Word play in the context of "Heraclitus"

⭐ In the context of Heraclitus, wordplay is considered a characteristic that contributed to which of the following perceptions of his philosophical approach?

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⭐ Core Definition: Word play

Word play or wordplay (also: play-on-words) is a literary technique and a form of wit in which words used become the main subject of the work, primarily for the purpose of intended effect or amusement. Examples of word play include puns, phonetic mix-ups such as spoonerisms, obscure words and meanings, clever rhetorical excursions, oddly formed sentences, double entendres, and telling character names (such as in the play The Importance of Being Earnest, Ernest being a given name that sounds exactly like the adjective earnest).

Word play is quite common in oral cultures as a method of reinforcing meaning. Examples of text-based (orthographic) word play are found in languages with or without alphabet-based scripts, such as homophonic puns in Mandarin Chinese.

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👉 Word play in the context of Heraclitus

Heraclitus (/ˌhɛrəˈkltəs/; Ancient Greek: Ἡράκλειτος Hērákleitos; fl. c. 500 BC) was an ancient Greek pre-Socratic philosopher from the city of Ephesus, which was then part of the Persian Empire. He exerts a wide influence on Western philosophy, both ancient and modern, through the works of such authors as Plato, Aristotle, Georg Wilhelm Friedrich Hegel, Friedrich Nietzsche, and Martin Heidegger.

Little is known of Heraclitus's life. He wrote a single work, of which only fragments survive. Even in ancient times, his paradoxical philosophy, appreciation for wordplay, and cryptic, oracular epigrams earned him the epithets "the dark" and "the obscure". He was considered arrogant and depressed, a misanthrope who was subject to melancholia. Consequently, he became known as "the weeping philosopher" in contrast to the ancient atomist philosopher Democritus, who was known as "the laughing philosopher".

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Word play in the context of Spoken word

Spoken word is an oral poetic performance art that is based mainly on the poem as well as the performer's aesthetic qualities. It is a 20th-century continuation of an ancient oral artistic tradition that focuses on the aesthetics of recitation and word play, such as the performer's live intonation and voice inflection. Spoken word is a catch-all term that includes any kind of poetry recited aloud, including poetry readings, poetry slams, jazz poetry, pianologues, musical readings, and hip hop music, and can include comedy routines and prose monologues. Unlike written poetry, the quality of spoken word is shaped less by the visual aesthetics on a page, and more from phonaesthetics or the aesthetics of sound.

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Word play in the context of Joke

A joke is a display of humour in which words are used within a specific and well-defined narrative structure to make people laugh and is usually not meant to be interpreted literally. It usually takes the form of a story, often with dialogue, and ends in a punch line, whereby the humorous element of the story is revealed; this can be done using a pun or other type of word play, irony or sarcasm, logical incompatibility, hyperbole, or other means. Linguist Robert Hetzron offers the definition:

It is generally held that jokes benefit from brevity, containing no more detail than is needed to set the scene for the punchline at the end. In the case of riddle jokes or one-liners, the setting is implicitly understood, leaving only the dialogue and punchline to be verbalised. However, subverting these and other common guidelines can also be a source of humour—the shaggy dog story is an example of an anti-joke; although presented as a joke, it contains a long drawn-out narrative of time, place and character, rambles through many pointless inclusions and finally fails to deliver a punchline. Jokes are a form of humour, but not all humour is in the form of a joke. Some humorous forms which are not verbal jokes are: involuntary humour, situational humour, practical jokes, slapstick and anecdotes.

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Word play in the context of Lewis Carroll

Charles Lutwidge Dodgson (27 January 1832 – 14 January 1898), better known by his pen name Lewis Carroll, was an English author, poet, mathematician, photographer and reluctant Anglican deacon. His most notable works are Alice's Adventures in Wonderland (1865) and its sequel Through the Looking-Glass (1871), some of the most important examples of Victorian literature. He was noted for his facility with word play, logic, and fantasy. His poems Jabberwocky (1871) and The Hunting of the Snark (1876) are classified in the genre of literary nonsense. Some of Alice's nonsensical wonderland logic reflects his published work on mathematical logic.

Carroll came from a family of high-church Anglicans, and pursued his clerical training at Christ Church, Oxford, where he lived for most of his life as a scholar, teacher and (necessarily for his academic fellowship at the time) Anglican deacon. Alice Liddell – a daughter of Henry Liddell, the Dean of Christ Church – is widely identified as the original inspiration for Alice in Wonderland, though Carroll always denied this.

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Word play in the context of Black comedy

Black comedy, also known as black humor, bleak comedy, dark comedy, dark humor, gallows humor or morbid humor, is a style of comedy that makes light of subject matter that is generally considered taboo, particularly subjects that are normally considered serious or painful to discuss, aiming to provoke discomfort, serious thought, and amusement for their audience. Thus, in fiction, for example, the term black comedy can also refer to a genre in which dark humor is a core component.

Black comedy differs from blue comedy—which focuses more on topics such as nudity, sex, and body fluids—and from obscenity. Additionally, whereas the term black comedy is a relatively broad term covering humor relating to many serious subjects, gallows humor tends to be used more specifically in relation to death, or situations that are reminiscent of dying. Black humor can occasionally be related to the grotesque genre. Literary critics have associated black comedy and black humor with authors as early as the ancient Greeks with Aristophanes.

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Word play in the context of Pun

A pun, also known as a paronomasia in the context of linguistics, is a form of word play that exploits multiple meanings of a term, or of similar-sounding words, for an intended humorous or rhetorical effect. These ambiguities can arise from the intentional use of homophonic, homographic, metonymic, or figurative language. A pun differs from a malapropism in that a malapropism is an incorrect variation on a correct expression, while a pun involves expressions with multiple (correct or fairly reasonable) interpretations. Puns may be regarded as in-jokes or idiomatic constructions, especially as their usage and meaning are usually specific to a particular language or its culture.

Puns have a long history in writing. For example, the Roman playwright Plautus was famous for his puns and word games.

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Word play in the context of Double entendre

A double entendre (plural double entendres) is a figure of speech or a particular way of wording that is devised to have a double meaning, one of which is typically obvious, and the other often conveys a message that would be too socially unacceptable, or offensive to state directly.

A double entendre may exploit puns or word play to convey the second meaning. Double entendres generally rely on multiple meanings of words, or different interpretations of the same primary meaning. They often exploit ambiguity and may be used to introduce it deliberately in a text. Sometimes a homophone can be used as a pun. When three or more meanings have been constructed, this is known as a "triple entendre", etc.

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Word play in the context of Spoonerism

A spoonerism is an occurrence of speech in which corresponding consonants, vowels, or morphemes are switched (see metathesis) between two words of a phrase. These are named after the Oxford don and priest William Archibald Spooner, who reportedly commonly spoke in this way.

Examples include saying "blushing crow" instead of "crushing blow", or "runny babbit" instead of "bunny rabbit". While spoonerisms are commonly heard as slips of the tongue, they can also be used intentionally as a word play.

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