Epic formula in the context of "Homeric Hymns"

⭐ In the context of the Homeric Hymns, Epic_formula are considered...

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⭐ Core Definition: Epic formula

Oral-formulaic composition is a theory that originated in the scholarly study of epic poetry and developed in the second quarter of the twentieth century. It seeks to explain two related issues:

  1. the process by which oral poets improvise poetry
  2. the reasons for orally improvised poetry (or written poetry deriving from traditions of oral improvisation) having the characteristics that it does

The key idea of the theory is that poets have a store of formulae (a formula being 'an expression that is regularly used, under the same metrical conditions, to express a particular essential idea') and that by linking the formulae in conventionalised ways, poets can rapidly compose verse. Antoine Meillet expressed the idea in 1923, thus:

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👉 Epic formula in the context of Homeric Hymns

The Homeric Hymns (Ancient Greek: Ὁμηρικοὶ ὕμνοι, romanisedHomērikoì húmnoi) are a collection of thirty-three ancient Greek hymns and one epigram. The hymns praise deities of the Greek pantheon and retell mythological stories, often involving a deity's birth, their acceptance among the gods on Mount Olympus, or the establishment of their cult. In antiquity, the hymns were generally, though not universally, attributed to the poet Homer: modern scholarship has established that most date to the seventh and sixth centuries BCE, though some are more recent and the latest, the Hymn to Ares, may have been composed as late as the fifth century CE.

The Homeric Hymns share compositional similarities with the Iliad and the Odyssey, also traditionally attributed to Homer. They share the same artificial literary dialect of Greek, are composed in dactylic hexameter, and make use of short, repeated phrases known as formulae. It is unclear how far writing, as opposed to oral composition, was involved in their creation. They may initially have served as preludes to the recitation of longer poems, and have been performed, at least originally, by singers accompanying themselves on a lyre or another stringed instrument. Performances of the hymns may have taken place at sympotic banquets, religious festivals and royal courts.

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