Confessional poetry in the context of "Sylvia Plath"

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⭐ Core Definition: Confessional poetry

Confessional poetry or "Confessionalism" is a style of poetry that emerged in the United States during the late 1950s and early 1960s. It is sometimes classified as a form of Postmodernism. It has been described as poetry of the personal or "I", focusing on extreme moments of individual experience, the psyche, and personal trauma, including previously and occasionally still taboo matters such as mental illness, sexuality, and suicide, often set in relation to broader social themes.

The confessional poet's engagement with personal experience has been explained by literary critics as an effort to distance oneself from the horrifying social realities of the twentieth century. Events like the Holocaust, the Cold War, and existential threat brought by the proliferation of nuclear weapons had made public matters daunting for both confessional poets and their readers. The confessional poets also worked in opposition to the idealization of domesticity in the 1950s, by revealing unhappiness in their own homes.

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👉 Confessional poetry in the context of Sylvia Plath

Sylvia Plath (/plæθ/; October 27, 1932 – February 11, 1963) was an American poet and author. She is credited with advancing the genre of confessional poetry and is best known for The Colossus and Other Poems (1960), Ariel (1965), and The Bell Jar (1963), a semi-autobiographical novel published one month before her suicide. The Collected Poems was published in 1981, which included previously unpublished works. For this collection Plath was awarded a Pulitzer Prize for Poetry in 1982, making her the fourth person to receive this honor posthumously.

Born in Boston, Massachusetts, Plath graduated from Smith College in Northampton, Massachusetts and then the University of Cambridge in England, where she was a Fulbright student at Newnham College. In 1959, Plath took a creative writing seminar with Robert Lowell at Boston University, alongside poets Anne Sexton and George Starbuck. She married fellow poet Ted Hughes in 1956 in London. In 1957, they briefly moved to the United States, but moved back to England in winter 1959. Their relationship was tumultuous and, in her letters, Plath alleges abuse at his hands. They had two children, Frieda and Nicholas, before separating in 1962.

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Confessional poetry in the context of Emo

Emo (/ˈm/ EE-moh) is a genre of rock music that combines musical characteristics of hardcore punk with emotional, often confessional lyrics. It emerged as a style of hardcore punk and post-hardcore from the mid-1980s Washington, D.C., hardcore scene, where it was known as emotional hardcore or emocore. The bands Rites of Spring and Embrace, among others, pioneered the genre. In the early-to-mid 1990s, emo was adopted and reinvented by alternative rock, indie rock, punk rock, and pop-punk bands, including Sunny Day Real Estate, Jawbreaker, Cap'n Jazz, Mineral, and Jimmy Eat World. By the mid-1990s, Braid, the Promise Ring, American Football, and the Get Up Kids emerged from Midwest emo, and several independent record labels began to specialize in the genre. Meanwhile, screamo, a more aggressive style of emo using screamed vocals, also emerged, pioneered by the San Diego bands Heroin and Antioch Arrow. Screamo achieved mainstream success in the 2000s with bands like Hawthorne Heights, Silverstein, Story of the Year, Thursday, the Used, and Underoath.

The emo subculture signifies a specific relationship between fans and artists and certain aspects of fashion, culture, and behavior. Emo fashion includes skinny jeans, black eyeliner, tight t-shirts with band names, studded belts, and flat, straight, jet-black hair with long bangs. Since the early-to-mid 2000s, fans of emo music who dress like this are referred to as "emo kids" or "emos". The emo subculture was stereotypically associated with social alienation, sensitivity, misanthropy, introversion, and angst. Purported links to depression, self-harm, and suicide, combined with its rise in popularity in the early 2000s, inspired a backlash against emo, with some bands, including My Chemical Romance and Panic! at the Disco, rejecting the emo label because of the social stigma and controversy surrounding it. There has long been controversy over which bands are labeled "emo", especially for bands that started outside traditional emo scenes; a viral website, Is This Band Emo?, was created to address one fan's opinion on this question. Emo and its subgenre emo pop entered mainstream culture in the early 2000s with the success of Jimmy Eat World and Dashboard Confessional, and many artists signed contracts with major record labels. Bands such as My Chemical Romance, AFI, Fall Out Boy, and the Red Jumpsuit Apparatus continued the genre's popularity during the rest of the decade.

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Confessional poetry in the context of Confessional writing

Confessional writing is a literary style and genre that developed in American writing schools following the Second World War. A prominent mode of confessional writing is confessional poetry, which emerged in the 1950s and 1960s. Confessional writing is often historically associated with Postmodernism due to the features which the modes share: including self-performativity and self-reflexivity; discussions of culturally taboo subjects; and the literary influences of personal conflict and historical trauma. Confessional writing also has historical origins in Catholic confessional practices. As such, confessional writing is congruent with psychoanalytic literary criticism. Confessional writing is also a form of life writing, especially through the autobiography form.

Confessional writing usually involves the disclosure of personal revelations and secrets, often in first-person, non-fiction forms such as diaries and memoirs. Confessional writing often employs colloquial speech and direct language to invoke an immediacy between reader and author. Confessional writers also use this direct language to radically reduce the distance between the speaker-persona of a text and the writer's personal voice. Confessional writing can also be fictive, such as in the hybrid form of the roman à clef.

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Confessional poetry in the context of Anne Sexton

Anne Sexton (born Anne Gray Harvey; November 9, 1928 – October 4, 1974) was an American poet known for her highly personal, confessional verse. She won the Pulitzer Prize for poetry in 1967 for her book Live or Die. Her poetry details her long battle with bipolar disorder, suicidal tendencies, and intimate details from her private life, including relationships with her husband and children, whom she physically and sexually assaulted.

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