Swing dance in the context of "Hand dancing"

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👉 Swing dance in the context of Hand dancing

Hand dancing, also known as D.C. hand dancing or D.C. swing, is a form of swing dance that can be traced as far back as the 1920s, from Lindy Hop and the Jitterbug, to the 1950s when dancers in the District of Columbia developed their own variety. It is characterized by gliding footwork and continuous hand connection/communication between the partners, hence its name. It fell out of favor during the disco era, but in the 1980s, Hand Dance resurfaced in the Washington dance community.

In 1993, the Smithsonian Institution recognized Hand Dance as an American Art Form, and the Smithsonian exhibit led to the establishment of the National Hand Dance Association.

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Swing dance in the context of East Coast Swing

East Coast Swing (ECS) is a form of social partner dance. It belongs to the group of swing dances. It is danced under fast swing music, including: big band, rock and roll, rockabilly, and boogie-woogie.

Yerrington and Outland equated East Coast Swing to the New Yorker in 1961. Originally known as "Eastern Swing" by Arthur Murray Studios, the name East Coast Swing became more common between 1975 and 1980.

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Swing dance in the context of Boogie-woogie (dance)

Boogie-woogie dance is a European variation of swing dance often done competitively that developed in the 1940s. Although its name derives from the boogie-woogie genre of music, it is most often danced to rock music. The form is cited in Madonna's hit single "Music".

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Swing dance in the context of Breakaway (dance)

Breakaway (Break-A-Way) was a swing dance, originally a syncopated Two-step. In the Polka, a step called the Coquette (Love Chase) is defined as "The lady escapes from her partner and polkas solo while the gent pursues her, arms akimbo."

The Break-Away was the name of swing before being named the Lindy Hop by Shorty George in 1927. The Breakaway was a cross between the "Texas Tommy, Two-step, Apache Dance, Turkey Trot, Cakewalk and Grizzly Bear.

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