Connotation in the context of Visual metaphor


Connotation in the context of Visual metaphor

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⭐ Core Definition: Connotation

A connotation is a commonly understood cultural or emotional association that any given word or phrase carries, in addition to its explicit or literal meaning, which is its denotation.

A connotation is frequently described as either positive or negative, with regard to its pleasing or displeasing emotional connection. For example, a stubborn person may be described as being either strong-willed or pig-headed; although these have the same literal meaning (stubborn), strong-willed connotes admiration for the level of someone's will (a positive connotation), while pig-headed connotes frustration in dealing with someone (a negative connotation).

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👉 Connotation in the context of Visual metaphor

A visual metaphor is a metaphor the medium of which is visual. Like in any other metaphor, one part of it, usually named "source", applies to another part, usually named "target", and reconstructs it. The point is that the metaphorical application or reconstruction in visual metaphor is made by means of visual tools, forms and compositions. Shimon Levi's and Arieh Cohen Ship Building (known also as Boat House) is an example of visual metaphor: its source is a ship, its target is a building, and the building is ship shaped. The visual metaphors philosopher Michalle Gal defines metaphor as made of three parts: source, target, and emergent properties which are gained by the combination of the source and target in a new composition, and reconstructs the target anew. According to Gal, and contrary to theories of conceptual metaphor, emergent properties cannot be pre-conceptualized and can be possessed only by the specific metaphor: a ship made of cement applies only to the Ship Building. Gal claims that the emergence is gained thanks to the power of compositions, that supply a context to the elements of metaphor that proffers significance thanks to their organization, mutual relations and influences. For Gal, since the power of metaphorical composition is best embodied by the visual media, visual metaphors are the paradigmatic metaphors and every kind of metaphors, conceptual or linguistic, are based on visuality.

There are claims that visual metaphor is pictorial analogy. It illustrates a comparison between what is in the visual, including its connotations and denotations with another thing and its meanings figuratively. For some visual metaphors the link between the images and what they are being compared to is the physical similarity while others it is the conceptual similarity. There are similar interpretations of the visual metaphors but each person can comprehend them a bit differently. There are different types which include: spatial and stylistic. They are also commonly used in advertising because of its ability to persuade.

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Connotation in the context of Officials

An official is someone who holds an office (function or mandate, regardless of whether it carries an actual working space with it) in an organization or government and participates in the exercise of authority (either their own or that of their superior or employer, public or legally private). The term officer is close to being a synonym, but it has more military connotations. An elected official is a person who is an official by virtue of an election.

Officials may also be appointed ex officio (by virtue of another office, often in a specified capacity, such as presiding, advisory, secretary). Some official positions may be inherited. A public official is an official of central or local government. A person who currently holds an office is referred to as an incumbent. Used as an adjective, something "official" refers to something endowed with governmental or other authoritative recognition or mandate, as in official language, official gazette, or official scorer.

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Connotation in the context of Denotation

In philosophy and linguistics, the denotation of a word or expression is its strictly literal meaning. For instance, the English word "warm" denotes the property of having high temperature. Denotation is contrasted with other aspects of meaning, in particular connotation. For instance, the word "warm" may evoke calmness, coziness, or kindness (as in the warmth of someone's personality) but these associations are not part of the word's denotation. Similarly, an expression's denotation is separate from pragmatic inferences it may trigger. For instance, describing something as "warm" often implicates that it is not hot, but this is once again not part of the word's denotation.

Denotation plays a major role in several fields. Within semantics and philosophy of language, denotation is studied as an important aspect of meaning. In mathematics and computer science, assignments of denotations are assigned to expressions are a crucial step in defining interpreted formal languages. The main task of formal semantics is to reverse engineer the computational system which assigns denotations to expressions of natural languages.

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Connotation in the context of Conspiracy theory

A conspiracy theory is an explanation for an event or situation that asserts the existence of a conspiracy (generally by powerful sinister groups, often political in motivation), when other explanations are more probable. The term generally has a negative connotation, implying that the appeal of a conspiracy theory is based in prejudice, emotional conviction, insufficient evidence, and/or paranoia. A conspiracy theory is distinct from a conspiracy; it refers to a hypothesized conspiracy with specific characteristics, including but not limited to opposition to the mainstream consensus among those who are qualified to evaluate its accuracy, such as scientists or historians. As such, conspiracy theories are identified as lay theories.

Conspiracy theories are generally designed to resist falsification either by evidence against them or a lack of evidence for them. They are reinforced by circular reasoning: both evidence against the conspiracy and absence of evidence for it are misinterpreted as evidence of its truth. Psychologist Stephan Lewandowsky observes "the stronger the evidence against a conspiracy, the more the conspirators must want people to believe their version of events." As a consequence, the conspiracy becomes a matter of faith rather than something that can be proven or disproven. Studies have linked belief in conspiracy theories to distrust of authority and political cynicism. Some researchers suggest that conspiracist ideation—belief in conspiracy theories—may be psychologically harmful or pathological. Such belief is correlated with psychological projection, paranoia, and Machiavellianism.

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Connotation in the context of Prediction

A prediction (Latin præ-, "before," and dictum, "something said") or forecast is a statement about a future event or about future data. Predictions are often, but not always, based upon experience or knowledge of forecasters. There is no universal agreement about the exact difference between "prediction" and "estimation"; different authors and disciplines ascribe different connotations.

Future events are necessarily uncertain, so guaranteed accurate information about the future is impossible. Prediction can be useful to assist in making plans about possible developments.

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Connotation in the context of Archaism

In language, an archaism is a word, a sense of a word, or a style of speech or writing that belongs to a historical epoch beyond living memory, but that has survived in a few practical settings or affairs. Lexical archaisms are single archaic words or expressions used regularly in an affair (e.g. religion or law) or freely; literary archaism is the survival of archaic language in a traditional literary text such as a nursery rhyme or the deliberate use of a style characteristic of an earlier age—for example, in his 1960 novel The Sot-Weed Factor, John Barth writes in an 18th-century style. Archaic words or expressions may have distinctive emotional connotations—some can be humorous (forsooth), some highly formal (What say you?), and some solemn (With thee do I plight my troth). The word archaism is from the Ancient Greek: ἀρχαϊκός, archaïkós, 'old-fashioned, antiquated', ultimately ἀρχαῖος, archaîos, 'from the beginning, ancient'.

A distinction between archaic and obsolete words and word senses is widely used by dictionaries. An archaic word or sense is one that still has some current use but whose use has dwindled to a few specialized contexts, outside which it connotes old-fashioned language. In contrast, an obsolete word or sense is one that is no longer used at all. A reader encounters them when reading texts that are centuries old. For example, the works of Shakespeare are old enough that some obsolete words or senses are encountered therein, for which glosses (annotations) are often provided in the margins.

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Connotation in the context of Ethnic slur

The following is a list of ethnic slurs, ethnophaulisms, or ethnic epithets that are, or have been, used as insinuations or allegations about members of a given ethnic, national, or racial group or to refer to them in a derogatory, pejorative, or otherwise insulting manner.

Some of the terms listed below can be used in casual speech without any intention of causing offense. Others are so offensive that people might respond with physical violence. The connotation of a term and prevalence of its use as a pejorative or neutral descriptor varies over time and by geography.

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Connotation in the context of Loaded language

Loaded language is rhetoric used to influence an audience by using words and phrases with strong connotations. This type of language is very often made vague to more effectively invoke an emotional response and/or exploit stereotypes. Loaded words and phrases have significant emotional implications and involve strongly positive or negative reactions beyond their literal meaning.

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Connotation in the context of Commercialization

Commercialisation or commercialization is the process of introducing a new product or production method into commerce—making it available on the market. The term often connotes especially entry into the mass market (as opposed to entry into earlier niche markets), but it also includes a move from the laboratory into (even limited) commerce. Many technologies begin in a research and development laboratory or in an inventor's workshop and may not be practical for commercial use in their infancy (as prototypes). The "development" segment of the "research and development" spectrum requires time and money as systems are engineered with a view to making the product or method a paying commercial proposition.

The product launch of a new product is the final stage of new product development – at this point advertising, sales promotion, and other marketing efforts encourage commercial adoption of the product or method. Beyond commercialization (in which technologies enter the business world) can lie consumerization (in which they become consumer goods, as for example when computers went from the laboratory to the enterprise and then to the home, pocket, or body).

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Connotation in the context of Wickedness

Wickedness is generally considered a synonym for evil or sinfulness. Among theologians and philosophers, it has the more specific meaning of a profound evil committed consciously and of free will. It can also be considered the quality or state of being wicked.

As characterized by Martin Buber in his 1952 work Bilder von Gut und Böse (translated as Good and Evil: Two Interpretations), "The first stage of evil is 'sin,' occasional directionlessness. Endless possibility can be overwhelming, leading man to grasp at anything, distracting and busying himself, in order to not have to make a real, committed choice. The second stage of evil is 'wickedness,' when caprice is embraced as a deformed substitute for genuine will and becomes characteristic." Wickedness connotes blameworthiness.

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Connotation in the context of Intragroup conflict

In: sociology, group dynamics, intragroup conflict refers to conflict, confrontation, disagreement between two or more members of the same group or team the consequence or result of which could be either positive (beneficial) or negative. The term infighting has a similar usage of inner-group disagreement but with the combatative connotation, fighting, the dynamics of which are termed agonistic behaviour. Usage of the term internecine fighting as intragroup includes war.

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Connotation in the context of Apostates

Apostasy (/əˈpɒstəsi/; Ancient Greek: ἀποστασία, romanizedapostasía, lit.'defection, revolt') is the formal disaffiliation from, abandonment of, or renunciation of a religion by a person. It can also be defined within the broader context of embracing an opinion that is contrary to one's previous religious beliefs. One who undertakes apostasy is known as an apostate. Undertaking apostasy is called apostatizing (or apostasizing – also spelled apostacizing). The term apostasy is used by sociologists to mean the renunciation and criticism of, or opposition to, a person's former religion, in a technical sense, with no pejorative connotation.

Occasionally, the term is also used metaphorically to refer to the renunciation of a non-religious belief or cause, such as a political party, social movement, or sports team.

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Connotation in the context of Intension

In any of several fields of study that treat the use of signs—for example, in linguistics, logic, mathematics, semantics, semiotics, and philosophy of language—an intension is any property or quality connoted by a word, phrase, or another symbol. In the case of a word, the word's definition often implies an intension. For instance, the intensions of the word plant include properties such as "being composed of cellulose (not always true)", "alive", and "organism", among others. A comprehension is the collection of all such intensions.

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