Epigram in the context of Michael Maier

The Homeric Hymns (Ancient Greek: Ὁμηρικοὶ ὕμνοι, romanised: Homērikoì húmnoi) are a collection of thirty-three ancient Greek hymns and one epigram. The hymns praise deities of the Greek pantheon and retell mythological stories, often involving a deity's birth, their acceptance among the gods on Mount Olympus, or the establishment of their cult. In antiquity, the hymns were generally, though not universally, attributed to the poet Homer: modern scholarship has established that most date to the seventh and sixth centuries BCE, though some are more recent and the latest, the Hymn to Ares, may have been composed as late as the fifth century CE.

The Homeric Hymns share compositional similarities with the Iliad and the Odyssey, also traditionally attributed to Homer. They share the same artificial literary dialect of Greek, are composed in dactylic hexameter, and make use of short, repeated phrases known as formulae. It is unclear how far writing, as opposed to oral composition, was involved in their creation. They may initially have served as preludes to the recitation of longer poems, and have been performed, at least originally, by singers accompanying themselves on a lyre or another stringed instrument. Performances of the hymns may have taken place at sympotic banquets, religious festivals and royal courts.

Heraclitus (/ˌhɛrəˈklaɪtəs/; Ancient Greek: Ἡράκλειτος Hērákleitos; fl. c. 500 BC) was an ancient Greek pre-Socratic philosopher from the city of Ephesus, which was then part of the Persian Empire. He exerts a wide influence on Western philosophy, both ancient and modern, through the works of such authors as Plato, Aristotle, Georg Wilhelm Friedrich Hegel, Friedrich Nietzsche, and Martin Heidegger.

Little is known of Heraclitus's life. He wrote a single work, of which only fragments survive. Even in ancient times, his paradoxical philosophy, appreciation for wordplay, and cryptic, oracular epigrams earned him the epithets "the dark" and "the obscure". He was considered arrogant and depressed, a misanthrope who was subject to melancholia. Consequently, he became known as "the weeping philosopher" in contrast to the ancient atomist philosopher Democritus, who was known as "the laughing philosopher".

Epigraphy (from Ancient Greek ἐπιγραφή (epigraphḗ) 'inscription') is the study of inscriptions, or epigraphs, as writing; it is the science of identifying graphemes, clarifying their meanings, classifying their uses according to dates and cultural contexts, and drawing conclusions about the writing and the writers. Specifically excluded from epigraphy are the historical significance of an epigraph as a document and the artistic value of a literary composition. A person using the methods of epigraphy is called an epigrapher or epigraphist. For example, the Behistun inscription is an official document of the Achaemenid Empire engraved on native rock at a location in Iran. Epigraphists are responsible for reconstructing, translating, and dating the trilingual inscription and finding any relevant circumstances. It is the work of historians, however, to determine and interpret the events recorded by the inscription as document. Often, epigraphy and history are competences practised by the same person. Epigraphy is a primary tool of archaeology when dealing with literate cultures. The US Library of Congress classifies epigraphy as one of the auxiliary sciences of history. Epigraphy also helps identify a forgery: epigraphic evidence formed part of the discussion concerning the James Ossuary.

An epigraph (not to be confused with epigram) is any sort of text, from a single grapheme (such as marks on a pot that abbreviate the name of the merchant who shipped commodities in the pot) to a lengthy document (such as a treatise, a work of literature, or a hagiographic inscription). Epigraphy overlaps other competences such as numismatics or palaeography. When compared to books, most inscriptions are short. The media and the forms of the graphemes are diverse: engravings in stone or metal, scratches on rock, impressions in wax, embossing on cast metal, cameo or intaglio on precious stones, painting on ceramic or in fresco. Typically the material is durable, but the durability might be an accident of circumstance, such as the baking of a clay tablet in a conflagration.

Sappho (Ancient Greek: Σαπφώ Sapphṓ [sap.pʰɔ̌ː]; Aeolic Greek Ψάπφω Psápphō; c. 630 – c. 570 BC) was an Ancient Greek poet from Eresos or Mytilene on the island of Lesbos. Sappho is known for her lyric poetry, written to be sung while accompanied by music. In ancient times, Sappho was widely regarded as one of the greatest lyric poets and was given names such as the "Tenth Muse" and "The Poetess". Most of Sappho's poetry is now lost, and what is not has mostly survived in fragmentary form; only the Ode to Aphrodite is certainly complete. As well as lyric poetry, ancient commentators claimed that Sappho wrote elegiac and iambic poetry. Three epigrams formerly attributed to Sappho have survived, but these are actually Hellenistic imitations of Sappho's style.

Little is known of Sappho's life. She was from a wealthy family from Lesbos, though her parents' names are uncertain. Ancient sources say that she had three brothers: Charaxos, Larichos and Eurygios. Two of them, Charaxos and Larichos, are mentioned in the Brothers Poem discovered in 2014. She also appears to have had a daughter, traditionally identified with Cleïs, who is mentioned in two of Sappho's fragments, 98 and 132. Sappho was exiled to Sicily around 600 BC, and may have continued to work until around 570 BC. According to legend, she killed herself by leaping from the Leucadian cliffs due to her unrequited love for the ferryman Phaon.

Byzantine literature is the Greek literature of the Middle Ages, whether written in the Byzantine Empire or outside its borders. It was marked by a linguistic diglossy; two distinct forms of Byzantine Greek were used, a scholarly dialect based on Attic Greek, and a vernacular based on Koine Greek. Most scholars consider 'literature' to include all medieval Greek texts, but some define it with specific constraints. Byzantine literature is the successor to Ancient Greek literature and forms the basis of Modern Greek literature, although it overlaps with both periods.

The tradition saw the competing influences of Hellenism, Christianity, and earlier in the empire's history, Paganism. There was a general flourishing of gnomai, hagiography, sermons, and particularly historiography, which became less individual-focused. Poetry was often limited to musical hymnal forms, or the more niche epigram tradition, while ancient dramas and epics became obsolete. The influential romantic epic Digenes Akritas is a major exception.

An aphorism (from Greek ἀφορισμός: aphorismos, denoting 'delimitation', 'distinction', and 'definition') is a concise, terse, laconic, or memorable expression of a general truth or principle. Aphorisms are often handed down by tradition from generation to generation.

The concept is generally distinct from those of an adage, brocard, chiasmus, epigram, maxim (legal or philosophical), principle, proverb, and saying; although some of these concepts could be construed as types of aphorism.

Benjamin Jonson (c. 11 June 1572 – 18 August [O.S. 6 August] 1637) was an English playwright. Jonson's artistry exerted a lasting influence on English poetry and stage comedy. He popularised the comedy of humours; he is best known for the satirical plays Every Man in His Humour (1598), Volpone, or The Fox (c. 1606), The Alchemist (1610) and Bartholomew Fair (1614) and for his lyric and epigrammatic poetry. He is regarded as "the second most important English dramatist, after William Shakespeare, during the reign of James I."

Jonson was a classically educated, well-read and cultured man of the English Renaissance with an appetite for controversy (personal and political, artistic and intellectual). His cultural influence was of unparalleled breadth upon the playwrights and the poets of the Jacobean era (1603–1625) and of the Caroline era (1625–1642).

Leonidas of Tarentum (/liːˈɒnɪdəs/; Doric Greek: Λεωνίδας ὁ Ταραντῖνος) was an epigrammatist and lyric poet. He lived in Italy in the third century B.C. at Tarentum, on the coast of Apulia (Magna Graecia). Over a hundred of his epigrams are present in the Greek Anthology compiled in the 10th and 14th centuries. Most of his poems are dedicatory or sepulchral.

The youth of Leonidas coincided with the first awakening of the Greek cities on the south coast of Italy to the danger threatening them from Rome and their first attempts to seek protection from the warlike kings of Epirus. One of Leonidas's earliest extant poems chronicles a journey which he himself took to the court of Neoptolemus, son of Aeacides, seeking promise of protection. Soon after the poet's arrival, Neoptolemus was assassinated by his more warlike cousin, Pyrrhus, who eagerly agreed to become the Greeks' champion, and Leonidas returned to Italy to rally his countrymen for war.

A saying is any concise expression that is especially memorable because of its meaning or style. A saying often shows a wisdom or cultural standard, having different meanings than just the words themselves. Sayings are categorized as follows:

• Aphorism: a general, observational truth; "a pithy expression of wisdom or truth".
  • Proverb, adage or saw: a widely known or popular aphorism that has gained credibility by long use or tradition.
  • Apothegm/Apophthegm: "an edgy, more cynical aphorism; such as, 'Men are generally more careful of the breed of their horses and dogs than of their children.'"
• Axiom: a proposition that commends itself to general acceptance; a well-established or universally conceded principle; a maxim, rule, or law.
• Cliché or bromide: an unoriginal and overused saying.
  • Platitude: a cliché that is unsuccessfully presented as though it were meaningful, original, or effective.
• Epigram: a clever and often poetic written saying that comments on a specific person, idea, or thing; it especially denominates such a saying that is conspicuously put at the beginning of a text.
• Epitaph: a saying in honor of a decedent, often engraved on a headstone or plaque.
• Epithet: a descriptive word or saying already widely associated with a specific person, idea, or thing.
• Idiom or phraseme: a saying that has only a non-literal interpretation; "an expression whose meaning can't be derived simply by hearing it, such as 'kick the bucket.'"
  • Four-character idiom:
    • Chengyu: Chinese four-character idioms
    • Sajaseong-eo: Korean form of four-character idioms
    • Yojijukugo: Japanese form of four-character idioms
• Mantra: a religious, mystical, or other spiritual saying that is repeated, for example, in meditation.
• Maxim: (1) an instructional expression of a general principle or rule of morality or (2) simply a synonym for "aphorism"; they include:
  • Brocard
  • Gnome
  • Legal maxim
• Motto: a saying used frequently by a person or group to summarize its general mission.
  • Credo: a motto implicitly or explicitly extended to express a larger belief system.
  • Slogan: a motto with the goal of persuading.
• Quip: a clever or humorous saying based on an observation.
• Witticism: a saying that is clever and usually humorous and that is notable for its form or style just as much as, or more than, its meaning.

Tweedledum and Tweedledee are characters in an English nursery rhyme and in Lewis Carroll's 1871 book Through the Looking-Glass, and What Alice Found There. Their names may have originally come from an epigram written by poet John Byrom. The nursery rhyme has a Roud Folk Song Index number of 19800. The names have since become synonymous in western popular culture slang for any two people whose appearances and actions are identical.

Antipater of Sidon (Greek: Ἀντίπατρος ὁ Σιδώνιος, Antipatros ho Sidonios) was an ancient Greek poet of the 2nd and 1st centuries BCE.

Cicero mentions him living in Rome during the time of Quintus Lutatius Catulus, and calls him a brilliant epigrammist, sometimes too fond of imitation. His poems, about 75 of which are preserved in the Greek Anthology, are mostly epitaphs and ecphrastic poems. 96 poems in the Greek Anthology are attributed simply to "Antipater", without an indication of whether they are by Antipater of Sidon or the later Antipater of Thessalonica, and it is difficult to identify which are his.

Erinna (/ɪˈrɪnə/; Ancient Greek: Ἤριννα) was an ancient Greek poet. She is best known for her long poem The Distaff, a 300-line hexameter lament for her childhood friend Baucis, who had died shortly after her marriage. A large fragment of this poem was discovered in 1928 at Oxyrhynchus in Egypt. Along with The Distaff, three epigrams ascribed to Erinna are known, preserved in the Greek Anthology. Biographical details about Erinna's life are uncertain. She is generally thought to have lived in the first half of the fourth century BC, though some ancient traditions have her as a contemporary of Sappho; Telos is generally considered to be her most likely birthplace, but Tenos, Teos, Rhodes, and Lesbos are all also mentioned by ancient sources as her home.

Natalie Clifford Barney (October 31, 1876 – February 2, 1972) was an American writer who hosted a literary salon at her home in Paris that brought together French and international writers. She influenced other authors through her salon and also with her poetry, plays, and epigrams, often thematically tied to her lesbianism and feminism.

Barney was born into a wealthy family. She was partly educated in France, and expressed a desire from a young age to live openly as a lesbian. She moved to France with her first romantic partner, Eva Palmer. Inspired by the work of Sappho, Barney began publishing love poems to women under her own name as early as 1900. Writing in both French and English, she supported feminism and pacifism. She opposed monogamy and had many overlapping long and short-term relationships, including on-and-off romances with poet Renée Vivien and courtesan Liane de Pougy and longer relationships with writer Élisabeth de Gramont and painter Romaine Brooks.

John Donne (/dʌn/ DUN; 1571 or 1572 – 31 March 1631) was an English poet, scholar, soldier and secretary born into a recusant family, who later became a cleric in the Church of England. Under royal patronage, he was made Dean of St Paul's Cathedral in London (1621–1631). He is considered the preeminent representative of the metaphysical poets. His poetical works are noted for their metaphorical and sensual style and include sonnets, love poems, religious poems, Latin translations, epigrams, elegies, songs and satires. He is also known for his sermons.

Donne's style is characterised by abrupt openings and various paradoxes, ironies and dislocations. These features, along with his frequent dramatic or everyday speech rhythms, his tense syntax and his tough eloquence, were both a reaction against the smoothness of conventional Elizabethan poetry and an adaptation into English of European baroque and mannerist techniques. His early career was marked by poetry that bore immense knowledge of English society. A theme in Donne's later poetry is the idea of true religion, something that he spent much time considering and about which he often theorised. He wrote secular poems as well as erotic and love poems. He is particularly famous for his mastery of metaphysical conceits.

Marcus Valerius Martialis (known in English as Martial /ˈmɑːrʃəl/; March, between 38 and 41 AD – between 102 and 104 AD) was a Roman and Celtiberian poet born in Bilbilis, Hispania (modern Spain), best known for his twelve books of Epigrams, published in Rome between AD 86 and 103, during the reigns of the emperors Domitian, Nerva and Trajan. In these poems he satirises city life and the scandalous activities of his acquaintances and romanticises his provincial upbringing. He wrote a total of 1,561 epigrams, of which 1,235 are in elegiac couplets.

Martial has been called the greatest Latin epigrammatist, and is considered the creator of the modern epigram.