Psychoanalytic literary criticism in the context of "Confessional writing"

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⭐ Core Definition: Psychoanalytic literary criticism

Psychoanalytic literary criticism is literary criticism or literary theory that , in method, concept, or form, is influenced by the tradition of psychoanalysis begun by Sigmund Freud.

Psychoanalytic reading has been practiced since the early development of psychoanalysis itself, and has developed into a heterogeneous interpretive tradition. As Celine Surprenant writes, "Psychoanalytic literary criticism does not constitute a unified field. However, all variants endorse, at least to a certain degree, the idea that literature ... is fundamentally entwined with the psyche."

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👉 Psychoanalytic literary criticism in the context of Confessional writing

Confessional writing is a literary style and genre that developed in American writing schools following the Second World War. A prominent mode of confessional writing is confessional poetry, which emerged in the 1950s and 1960s. Confessional writing is often historically associated with Postmodernism due to the features which the modes share: including self-performativity and self-reflexivity; discussions of culturally taboo subjects; and the literary influences of personal conflict and historical trauma. Confessional writing also has historical origins in Catholic confessional practices. As such, confessional writing is congruent with psychoanalytic literary criticism. Confessional writing is also a form of life writing, especially through the autobiography form.

Confessional writing usually involves the disclosure of personal revelations and secrets, often in first-person, non-fiction forms such as diaries and memoirs. Confessional writing often employs colloquial speech and direct language to invoke an immediacy between reader and author. Confessional writers also use this direct language to radically reduce the distance between the speaker-persona of a text and the writer's personal voice. Confessional writing can also be fictive, such as in the hybrid form of the roman à clef.

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Psychoanalytic literary criticism in the context of Identification (literature)

Identification refers to the automatic, subconscious psychological process in which an individual becomes like or closely associates themselves with another person by adopting one or more of the others' perceived personality traits, physical attributes, or some other aspect of their identity. The concept of identification was founded by psychoanalyst Sigmund Freud in the 1920’s, and has since been expanded on and applied in psychology, social studies, media studies, and literary and film criticism. In literature, identification most often refers to the audience identifying with a fictional character, however it can also be employed as a narrative device whereby one character identifies with another character within the text itself.

Varying interpretations of Freud's original concept of identification are found in literary and film theory traditions, such as psychoanalytic literary criticism, archetypal literary criticism, and Lacanian film analysis, and in the works of prominent theorists and critics such as Northrop Frye, Laura Mulvey, and Christian Metz. Acclaimed filmmaker Alfred Hitchcock used specific camera and acting techniques in his films to incite audience identification with his characters in order to create suspense.

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