Vellum in the context of "Drawing"

⭐ In the context of Drawing, vellum is considered…

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⭐ Core Definition: Vellum

Vellum is prepared animal skin or membrane, typically used as writing material. It is often distinguished from parchment, either by being made from calfskin, rather than the skin of other animals or simply by being of a higher quality. Vellum is prepared for writing and printing on single pages, scrolls, and codices (books).

Modern scholars and experts often prefer to use the broader term "membrane", which avoids the need to draw a distinction between vellum and parchment, as it is very hard to determine the type of animal involved, let alone its age, without detailed scientific analysis.

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👉 Vellum in the context of Drawing

Drawing is a visual art that uses an instrument to mark paper or another two-dimensional surface, or a digital representation of such. Traditionally, the instruments used to create a drawing include pencils, crayons, and ink pens, sometimes in combination. More modern tools include computer styluses with mice and graphics tablets and gamepads in VR drawing software.

A drawing instrument releases a small amount of material onto a surface, leaving a visible mark. There are many drawing instruments such as pen, pencils, pastel, crayons, markers, color pencils, water color, and more. The most common support for drawing is paper, although other materials, such as cardboard, vellum, wood, plastic, leather, canvas, and board, have been used. Temporary drawings may be made on a blackboard or whiteboard. Drawing has been a popular and fundamental means of public expression throughout human history. It is one of the simplest and most efficient means of communicating ideas. The wide availability of drawing instruments makes drawing one of the most common artistic activities.

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Vellum in the context of Treasure binding

A treasure binding or jewelled bookbinding is a luxurious book cover using metalwork in gold or silver, jewels, or ivory, perhaps in addition to more usual bookbinding material for book covers such as leather, velvet, or other cloth. The actual bookbinding technique is the same as for other medieval books, with the folios, normally of vellum, stitched together and bound to wooden cover boards. The metal furnishings of the treasure binding are then fixed, normally by tacks, onto these boards. Treasure bindings appear to have existed from at least Late Antiquity, though there are no surviving examples from so early, and Early Medieval examples are very rare. They were less used by the end of the Middle Ages, but a few continued to be produced in the West even up to the present day, and many more in areas where Eastern Orthodoxy predominated. The bindings were mainly used on grand illuminated manuscripts, especially gospel books designed for the altar and use in church services, rather than study in the library.

The vast majority of these bookbindings were later destroyed as their valuable gold and jewels were removed by looters, or the owners when in need of cash. Others survive without their jewels, and many are either no longer attached to a book, or have been moved to a different book. Some survive in major libraries; for example, the Morgan Library in New York City, the John Rylands Library in Manchester, the British Library in London, the Bayerische Staatsbibliothek in Munich and the Bibliothèque Nationale in Paris. As the carved ivory reliefs often used could not usually be recycled, these survive in much larger numbers, giving a better idea of the numbers of treasure bindings that once existed. Other examples are recorded in documentary sources but though the books survive the covers do not. The Book of Kells lost its binding after a robbery, and the fate of the missing cover of the Book of Lindisfarne is not recorded.

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Vellum in the context of Codex

The codex (pl.: codices /ˈkdɪsz/) was the historical ancestor format of the modern book. Technically, the vast majority of modern books use the codex format of a stack of pages bound at one edge, along the side of the text. However, the term codex is now reserved for older manuscript books, which mostly used sheets of vellum, parchment, or papyrus, rather than paper.

By convention, the term is also used for any Aztec codex (although the earlier examples do not actually use the codex format), Maya codices and other pre-Columbian manuscripts. Library practices have led to many European manuscripts having "codex" as part of their usual name, as with the Codex Gigas, while most do not.

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Vellum in the context of Vienna Dioscurides

The Vienna Dioscurides or Vienna Dioscorides is an early 6th-century Byzantine Greek illuminated manuscript of an even earlier 1st century AD work, De materia medica (Ancient Greek: Περὶ ὕλης ἰατρικῆς, romanizedPerì hylēs iatrikēs) by Pedanius Dioscorides in uncial script. It is an important and rare example of a late antique scientific text. After residing in Constantinople for just over a thousand years, the text passed to the Holy Roman Emperor in Vienna in the 16th century, a century after the city fell to the Ottoman Empire.

The 491 vellum folios measure 37 cm (15 in) by 30 cm (12 in) and contain more than 400 pictures of animals and plants, most done in a naturalistic style. In addition to the text by Dioscorides, the manuscript has appended to it, the Carmen de herbis attributed to Rufus, a paraphrase of an ornithological treatise by a certain Dionysius, usually identified with Dionysius of Philadelphia, and a paraphrase of Nicander's treatise on the treatment of snake bites.

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Vellum in the context of Grant (money)

A grant is a fund given by a person or organization, often a public body, charitable foundation, a specialised grant-making institution, or in some cases a business with a corporate social responsibility mission, to an individual or another entity, usually, a non-profit organisation, sometimes a business or a local government body, for a specific purpose linked to public benefit. Unlike loans, grants are not intended to be paid back. Examples include student grants, research grants, the Sovereign Grant paid by the UK Treasury to the monarch, and some European Regional Development Fund payments in the European Union.

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Vellum in the context of Landnámabók

Landnámabók (Icelandic pronunciation: [ˈlantˌnauːmaˌpouːk], "Book of Settlements"), often shortened to Landnáma, is a medieval Icelandic written work which describes in considerable detail the settlement (landnám) of Iceland by the Norse in the 9th and 10th centuries CE.

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Vellum in the context of Voynich manuscript

The Voynich manuscript is an illustrated codex, hand-written in an unknown script referred to as Voynichese. The vellum on which it is written has been carbon-dated to the early 15th century (1404–1438). Stylistic analysis has indicated the manuscript may have been composed in Italy during the Italian Renaissance. The origins, authorship, and purpose of the manuscript are still debated, but currently scholars lack the translation(s) and context needed to either properly entertain or eliminate any of the possibilities. Hypotheses range from a script for a natural language or constructed language, an unreadable code, cypher, or other form of cryptography, or perhaps a hoax, reference work (i.e. folkloric index or compendium), glossolalia or work of fiction (e.g. science fantasy or mythopoeia, metafiction, speculative fiction).

The first confirmed owner was Georg Baresch, a 17th-century alchemist from Prague. The manuscript is named after Wilfrid Voynich, a Polish book dealer who purchased it in 1912. The manuscript consists of around 240 pages, but there is evidence that some of the pages are missing. The text is written from left to right, and some pages are foldable sheets of varying sizes. Most of the pages have fantastical illustrations and diagrams, some crudely coloured, with sections of the manuscript showing people, unidentified plants and astrological symbols. Since 1969, it has been held in Yale University's Beinecke Rare Book and Manuscript Library. In 2020, Yale University published the manuscript online in its entirety in their digital library.

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Vellum in the context of Islamic holy books

The holy books are a number of religious scriptures that are regarded by Muslims as having valid divine significance, in that they were authored by God (Allah) through a variety of prophets and messengers, all of which predate the Quran. Among scriptures considered to be valid revelations, three that are named in the Quran are: the Tawrat (Arabic for Torah), received by prophets and messengers amongst the Israelites; the Zabur (Psalms), received by David; and the Injil (Arabic for the Gospel), received by Jesus. Additionally, the Quran mentions the Scrolls of Abraham and the Scrolls of Moses, as well as individual revelations and guidance to specific Messengers.

Muslims hold the Quran, as it was revealed to Muhammad, to be God's final revelation to mankind, and therefore a completion and confirmation of previous scriptures, such as the Bible. Despite the primacy that Muslims place upon the Quran in this context, belief in the validity of earlier Abrahamic scriptures is one of the six Islamic articles of faith. However, for most self-identified Muslims, the level of this belief is restricted by the concept of tahrif.

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Vellum in the context of Oxyrhynchus

Oxyrhynchus (/ɒksɪˈrɪŋkəs/ ok-sih-RINK-əs; Ancient Greek: Ὀξύῤῥυγχος, romanizedOxýrrhynkhos, lit.'sharp-nosed', Koine Greek: [okˈsyr̥r̥yŋkʰos]; Ancient Egyptian: pr mꜥḏ; Coptic: ⲡⲉⲙϫⲉ or ⲡⲙ̅ϫⲏ, romanized: Pemdje), also known by its modern name Al-Bahnasa (Arabic: البهنسا, romanizedel-Bahnasa), is a city in Middle Egypt located about 160 km south-southwest of Cairo in Minya Governorate. It is also an important archaeological site. Since the late 19th century, the area around Oxyrhynchus has been excavated almost continually, yielding an enormous collection of papyrus texts dating from the Ptolemaic Kingdom and Roman Egypt. They also include a few vellum manuscripts, and more recent Arabic manuscripts on paper (for example, the medieval P. Oxy. VI 1006).

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