Connection (dance) in the context of "Open position"

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⭐ Core Definition: Connection (dance)

In partner dancing, connection is physical, non-verbal communication between dancers to facilitate synchronized or coordinated dance movements. Some forms of connection involve "lead/follow" in which one dancer (the "lead") directs the movements of the other dancer (the "follower") by means of non-verbal directions conveyed through a physical connection between the dancers. In other forms, connection involves multiple dancers (more than two) without a distinct leader or follower (e.g. contact improvisation). Connection refers to a host of different techniques in many types of partner dancing, especially (but not exclusively) those that feature significant physical contact between the dancers, including the Argentine Tango, Lindy Hop, Balboa, East Coast Swing, West Coast Swing, Salsa, and other ballroom dances.

Other forms of communication, such as visual cues or spoken cues, sometimes aid in connecting with one's partner, but are often used in specific circumstances (e.g., practicing figures, or figures which are purposely danced without physical connection). Connection can be used to transmit power and energy as well as information and signals; some dance forms (and some dancers) primarily emphasize power or signaling, but most are probably a mixture of both. Philosopher of dance Ilya Vidrin argues that connection between partners involves norm-based communication that include β€œa physical exchange of information on the basis of ethically-bound conditions” (proximity, orientation, and points of contact) which constrain agency and predictability.

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πŸ‘‰ Connection (dance) in the context of Open position

In partner dancing, an open position is a position in which partners are connected primarily at the hands. The connection is through the hands, wrists, and fingers, and relies heavily on frame and the compression and tension of both partners' arms. This is as opposed to a closed position, where partners are in closer body contact.

Many forms of dancing use the open position. Modern Jive, East Coast Swing, West Coast Swing, Lindy Hop, and Latin are primary examples, but an open position is used in waltz, country, and other styles at times.

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Connection (dance) in the context of Circle dance

Circle dance, or chain dance, is a style of social dance done in a circle, semicircle or a curved line to musical accompaniment, such as rhythm instruments and singing, and is a type of dance where anyone can join in without the need of partners. Unlike line dancing, circle dancers are in physical contact with each other; the connection is made by hand-to-hand, finger-to-finger or hands-on-shoulders, where they follow the leader around the dance floor. Ranging from gentle to energetic, the dance can be an uplifting group experience or part of a meditation.

Being probably the oldest known dance formation, circle dancing is an ancient tradition common to many cultures for marking special occasions, rituals, strengthening community and encouraging togetherness. Circle dances are choreographed to many different styles of music and rhythms. Modern circle dance mixes traditional folk dances, mainly from European or Near Eastern sources, with recently choreographed ones to a variety of music both ancient and modern. There is a growing repertoire of new circle dances to classical music and contemporary songs.

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Connection (dance) in the context of Handhold (dance)

A handhold is a manner in which the dancers hold each other's hands during the dance. A hold is the way one partner holds another one with hands.Hold and handhold are important components of connection in dance.

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Connection (dance) in the context of Dance step

Dance moves or dance steps (more complex dance moves are called dance patterns, dance figures, dance movements, or dance variations) are usually isolated, defined, and organized so that beginning dancers can learn and use them independently of each other. However, more complex movements are influenced by musicality and lyrical relevance to express emotions or refer to a message. Dance moves tend to emphasize the concepts of lead and follow and connection.

In most cases, dance moves by themselves are independent of musicality, which is the appropriateness of a move to the music (for a notable exception, see Bharatanatyam). Generally, they are memorized in sets of eight counts. Also there are two different movements: concrete and abstract. These two movements show time, space, relationship, quality and focus. For example, relationship could describe the movement of two or more different dancers. The names of moves may be somewhat arbitrary and vary from person to person and city to city.

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Connection (dance) in the context of Closed position

In partner dancing, closed position is a category of positions in which partners hold each other while facing at least approximately toward each other.

Closed positions employ either body contact or body support, that is, holding each other is not limited to handhold. If the partners are comfortable with each other and the dance style allows it, body contact increases the connection between the partners. Some dances, such as Balboa and Collegiate Shag are only done in body contact.

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Connection (dance) in the context of West Coast Swing

West Coast Swing is a partner dance with roots in Lindy Hop, characterized by an elastic look that results from its extension-compression technique of partner connection. It is danced primarily in a slotted area on the dance floor. The dance allows for both partners to improvise steps while dancing together, putting West Coast Swing in a short list of dances that emphasize improvisation.

Typically the follower is led forward into new patterns traveling forward on counts "1" and "2" of each basic pattern, rather than rocking back. Traditional figures include 6-count and 8-count patterns of one of the four basic varieties: (1) Starter Step, (2) Side Pass, (3) Push Break / Sugar Push, (4) Whip. The Anchor Step is a common ending pattern of many West Coast Swing figures.

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Connection (dance) in the context of Lead and follow (dance)

In some types of partner dance, lead and follow are designations for the two dancers' roles in a dance pairing. The leader is responsible for guiding the couple and initiating transitions to different dance steps and, in improvised dances, for choosing the dance steps to perform. The leader communicates choices to the follower, and directs the follower by means of subtle physical and visual signals, thereby allowing the pair to be smoothly coordinated.

The amount of direction given by the leader depends on several factors, including dance style, social context of the dance, and experience and personalities of the dancers. Traditionally, the male dance partner was the leader and the female dance partner was the follower. In the 21st century, it has become increasingly common to see partnerships that buck this dynamic, particularly in more socially progressive dance styles.

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Connection (dance) in the context of Hand dancing

Hand dancing, also known as D.C. hand dancing or D.C. swing, is a form of swing dance that can be traced as far back as the 1920s, from Lindy Hop and the Jitterbug, to the 1950s when dancers in the District of Columbia developed their own variety. It is characterized by gliding footwork and continuous hand connection/communication between the partners, hence its name. It fell out of favor during the disco era, but in the 1980s, Hand Dance resurfaced in the Washington dance community.

In 1993, the Smithsonian Institution recognized Hand Dance as an American Art Form, and the Smithsonian exhibit led to the establishment of the National Hand Dance Association.

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