Rigveda in the context of "Sanskrit language"

The term Indian classical drama refers to the tradition of dramatic literature and performance in ancient India. The roots of drama in the Indian subcontinent can be traced back to the Rigveda (1200-1500 BCE), which contains a number of hymns in the form of dialogues, or even scenes, as well as hymns that make use of other literary forms such as animal fables However, Indian drama begins its classical stage in the classical period with the composition of the Nātyaśāstra (lit. The Science of Drama). Indian classical drama is regarded as the highest achievement of Sanskrit literature.

The Buddhist playwright, poet and philosopher Asvaghosa, who composed the Buddhacarita, is considered to have been one of the first Sanskrit dramatists along with Bhāsa, who likely lived in the 2nd century BCE, and is famous for writing two of the only surviving tragedies in Sanskrit drama.

Religious texts, including scripture, are texts which various religions consider to be of central importance to their religious tradition. They often feature a compilation or discussion of beliefs, ritual practices, moral commandments and laws, ethical conduct, spiritual aspirations, and admonitions for fostering a religious community.

Within each religion, these texts are revered as authoritative sources of guidance, wisdom, and divine revelation. They are often regarded as sacred or holy, representing the core teachings and principles that their followers strive to uphold.

This is a list of languages arranged by age of the oldest existing text recording a complete sentence in the language. It does not include undeciphered writing systems, though there are various claims without wide acceptance, which, if substantiated, would push backward the first attestation of certain languages. It also does not include inscriptions consisting of isolated words or names from a language. In most cases, some form of the language had already been spoken (and even written) considerably earlier than the dates of the earliest extant samples provided here.

A written record may encode a stage of a language corresponding to an earlier time, either as a result of oral tradition, or because the earliest source is a copy of an older manuscript that was lost. An oral tradition of epic poetry may typically bridge a few centuries, and in rare cases, over a millennium. An extreme case is the Vedic Sanskrit of the Rigveda: the earliest parts of this text date to c. 1500 BC, while the oldest known manuscripts date to c. 1040 AD.Similarly the oldest Avestan texts, the Gathas, are believed to have been composed before 1000 BC, but the oldest Avestan manuscripts date from the 13th century AD.

Although definitions of music vary wildly throughout the world, every known culture partakes in it, and it is thus considered a cultural universal. The origins of music remain highly contentious; commentators often relate it to the origin of language, with much disagreement surrounding whether music arose before, after or simultaneously with language. Many theories have been proposed by scholars from a wide range of disciplines, though none has achieved broad approval. Most cultures have their own mythical origins concerning the invention of music, generally rooted in their respective mythological, religious or philosophical beliefs.

The music of prehistoric cultures is first firmly dated to c. 38,000 BC of the Upper Paleolithic by evidence of bone flutes, though it remains unclear whether or not the actual origins lie in the earlier Middle Paleolithic period (300,000 to 50,000 BP). There is little known about prehistoric music, with traces mainly limited to some simple flutes and percussion instruments. However, such evidence indicates that music existed to some extent in prehistoric societies such as the Xia dynasty and the Indus Valley civilisation. Upon the development of writing, the music of literate civilizations—ancient music—was present in the major Chinese, Egyptian, Greek, Indian, Persian, Mesopotamian, and Middle Eastern societies. It is difficult to make many generalizations about ancient music as a whole, but from what is known it was often characterized by monophony and improvisation. In ancient song forms, the texts were closely aligned with music, and though the oldest extant musical notation survives from this period, many texts survive without their accompanying music, such as the Rigveda and the Shijing Classic of Poetry. The eventual emergence of the Silk Road and increasing contact between cultures led to the transmission and exchange of musical ideas, practices, and instruments. Such interaction led to the Tang dynasty's music being heavily influenced by Central Asian traditions, while the Tang dynasty's music, the Japanese gagaku and Korean court music each influenced each other.

Sanskrit literature is a broad term for all literature composed in Sanskrit. This includes texts composed in the earliest attested descendant of the Proto-Indo-Aryan language known as Vedic Sanskrit, texts in Classical Sanskrit as well as some mixed and non-standard forms of Sanskrit. Literature in the older language begins during the Vedic period with the composition of the Rigveda between about 1500 and 1000 BCE, followed by other Vedic works right up to the time of the grammarian Pāṇini around 6th or 4th century BCE (after which Classical Sanskrit texts gradually became the norm).

Vedic Sanskrit is the language of the extensive liturgical works of the Vedic religion, while Classical Sanskrit is the language of many of the prominent texts associated with the major Indian religions, especially Hinduism and the Hindu texts, but also Buddhism, and Jainism. Some Sanskrit Buddhist texts are also composed in a version of Sanskrit often called Buddhist Hybrid Sanskrit or Buddhistic Sanskrit, which contains many Middle Indic (prakritic) elements not found in other forms of Sanskrit.

The Vedas (/ˈveɪdəz/ or /ˈviːdəz/; Sanskrit: वेदः, romanized: Vēdaḥ, lit. 'knowledge'), sometimes collectively called the Veda, are a large body of religious texts originating in ancient India. Composed in Vedic Sanskrit, the texts constitute the oldest layer of Sanskrit literature and the oldest scriptures of Hinduism.

There are four Vedas: the Rigveda, the Yajurveda, the Samaveda and the Atharvaveda. Each Veda has four subdivisions – the Samhitas (mantras and benedictions), the Brahmanas (commentaries on and explanation of rituals, ceremonies and sacrifices – Yajñas), the Aranyakas (text on rituals, ceremonies, sacrifices and symbolic-sacrifices), and the Upanishads (texts discussing meditation, philosophy and spiritual knowledge). Some scholars add a fifth category – the Upāsanās (worship). The texts of the Upanishads discuss ideas akin to the heterodox śramana traditions. The Samhitas and Brahmanas describe daily rituals and are generally meant for the Brahmacharya and Gr̥hastha stages of the Chaturashrama system, while the Aranyakas and Upanishads are meant for the Vānaprastha and Sannyasa stages, respectively.