Epitaph in the context of "Khitan large script"

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⭐ Core Definition: Epitaph

An epitaph (from Ancient Greek ἐπιτάφιος (epitáphios) 'a funeral oration'; from ἐπι- (epi-) 'at, over' and τάφος (táphos) 'tomb') is a short text honoring a deceased person. Strictly speaking, it refers to text that is inscribed on a tombstone or plaque, but it may also be used in a figurative sense. Some epitaphs are specified by the person themselves before their death, while others are chosen by those responsible for the burial. An epitaph may be written in prose or in verse.

Most epitaphs are brief records of the family, and perhaps the career, of the deceased, often with a common expression of love or respect—for example, "beloved father of ..."—but others are more ambitious. From the Renaissance to the 19th century in Western culture, epitaphs for notable people became increasingly lengthy and pompous descriptions of their family origins, career, virtues and immediate family, often in Latin. Notably, the Laudatio Turiae, the longest known Ancient Roman epitaph, exceeds almost all of these at 180 lines; it celebrates the virtues of an honored wife (sometimes identified, but not generally accepted, as the Wife of consul Quintus Lucretius Vespillo).

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👉 Epitaph in the context of Khitan large script

The Khitan large script (Chinese: 契丹大字; pinyin: qìdān dàzì) was one of two writing systems used for the now-extinct Khitan language (the other was the Khitan small script). It was used during the 10th–12th centuries by the Khitan people, who had created the Liao Empire in north-eastern China. In addition to the large script, the Khitans simultaneously also used a functionally independent writing system known as the Khitan small script. Both Khitan scripts continued to be in use to some extent by the Jurchens for several decades after the fall of the Liao dynasty, until the Jurchens fully switched to a script of their own. Examples of the scripts appeared most often on epitaphs and monuments, although other fragments sometimes surface.

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Epitaph in the context of Wrisberg epitaph

The Wrisberg Epitaph is a triptych, which was created by the Hildesheim painter Johannes Hopffe († 1615) in 1585 as an epitaph for the Domherr Ernst von Wrisberg. The original frame did not survive. However, copies were created and subsequently hidden during the Second World War, the central one could be viewed in the south transept of Hildesheim Cathedral until January 2010. During the renovation of the cathedral (2010–2014) the three panels were on display in a reconstructed frame in the Weserrenaissance-Museum in Schloss Brake, Lemgo.

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Epitaph in the context of Thermopylae

Thermopylae (/θərˈmɒpɪl/; Ancient Greek and Katharevousa: Θερμοπύλαι, romanizedThermopylai; Ancient: [tʰermopýlai], Katharevousa: [θermoˈpile̞]; Demotic Greek (Greek): Θερμοπύλες, romanizedThermopyles [θermoˈpiles]; "hot gates") is a narrow pass and modern town in Lamia, Phthiotis, Greece. It derives its name from its hot sulphur springs. In Greek mythology the Hot Gates is one of the entrances to Hades.

Thermopylae is the site of the Battle of Thermopylae between the Greek forces (including Spartans, Thebans and Thespians) and the invading Persian forces, commemorated by Simonides of Ceos in the epitaph, "Go tell the Spartans, stranger passing by, That here we lie, having answered our common oaths." Thermopylae is the only land route large enough to bear any significant traffic between Lokris and Thessaly. To go from north to south along the east coast of the Balkans requires use of the pass.In ancient times it was called Malis, named after the Malians (Ancient Greek: Μαλιεῖς), a Greek tribe that lived near present-day Lamia at the delta of the river Spercheios in Greece. The Malian Gulf is also named after them. In the western valley of the Spercheios their land was adjacent to the Aenianes. Their main town was named Trachis. In the town of Anthela, the Malians had an important Temple of Demeter Amphictyonis, an early center of the Anthelan Amphictyony.

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Epitaph in the context of Women in ancient Rome

In ancient Rome, freeborn women were citizens (cives), but could not vote or hold political office. Because of their limited public role, women are named less frequently than men by Roman historians. But while Roman women held no direct political power, those from wealthy or powerful families could and did exert influence through private negotiations. Exceptional women who left an undeniable mark on history include Lucretia and Claudia Quinta, whose stories took on mythic significance; fierce Republican-era women such as Cornelia, mother of the Gracchi, and Fulvia, who commanded an army and issued coins bearing her image; women of the Julio-Claudian dynasty, most prominently Livia (58 BC – AD 29) and Agrippina the Younger (15–59 AD), who contributed to the formation of Imperial mores; and the empress Helena (c.250–330 AD), a driving force in promoting Christianity.

As is the case with male members of society, elite women and their politically significant deeds eclipse those of lower status in the historical record. Inscriptions and especially epitaphs document the names of a wide range of women throughout the Roman Empire, but often tell little else about them. Some vivid snapshots of daily life are preserved in Latin literary genres such as comedy, satire, and poetry, particularly the poems of Catullus and Ovid, which offer glimpses of women in Roman dining rooms and boudoirs, at sporting and theatrical events, shopping, putting on makeup, practicing magic, worrying about pregnancy—all, however, through male eyes. The published letters of Cicero, for instance, reveal informally how the self-proclaimed great man interacted on the domestic front with his wife Terentia and daughter Tullia, as his speeches demonstrate through disparagement the various ways Roman women could enjoy a free-spirited sexual and social life.

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Epitaph in the context of Saying

A saying is any concise expression that is especially memorable because of its meaning or style. A saying often shows a wisdom or cultural standard, having different meanings than just the words themselves. Sayings are categorized as follows:

  • Aphorism: a general, observational truth; "a pithy expression of wisdom or truth".
    • Proverb, adage or saw: a widely known or popular aphorism that has gained credibility by long use or tradition.
    • Apothegm/Apophthegm: "an edgy, more cynical aphorism; such as, 'Men are generally more careful of the breed of their horses and dogs than of their children.'"
  • Axiom: a proposition that commends itself to general acceptance; a well-established or universally conceded principle; a maxim, rule, or law.
  • Cliché or bromide: an unoriginal and overused saying.
    • Platitude: a cliché that is unsuccessfully presented as though it were meaningful, original, or effective.
  • Epigram: a clever and often poetic written saying that comments on a specific person, idea, or thing; it especially denominates such a saying that is conspicuously put at the beginning of a text.
  • Epitaph: a saying in honor of a decedent, often engraved on a headstone or plaque.
  • Epithet: a descriptive word or saying already widely associated with a specific person, idea, or thing.
  • Idiom or phraseme: a saying that has only a non-literal interpretation; "an expression whose meaning can't be derived simply by hearing it, such as 'kick the bucket.'"
    • Four-character idiom:
  • Mantra: a religious, mystical, or other spiritual saying that is repeated, for example, in meditation.
  • Maxim: (1) an instructional expression of a general principle or rule of morality or (2) simply a synonym for "aphorism"; they include:
  • Motto: a saying used frequently by a person or group to summarize its general mission.
    • Credo: a motto implicitly or explicitly extended to express a larger belief system.
    • Slogan: a motto with the goal of persuading.
  • Quip: a clever or humorous saying based on an observation.
  • Witticism: a saying that is clever and usually humorous and that is notable for its form or style just as much as, or more than, its meaning.
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Epitaph in the context of Khitan small script

The Khitan small script (Chinese: 契丹小字; pinyin: qìdān xiǎozì) was one of two writing systems used for the now-extinct Khitan language. It was used during the 10th–12th century by the Khitan people, who had created the Liao Empire in present-day northeastern China. In addition to the small script, the Khitans simultaneously also used a functionally independent writing system known as the Khitan large script. Both Khitan scripts continued to be in use to some extent by the Jurchens for several decades after the fall of the Liao dynasty, until the Jurchens fully switched to a script of their own. Examples of the scripts appeared most often on epitaphs and monuments, although other fragments sometimes surface.

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Epitaph in the context of Day of the Dead

The Day of the Dead (Spanish: Día de (los) Muertos) is a holiday traditionally celebrated on November 1 and 2, though other days, such as October 31 or November 6, may be included depending on the locality. The multi-day holiday involves family and friends gathering to pay respects and remember friends and family members who have died. These celebrations can take a humorous tone, as celebrants remember amusing events and anecdotes about the departed. It is widely observed in Mexico, where it largely developed, and is also observed in other places, especially by people of Mexican heritage. The observance falls during the Christian period of Allhallowtide. Some argue that there are Indigenous Mexican or ancient Aztec influences that account for the custom, though others see it as a local expression of the Allhallowtide season that was brought to the region by the Spanish; the Day of the Dead has become a way to remember those forebears of Mexican culture. The Day of the Dead is largely seen as having a festive characteristic.

Traditions connected with the holiday include honoring the deceased using calaveras and marigold flowers known as cempazúchitl, building home altars called ofrendas with the favorite foods and beverages of the departed, and visiting graves with these items as gifts for the deceased. The celebration is not solely focused on the dead, as it is also common to give gifts to friends such as candy sugar skulls, to share traditional pan de muerto with family and friends, and to write light-hearted and often irreverent verses in the form of mock epitaphs dedicated to living friends and acquaintances, a literary form known as calaveras literarias.

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