'Accademia

The Gallerie dell'Accademia is a museum gallery of pre-19th-century art in Venice, northern Italy. A few weeks every six years, it houses the Leonardo da Vinci drawing The Vitruvian Man. It is housed in the Scuola della Carità on the south bank of the Grand Canal, within the sestiere of Dorsoduro.

It was originally the gallery of the Accademia di Belle Arti di Venezia, the art academy of Venice, from which it became independent in 1879, and for which the Ponte dell'Accademia and the Accademia boat landing station for the vaporetto water bus are named. The two institutions remained in the same building until 2004, when the art school moved to the Ospedale degli Incurabili.

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👉 Gallerie dell'Accademia in the context of Vitruvian Man

Vitruvian Man (Italian: L'uomo vitruviano) is a drawing by the Italian Renaissance artist and scientist Leonardo da Vinci, dated to c. 1490. Inspired by the Roman architect Vitruvius, it depicts a nude man in two overlapping standing positions, inscribed within a circle and a square. Art historian Carmen C. Bambach described it as "justly ranked among the all-time iconic images of Western civilization". While not the only drawing inspired by Vitruvius, Leonardo's work uniquely combines artistic vision with scientific inquiry and is often considered an archetypal representation of the High Renaissance.

The drawing illustrates Leonardo's study of ideal human proportions, derived from Vitruvius but refined through his own observations, contemporary works, and the treatise De pictura by Leon Battista Alberti. Created in Milan, the Vitruvian Man likely passed to his student Francesco Melzi, and later to Venanzio de Pagave, who encouraged engraver Carlo Giuseppe Gerli to publish an engraving of it, spreading the image widely. It was then owned by Giuseppe Bossi, before being acquired in 1822 by the Gallerie dell'Accademia in Venice, where it remains. Because of its fragility, the drawing is rarely displayed. It was loaned to the Louvre in 2019 for the 500th anniversary of Leonardo's death.

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Gallerie dell'Accademia in the context of Drawing

Drawing is a visual art that uses an instrument to mark paper or another two-dimensional surface, or a digital representation of such. Traditionally, the instruments used to create a drawing include pencils, crayons, and ink pens, sometimes in combination. More modern tools include computer styluses with mice and graphics tablets and gamepads in VR drawing software.

A drawing instrument releases a small amount of material onto a surface, leaving a visible mark. There are many drawing instruments such as pen, pencils, pastel, crayons, markers, color pencils, water color, and more. The most common support for drawing is paper, although other materials, such as cardboard, vellum, wood, plastic, leather, canvas, and board, have been used. Temporary drawings may be made on a blackboard or whiteboard. Drawing has been a popular and fundamental means of public expression throughout human history. It is one of the simplest and most efficient means of communicating ideas. The wide availability of drawing instruments makes drawing one of the most common artistic activities.

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Gallerie dell'Accademia in the context of Ponte dell'Accademia

45°25′54″N 12°19′44″E / 45.431644°N 12.328972°E / 45.431644; 12.328972

The Ponte dell'Accademia is one of only four bridges to span the Grand Canal in Venice, Italy. It crosses near the southern end of the canal, and is named for the Accademia di Belle Arti di Venezia, which from 1807 to 2004 was housed in the Scuola della Carità together with the Gallerie dell'Accademia, which is still there. The bridge links the sestieri of Dorsoduro and San Marco.

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Gallerie dell'Accademia in the context of Portrait of an Actor

Portrait of an Actor (Italian: Ritratto di un attore; French: Portrait de Comédien; Russian: Портрет актера) is a painting by Domenico Fetti in the Hermitage Museum in Saint Petersburg, Russia. It was probably painted in 1621 or 1622 in Mantua, Italy. The sitter, who is holding a theatre mask, is believed to be a commedia dell'arte actor, either Tristano Martinelli or Francesco Andreini. There is a well known copy of the portrait by an unidentified artist in the Gallerie dell'Accademia in Venice.

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LINKED FROM (PARENTS)
← Drawing ← Vitruvian Man ← Ponte dell'Accademia ← Drawings ← Portrait of an Actor
LINKS TO (CHILDREN)
Venice → Northern Italy → Leonardo da Vinci → Drawing → Vitruvian Man → Grand Canal (Venice) → Sestiere → Dorsoduro → Accademia di Belle Arti di Venezia → Ponte dell'Accademia → Vaporetto → Ospedale degli Incurabili, Venice →